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Gdańscy wydawcy nut w XIX i pierwszej połowie XX wieku

100%

Kubiak A.

2021

tom 38

199-217

The Gdańsk publishers of printed music included both large, energetically operating companies, and small firms we know of only from single publications. The majority of them are booksellers who, just like in the 17th and 18th centuries, financed – and sometimes also copied in their own printing establishments – the items they were selling. Additionally, they not only extended the range of goods in their bookshops to include stationery, works of art and instruments, including grand pianos, but also offered a broad range of services, such as the lending of books and printed music, and even organising concerts. During the period in question, the range of publications covered school and church songbooks (mostly Protestant), but also compositions designed to entertain, with the dominating role of the grand piano as a solo and accompanying instrument. What marked out Gdańsk at the end of the 19th century/ beginning of the 20th century, was its published works for male choirs, addressed to the city’s numerous singing associations.

Rerum patris Pii Hancke. O muzykaliach nyskiego dominikanina

51%

Hauptmn-Fischer E.

tom 2

81-93

The collection of Pius Hancke’s works includes numerous pieces written for the harp. Its outstanding repertoire and provenance distinguishes it from other monastic collections. The collection belonged to the monk who developed it during his whole life and carried it with him when changing places he lived in. Last 30 years of his life Pius Hancke spent in Dominican monastery in Nysa. Notes used during the liturgy (masses, litanies) certainly were used there and currently are the only testimony of the music culture of this monastery. Next to liturgical pieces Hancke’s collection includes a number of instrumental pieces for the harp with the accompaniment of other instruments and contrafacta of opera arias. The latter often include arrangements of harp parts, most probably made by Hancke himself. Scriptors’ names relate this collection to the unique manuscript containing Antonio Vivaldi’s Credo.

Blade kłosy na odłogu… – an unknown poem by Norwid

51%

Chlebowska E. , Chlebowski P.

2016

tom 34 English Version

101-124

This article is a republication of an unknown poem by Norwid, entitled Blade kłosy na odłogu [Pale ears on the fallow...]. The text is taken from the sheet music edition of two songs published by Kazimierz Lubomirski (the latter song is authored by Lucjan Siemieński), developed for voice and piano. Most probably, the score was published in the spring of 1851. The article attempts to unveil the circumstances of how the work came into being and it settles the problem of its unclear authorship and roots. Moreover, it shows a story of a musical piece that has for long remained unknown, and which was well-recognized in the realm of household musical culture at the turn of the 20th century.