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1 Naše řeč (Our Speech)
1 Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)

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"Reprodukce" řeči v mluveném projevu (řeč přímá, nepřímá, ev. polopřímá téměř sto let po Hallerovi)

100%

Hoffmannová J. , Komrsková Z. , Poukarová P.

tom 100

nr 3

168-176

In his 1929 study published in Naše řeč, Jiří Haller introduced the term free indirect speech. He also explored how direct, indirect and free indirect speech works in spoken discourse, showing how difficult it is to distinguish among the three forms and how the frequent use of the particle prý/prej contributes to the blurriness of the boundaries between them. In an effort to respond to Haller’s notions, we present some results from current research on the syntax of spoken Czech drawing on corpus data. We focus on the role and use of the particle prý/prej: a) as concerns its changing functions and semantics; b) whether it signals the reproduction of the speaker’s own speech or the speech of others; c) its position (inside the introductory segment or inside the reproduced segment).

"Vícehlasí" v českých lidových písních: několik textovělingvistických sond do jejich textury

75%

Daneš F.

nr 4

312-323

This paper demonstrates the mutual relations between the various “voices” in Czech folk songs and the way in which these voices can be identified. The introductory section characterizes the specific features of the songs: the concision and condensation of their structure, as well as their emotionality of expression. The second section is devoted to the analysis of a selected corpus of folk songs from the perspective of heteroglossia. Their texture appears as a net of relations and functions which operate on different levels, stand in mutual complementarity, partly overlapping, and show differing relevance. Using methods of text linguistics, the author concentrates on two relations and functions – speech acts and compositional functions – as well as personal attitudes. The analysis focuses on utterances with the communicative function of appeal, i.e. on the interrogative and addressing turns which are quite frequent in Czech folk songs, on their interactive structure and modes of direct and indirect speech. The author shows that the song genre has two faces: it is a compact combination of verbal text and its musical part (the tune) which may appear to be uneven in their mutual relations. The last section deals with the phenomenon of intertextuality in the song structure.