Wyniki wyszukiwania - Biblioteka Nauki

1

Spektakl Zakonnice Odchodzą po Cichu jako Przykład Tendencji Demaskatorskich w Polskim Teatrze Dokumentalnym

100%

Zimnica-Kuzioła E.

Sztuka i Dokumentacja

|

2018

|

nr 18

241-247

PL

Artykuł dotyczy tendencji demaskatorskich w polskim teatrze dokumentalnym. W pierwszej części Autorka podejmuje próbę ujęcia differentia specifica teatru dokumentalnego i rozważa przyczyny zwiększonego zainteresowania tym nurtem zarówno ze strony profesjonalnych krytyków, jak i potocznych widzów. Druga część tekstu stanowi analizę spektaklu Zakonnice odchodzą po cichu, zrealizowanego w opolskim Teatrze im. Jana Kochanowskiego. Przedstawienie powstało na kanwie głośnego reportażu Marty Abramowicz, która przeprowadziła dwadzieścia rozmów z byłymi mniszkami. Twórczynie spektaklu poszerzyły jego spektrum tematyczne o problem aktorstwa i poszukiwały analogii pomiędzy powołaniem zakonnym i misją społeczną aktora. Rozważając problem demaskatorskiego charakteru nagrodzonego Złotą Maską dzieła teatralnego, Autorka konstatuje, iż dotyczy ono kwestii tabuizowanych w publicznym dyskursie i dlatego generuje tak silne emocje widzów. Relacje sióstr, które odeszły z zakonu to ich subiektywna prawda, to zwierzenia intencjonalnie hiperbolizujące ciemną stronę zakonnej rzeczywistości. Niemniej przełamują one milczenie na temat realiów zakonnego życia i animują dyskusję dotyczącą podrzędnej roli kobiet w strukturach Kościoła. Teatr dokumentalny ma zatem potencjał odkrywania treści niepopularnych, traktowanych jako społeczne tabu.

2

O współczesnych autobiografiach słów kilka

100%

Olszewska N.

Prace Literaturoznawcze

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2014

|

nr 2

101-109

EN

Autobiographies – it’s not only literary phenomenon – it’s connected with society and media as well. Can we think about this kind of publications like about every different kind of books: focus on style, value writers technique or the only one important criterion is truth and the best measure of success is popularity in media based on scandalous facts from life? How are autobiographies connected with Polish and global literature? Why do people already well-known because of their work, skills or success in art or Policy decise to write abort themselves? Are polish readers ready to see real faces of important, famous people, authorities? Here in this article an author is trying to find answers for all those and more questions abort (auto)biographies.

3

Il caso della Contessa Cornelia Zangheri ne' Bandi in due testi del secolo XVIII dal punto di vista del genere non-fiction

99%

Boni F.

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

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2017

|

tom 17

68-78

PL

Przypadek hrabiny Cornelii Zangheri ne’ Bandi w dwóch tekstach XVIII w. z punktu widzenia gatunku non-fiction Streszczenie Artykuł przedstawia dwa teksty z XVIII w. dotyczące wydarzenia, które miało miejscew mieście Cesena w 1731 r.: Parere sopra la cagione della morte della Signora ContessaCornelia Zangheri ne’ Bandi cesenate esposto in una lettera al signor co. Ottolino Ottolini daGiuseppe Bianchini canonico di Verona oraz Relazione del funestissimo evento della SignoraCornelia Zangheri ne’ Bandi occorso li 20 Marzo 1731 in Cesena (anonimowy rękopis, któregoautorem jest prawdopodobnie Scipione Maffei). Te dwa teksty zostały poddane analiziez punktu widzenia gatunku non-fiction, aby odpowiedzieć na pytanie, czy stanowią oneprzykład tego gatunku, chociaż ante litteram. Słowa kluczowe: non fiction, Giuseppe Bianchini, Cornelia Zangheri, XVIII w., kronika The case of the Countess Cornelia Zangheri ne’ Bandi in two 18th century worksfrom non-fiction point of view Abstract The article presents the 18th century texts regarding an event that occurred in Cesena in1731: Parere sopra la cagione della morte della Signora Contessa Cornelia Zangheri ne’ Bandicesenate esposto in una lettera al signor co. Ottolino Ottolini da Giuseppe Bianchini canonicodi Verona oraz Relazione del funestissimo evento della Signora Cornelia Zangheri ne’ Bandioccorso li 20 Marzo 1731 in Cesena (anonymous manuscript whose author is most probablyScipone Maffei). Those two texts were analyzed from the non-fiction point of view in order toanswer the question whether they are examples of said genre, even if ante litteram. Keywords: non fiction, Giuseppe Bianchini, Cornelia Zangheri, 18th century, chronicle

4

Od abecadlnika do encyklopedii, czyli o picturebooku Iwony Chmielewskiej abc.de

99%

Chwirot A.

Poznańskie Studia Polonistyczne. Seria Literacka

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2023

|

nr 44

303-325

EN

Iwona Chmielewska’s picturebook abc.de published in 2015 has been called a ‘dictionary’, ‘primer’, ‘ABC book’ and it has been compared to an encyclopaedia. Early-concept or concept books have been mentioned in its context, as well as the title of other books by Chmielewska, ‘thinking ABC’, this time as a specific name for a particular type of work. The terms ‘rebus’, ‘puzzle’, ‘riddle’, ‘intellectual game’ also appear frequently. All this together suggests how complex and multi-layered the book is and how much it draws on various forms. The aim of this article, therefore, is to look at what forms, in what way and for what purpose Iwona Chmielewska uses in abc.de and how it all relates to contemporary trends in the development of non-fiction picturebooks.

5

Narracje faktograficzne w światach dystopijnych

99%

Zimnoch M.

Estetyka i Krytyka

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2014

|

nr 4(35)

73-87

XX

The herein paper explores dystopian storyworlds in terms of factual narratives. However, the factual element among the fictional world does not necessarily refer to an actual world (e.g. “Our Ford” from the Huxley’s Brave New World). It is rather a being that is claimed to be factual from the fictional universe’s perspective. Hence, a variety of fictional diaries, archival recordings, private notes of fictional characters or definitions from non-existing encyclopedias – however fantastic they may be from the realistic perspective – they are factual in terms of what is real and what is not within the fictional storyworld. Consequently, the Wookiepedia (encyclopedia of Star Wars) is purely fictional within an actual world (however, it still exists in the “real” Internet) but is obviously factual for any citizen of the Star Wars universe. The paper examines how the “factual” narratives existing within the fictional dystopian storyworlds influence the whole story and what are the most popular forms of their appearance in such a novels.

6

Сучасна українська проза після 24 лютого 2022: рецепція війни

85%

Trofymenko T.

Studia Interkulturowe Europy Środkowo-Wschodniej

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2023

|

tom 16

97-113

EN

Modern Ukrainian Prose after 24 February 2022. Reception of the War: The article analyses Ukrainian prose works published after the Russian aggression against Ukraine on 24 February 2022. Generally, the newest Ukrainian prose gravitates more towards the non-fiction genre framework. It is represented by numerous anthologies, mainly with pieces by famous writers, literary critics, and public figures. The authors record personal experiences and reflect on the history of the Russian-Ukrainian confrontation in historical retrospect. Today, the non-fiction format is more popular because it allows essayists to talk about painful topics from a more moderate position and broadcast the situation of Ukrainians to the international community through the mobile genre of short journalistic prose. At the same time, the revaluation of values experienced currently by millions of Ukrainians is manifested in the tendency to cancel everything Russian, which affects the course of the literary process and the distribution of roles among its players, as well as causes the appearance of texts whose style is dominated by hatred of the enemy of the occupier.

7

Obecność form dokumentalnych w polskiej literaturze pięknej realizmu socjalistycznego

85%

Mazurkiewicz A.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2012

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tom 18

|

nr 4

131-142

EN

The article is dedicated to ways in which authors of the socialist realism novel used the poetics of the non-fiction literature (mainly reportage). Perceiving a work of art as a cultural fact of political character had serious consequences. The literary creation was to be replaced by a reportage storyline. The outer reality was depicted in accordance with top-down guidelines of propaganda. Two strategies were used: linking poetics of documentary with belles lettres and incorporating elements typical of non-fiction literature to fiction. At the same time genological “light-heartedness” of authors of socialist realism makes it now difficult to decide about typological affiliation of those works.

8

Powieść reportażowa czy dziennikarska? Uwagi o międzywojennej twórczości prozatorskiej Jalu Kurka

85%

Adamczewska I. , Uniwersytet Łódzki W. F. , Izabella Adamczewska – dr a. w. K. T. L. I. K. W. U. Ł. A. k. K. p. M. E. p. ś. w. n. p. l. I. s. s. l. i. z. l. p. z. d. , izabella.adamczewska@lodz.agora.pl

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2015

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tom 28

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nr 2

EN

The paper focuses on genealogical aspects of three interwar novels by Jalu Kurek – Andrzej Panik, Grypa szaleje w Naprawie, Woda wyżej) – which have often been described by critics as “reportage novels”. The author examines the past critical reception of the novels and the intentio auctioris. The main goal of the article is to suggest a more capacious genealogical term: the journalistic novel.

9

Back in the Old Country: Homecoming and Belonging in Leonard Kniffel’s A Polish Son in the Motherland: An American’s Journey Home and Kapka Kassabova’s To the Lake: A Balkan Journey of War and Peace

85%

Rutkowska M.

Text Matters: A Journal of Literature, Theory and Culture

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2024

|

nr 14

57-70

EN

Homecoming travel narratives are typically written by first-wave immigrants, their children, or grandchildren. Usually, homecoming books are accounts of emotionally charged travels that oscillate between nostalgia and idealization of the ancestral land on the one hand and a sense of grief, loss and unbelonging on the other. The present paper examines two homecoming travel narratives that sidestep such pitfalls: Leonard Kniffel’s A Polish Son in the Motherland: An American’s Journey Home (2005) and Kapka Kassabova’s To the Lake: A Balkan Journey of War and Peace (2020). For both authors, a starting point of the journey is a deep bond with their late maternal grandmothers, whose stories of “the old country” have shaped their sense of identity. Neither Kniffel, a Polish-American author, nor Kassabova, a Bulgarian-born writer writing in English, has ever lived in the countries their grandmothers left as young women-Poland and Macedonia. Return travels not only allow them to better understand the interplay of past and present in their immigrant family history but also to accept their homeland as a complex historical, cultural, and personal legacy. Thus, in both books, returning to the ancestral homeland, undertaken at mid-life, is represented as an essential stage in one’s life journey, which results in a symbolic sense of closure and restoration.

10

= The Structure of the Narrative in "Roizman" by Valery Panyushkin. Novelization and Objectivization

80%

Czerwiński G.

Slavia Orientalis

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2018

|

tom LXVII

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nr 3

11

Белая горячка i White Fever. Jak za granicą (nie) czytają Jacka Hugo-Badera

80%

Adamczewska-Baranowska I.

Konteksty Kultury

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2021

|

tom 18

|

nr 3

407-429

EN

The article is an attempt at analysing the foreign reception of Jacek Hugo-Badera’s reportage books on the former USRR. Looking at the method of publishing and promoting the translations meant for the American market, the author points out the embedding of these texts in the global genology (the category of survival non-fiction). The testimonies of a professional and non-professional reception of White Fever in Ukraine (where the Polish school of reportage is an important point of reference) become in themselves a pretext to sketch out the post-colonial context. The author deems the lack of Russian translations of Hugo-Bader’s books to be important. From a wider perspective, the proposed case study indicates the different ways of the Polish reportages being relevant abroad.

PL

Artykuł jest próbą przeanalizowania zagranicznej recepcji książek reporterskich Jacka Hugo-Badera o byłym ZSRR. Przyglądając się sposobowi publikacji i promocji tłumaczeń przeznaczonych na rynek amerykański, autorka wskazuje na osadzanie tych tekstów w ramach globalnej genologii (kategorii survival non-fiction). Świadectwa profesjonalnego i nieprofesjonalnego odbioru Białej gorączki na Ukrainie (gdzie „polska szkoła reportażu” jest ważnym punktem odniesienia) stają się z kolei pretekstem do zarysowania kontekstu postkolonialnego. Za znaczący autorka uznaje brak przekładów książek Hugo-Badera w Rosji. Proponowane case study w szerszej perspektywie wskazuje na rożne możliwości zafunkcjonowania polskich reportaży za granicą.

12

Секс і кохання у ґендерному вимірі

71%

Bарикаша М.

Miscellanea Posttotalitariana Wratislaviensia

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2014

|

tom 2: Postkolonializm — tożsamość — gender. Europa Środkowa, Wschodnia i Południowo-Wschodnia

191 - 200

EN

In the present paper the discourse of sexuality in writers’ diaries of the 20th century is presented: how the authors wrote about love and passion, what the difference between masculine and feminine discourses was and what influenced the forming of these discourses. It was proved that women, due to their depressed sexuality in patriarchal society, perceived sexual attraction as a display of love and endowed it with mysticism which included the desirable and the forbidden, whereas men separated love from passion, wrote openly about sex, had a disrespectful attitude to their mistresses and tried to humiliate women who refused them.

13

Дакументальны факт як вобраз мастацкай лiтаратуры

71%

Губская В.

Studia Wschodniosłowiańskie

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2019

|

tom 19

63-74

EN

This article is an attempt to answer the question: what is the specificity of the real existence, documented facts in a literary context. It examines the role of historical fact in the literature. It is alleged that the phenomenon of historical fact, included in the text, functions as an artistic image, that expanding the possibilities of the writer. That is why there is a need to study the fact with an additional of the image as well as understanding these facts as a means of artistic expression for a particular person in a particular historical period under specific circumstances.

14

Cierpienie i śmierć w doświadczeniach dzieci i młodzieży z chorobą nowotworową. Na podstawie literatury faktu

71%

Goljan B.

Roczniki Nauk Społecznych

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2005

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tom 33

|

nr 2

49-67

EN

Cancer is one of the most traumatic experiences that children and young people can face in their lifetime. It appears suddenly with a horrible diagnosis and prognosis, thereby changing their lives irreversibly. It makes children and adolescents face the most difficult questions, such as suffering and death. The paper seeks to show the painful and difficult reality of suffering that children and young people go through. Non-fiction literature has made it possible to rely on concrete, authentic examples of attitudes. Accordingly, I could distinguish the main, as I think, kinds of suffering in their lives caused by the disease. They are related with the loss of confidence in God, lack of an appropriate communication between children and parents and doctors, disrupted or inhibited social contacts. There is also a sense of guilt because of parents' suffering and compassion with other ill people. Thus children are unable to cope with their suffering. The final part of the paper attempts to show the issue of death and how ill children make it sensible. In my paper I have made use of the third chapter of a master's thesis entitled „Suffering and Death in the Eyes of Children and Adolescents with Cancer. On the Basis of Non-fiction.” The thesis was written in the Institute of Education KUL under the supervision of dr. M. B. Styk, professor of KUL.

15

Gra z konwencją literatury dokumentu w powieści Hanny Sokołowskiej „Kosa, czyli ballada kryminalna o Nowej Hucie”

71%

Mazurkiewicz A. , Uniwersytet Łódzki W. F. , adammazurkiewicz@o2.pl

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2015

|

tom 30

|

nr 4

EN

Looking for new sources of inspiration, authors of crime stories begin to combine literary fiction with historical facts. Thanks to that they create quasi-documentary narratives in which crime serves as a pretext to show historical settings (in Hanna Sokołowska’s novel the setting are the 1970s). This way the reader can be culturally embedded in “post-memory.”

16

Spojrzenie reportera a spojrzenie fotografa. O tomie Eli, Eli Wojciecha Tochmana i Grzegorza Wełnickiego

71%

Boczkowska M.

Rocznik Prasoznawczy

|

2014

|

tom 8

111-120

EN

The author writes about the new book of Wojciech Tochman’s reports for which Grzegorz Wełnicki has made photos. She confronts two different looking on poverty and so called True Manila – excursions organized in Philippines. The role of photo in report has been underlined in the article also. The author appeals for Roland Barthes’s theory about punctum and studium in photo. In the text other feature has been emphasized – Eli, Eli is also the report autothematic, is the metareport. The author writes about moral dilemas in the work of reporter and photographer.

PL

Autorka opisuje, nie omawiany dotąd szeroko, tom reportaży Wojciecha Tochmana, do których fotografie zrobił Grzegorz Wełnicki. Konfrontuje więc dwa różne spojrzenia na problem biedy i tzw. wycieczek True Manila organizowanych na Filipinach. W artykule podkreślona została także rola zdjęcia w reportażu. Autorka odwołuje się przy tym do znanej teorii Rolanda Barthesa, mówiącej o punctum i studium zdjęcia. W tekście uwypuklona została i inna cecha tomu Eli, Eli, jest to bowiem również reportaż autotematyczny, swoisty metareportaż. Autorka pisze także o dylematach moralnych towarzyszących pracy reportażysty i fotografa.

17

Pokolenie (bez) rewolucji. Świadectwo nacboli

71%

Kopczacki B.

Rusycystyczne Studia Literaturoznawcze

|

2020

|

tom 30

148-170

RU

Политическая деятельность Эдуарда Лимонова была направлена на воспитание нового поколения молодых россиян. Можно сказать, что Лимонов частично добился успеха: создал Национал-большевистское движение, притягивающее молодых людей, разочарованных в российской действительности 90-х годов и начала XXI столетия. Тексты, входящие в сборники «Лимонка» в тюрьму и «Лимонка» в войну, являются подтверждением тезиса о воспитании Лимоновым поколения готовых на все идейных молодых людей, активно стремящихся изменить Россию, несмотря на обстоятельства.

EN

In this article, the author shows that Eduard Limonov’s social and political activity was directed not only at achieving short-term political goals, but also at educating a new generation of Russians. As the head of the National-Bolshevik Party, he was a “godfather” to young people disappointed by the Russian reality of the 1990s and the early years of the presidency of Vladimir Putin. The testimonies in the collections entitled “Лимонка” в тюрьму and “Лимонка” в войну demonstrate that Limonov ultimately achieved his goal of shaping a generation of ideologists ready to sacrifice for their homeland.

18

Iluzivní postupy ve vzpomínkových textech Ignáta Herrmanna

71%

Změlík R.

Bohemistyka

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2020

|

nr 1

22-54

EN

The paper is focused on the memory books by czech writer Ignát Herrmann, especially on the problem of border between nonfiction and fictional narrative. Herrmann drawn up his memory books as factual narrative, however but in some parts of his texts we can observe interesting narrative techniques, which shifts the narration towards fictionality. Our goal in this study is detected this parts and analysis them on the background not only the others parts, which are represented factual narration, but in compare with fictional narration by Jan Neruda.

CS

Studie je zaměřena na vzpomínkové knihy Ignáta Herrmanna, zejména na problematiku hranice mezi non-fikčním a fikčním vyprávěním. Herrmann svoje knihy vzpomínek koncipoval jako faktuální vyprávění, nicméně v některých jeho částech lze pozorovat zvláštní narativní techniky, jež fikcionalizují vyprávění. Naším cílem je tyto části detekovat a analyzovat na pozadí nejen ostatního Herrmannova faktuálního vyprávění, ale také ve srovnání s fikčním u Jana Nerudy.

19

Libri per ragazzi: formazione della coscienza ecologica e trasformazioni correnti negli ambiti della non-fiction

71%

Todaro L. , Mascia T.

Italica Wratislaviensia

|

2022

|

nr 13.2

131-148

EN

L’area della letteratura non-fiction per l’infanzia coinvolta nel trattamento di temi sensibili per l’educazione ecologica ha recentemente mostrato notevoli segni di trasformazione, puntando su una divulgazione all’insegna del piacere e della scoperta, ma mantenendo allo stesso tempo una chiara attenzione per il rispetto di una comunicazione fondata su informazioni scientificamente controllate. Alcuni fattori rilevanti di tale recente evoluzione hanno riguardato la crescente enfasi sugli elementi visivi ed una rinnovata perizia nell’intessere i contenuti della divulgazione scientifica all’interno di soluzioni narrative appassionanti per il lettore. In tal modo, la funzione di divulgazione risulta sempre più contestualizzata dentro forme di racconto capaci di mettere sapientemente in gioco costrutti immaginativi e di stimolare il pensiero critico. Il superamento del paradigma comunicativo di taglio prettamente informativo-contenutistico, tradizionalmente evocato dalla nozione di “letteratura di divulgazione”, e l’integrazione di nuove pratiche di scrittura sensibili alla forma letteraria e narrativa, indicano nel complesso una tendenza utile alla formazione di una “mente ecologica”, capace di valorizzare sapienti intrecci tra le dimensioni del sapere scientifico e il piano dell’assunzione di responsabilità per il destino del pianeta.

IT

The article analyses children’s non-fiction aimed at developing ecological and environmental awareness, with a particular focus on Italian publishing production. On examining recent trends in the domain, it is possible to observe significant elements of change: an increasing focus on the use of captivating narrative techniques and a great attention to the visual element of the book, which functions both as an aesthetic element and as demonstrative evidence. Observably, communication in non-fiction is more and more premised on narrative approaches that cleverly stimulate imaginative and critical thinking skills. Overcoming the purely informative and scientific content-based communicative paradigm, traditionally associated with the notion of non-fiction, and integrating new forms of narrative writing, recent non-fiction exhibits an emotional-affective dimension capable of stimulating critical reflection, ecological awareness and virtuous behaviour for the protection of the environment in all its aspects.

20

Brat Albert i jego czasy w naszych czasach. Marek Sołtysik „Znak miłości. Opowieść o Adamie Chmielowskim – Świętym Bracie Albercie”

71%

Głąb G.

Zeszyty Naukowe KUL

|

2018

|

tom 61

|

nr 2

145-165

EN

Sołtysik’s story is devoted to the life and activity of Brother Albert Chmielowski. It is also a work about the phenomenon of holiness, which the author tries to diagnose and describe its distinctive features. Reading The Sign of Love allows us to say that the author of the work depended on the objective and material presentation of the figure of the Father of the Poor, so most of the descriptions and dialogues constructed by him were based on archival materials - documents, letters and opinions of Brother Gray or people directly knowing him. The storyline of this biographical setting is governed by the chronology of events, but the author first explores the themes of the Holy Life, which allow for a spiritual portrait of the hero, as well as answering questions about the source of his conversion, spiritual calling and holiness. Marek Sołtysik, developing the thesis that saints express their times and at the same time overtakes them, tries to convince readers that Brother Albert is also a man of our age, because his spiritual profile and apostolate indicate timeless and cross-generational values – faith, loveand human dignity.

PL

Powieść Marka Sołtysika poświęcona jest życiu i działalności brata Alberta Chmielowskiego. Jest to także dzieło o fenomenie świętości, które autor próbuje zdiagnozować i opisać jego charakterystyczne cechy. Lektura Znaku Miłości pozwala na stwierdzenie, że jej twórcy zależało na obiektywnej, rzeczowej, a tym samym wiarygodnej prezentacji postaci Ojca Ubogich, dlatego większość tworzonych przez niego opisów i dialogów opierała się na materiałach archiwalnych – dokumentach, listach i opiniach Szarego Brata lub osób bezpośrednio go znających. Fabuła tej biograficznej opowieści motywowana jest chronologią wydarzeń, ale autor najpierw bada tematy Świętego Życia, które pozwalają ukazać duchowy portret bohatera, a także odpowiada na pytania o źródło jego nawrócenia, duchowego powołania i świętości. Marek Sołtysik, rozwijając tezę, że święci wyrażają swoje czasy, a zarazem te czasy wyprzedzają, próbuje przekonać czytelników, że Brat Albert jest również człowiekiem naszej epoki, gdyż jego profil duchowy i apostolstwo wskazują na wartości ponadczasowe i ponadpokoleniowe – wiarę, miłość, godność osoby ludzkiej.