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1

Aesthetics as Metaphysics and Passion

100%

Shatunova T. M.

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2014

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nr 3

40-44

EN

Philosophy is an inquiry and way of life. Is it possible to apply this formula to aes-thetics? There is no doubt that aesthetics is always an investigation, a questioning. However, is it possible to speak about aesthetics as a way of life, too? To answer this question, it is necessary to understand what happens in aesthetic theory today, or rather, what is contemporary aesthetics of today.

2

Compte rendu de la passion. À propos de la lecture religieuse de Phèdre de Racine

99%

Tomczak P.

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nr 1

109-125

EN

The classicist, Christianized iteration of the myth of Phaedra demonstrates the particular nature of the tensions between Christian metaphysics and social morality. Based on the Pascal’s paradox of the righteous sinner. Racines Phèdre not only represents a certain historical, Jansenist system of values, but also makes it possible to see anew the aporias that have characterized Christian ethics until the present day: its deep anti-politics, the problematic relationship between erotic love, “mercy” and righteousness, the ambivalence of the virtue of temperance, or the connection between metaphysical purity and impersonal order.

FR

The classicist, Christianized iteration of the myth of Phaedra demonstrates the particular nature of the tensions between Christian metaphysics and social morality. Based on the Pascal’s paradox of the righteous sinner. Racines Phèdre not only represents a certain historical, Jansenist system of values, but also makes it possible to see anew the aporias that have characterized Christian ethics until the present day: its deep anti-politics, the problematic relationship between erotic love, “mercy” and righteousness, the ambivalence of the virtue of temperance, or the connection between metaphysical purity and impersonalorder.

3

Szukając tożsamości na styku kultur. Pasja wg św. Jana Sofii Gubajduliny

72%

STOCHNIOL M.

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nr 10

107–117

PL

Artykuł ukazuje problematykę obecności elementów kultury Wschodu i Zachodu w twórczości rosyjskiej kompozytorski Sofii Gubajduliny na przykładzie jednego z najważniejszych dzieł w jej dorobku – Pasji wg św. Jana. Tekst podejmuje w pierwszej kolejności takie zagadnienia, jak obecność gatunku pasji w tradycji kościoła wschodniego i źródła inspiracji dla powstania utworu. Następnie wskazane zostały źródła tekstu kompozycji oraz ich teologiczny wydźwięk. Na koniec ma miejsce charakterystyka najważniejszych elementów muzycznych stanowiących z jednej strony o łączności Pasji Janowej z kulturą Wschodu i Zachodu, z drugiej zaś o rozpoznawalnym idiomie stylistycznym tej kompozytorki.

EN

The article presents the issue of coexistence of eastern and western cultural elements in the artistic output of the Russian composer Sofia Gubaidulina, using as an example one of her most important works – ‘St John Passion’. The text gives priority to such questions as the presence of the genre of passion in the Eastern Church tradition or the source of inspiration for a work of art. Then author indicates the sources of the composition text and their theological meaning and finally describes the most important musical elements, which bind ‘St John Passion’ to the eastern and western culture and simultaneously constitute a recognizable stylistic idiom of the composer.