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1 Kultura Współczesna. Teoria. Interpretacje. Praktyka

1 2022

1 Nowak T.

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Między falą radiową, płytą gramofonową i taśmą magnetofonową: muzyka tradycyjna a fonografia w Polsce

100%

Nowak T.

nr 3

103-113

On the one hand, in Polish ethnomusicology, phonography is perceived as a perfect means for documenting traditional music and its performances; on the other hand, it is criticised for popularising foreign patterns and causing undesirable changes in traditional musical cultures. Both points of view are dominated by the perspective of a researcher. This article approaches phonography from the vantage point of traditional musical culture participants in Poland based on opinions collected as part of field studies dedicated to other issues. The era of recording the real sounds was preceded by the stage of coding the intended sounds derived from foreign patterns, which undoubtedly made contemporary researchers ill-disposed to this type of devices. Five decades ago, Jadwiga Sobieska adopted such an approach to radio and radiophonisation, gramophone records and soundcards (audio recordings on postcards), and reel-to-reel tapes and compact cassettes. As a result, this discussion also focuses on these three media (carrier) types. While aware that this review does not exhaust the topic, the author proposes a perspective that is closer to the studied participants of culture, recognising other values and research problems that could serve as the starting point for further and more advanced research to ensure a more complete coverage of the analysed aspects of reality.