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Konrad Gesner jako czytelnik Carmen de bisonte Mikołaja Hussowskiego. Perspektywy badawcze

100%

Choptiany M.

Kwartalnik Historii Nauki i Techniki

2013

tom 58

nr 2

111-137

This article is dedicated to the preliminary analysis of marginalia left by Conrad Gesner (1516−1565) in his personal copy of Carmen de bisonte by a Polish neo-Latin poet, Nicolaus Hussovianus. Gesner received this small volume from his former disciple, Anton Schneeberger, who had settled down in Kraków in the late 1550s, and he immediately annotated this volume, using it as an additional source of information for his zoological works, Historia animalium and Icones animalium. Until the publication of the catalogue of Gesner’s private library, the copy of Hussovianus’s Carmen remained unknown to Polish historians of literature and science. The essay presents an outline of research perspectives related to this document and the rest of Gesner’s Nachlass. The article is followed by two appendices, one providing the bibliographical information on the Zurich copy of Carmen, the other giving a sample of Hussovianus’s text accompanied by Gesner’s notes and interventions.

Apokryficzna apokalipsa Rzeczypospolitej, czyli jak Facies perturbatae et afflictae Reipublicae Jana Dymitra Solikowskiego przeistoczyła się w Apocalipsis Stanislai Orechovii

67%

Wolak J.

Odrodzenie i Reformacja w Polsce

2023

tom 66

35-76

The paper reconstructs the history of the text entitled Facies perturbatae et afflictae Reipublicae, written in 1564 by Jan Dymitr Solikowski, a secretary to Sigismundus Augustus, King of Poland and Grand Duke of Lithuania. Research focuses on its origin, publication history, the causes of its attribution to Stanisław Orzechowski and the connections between this text and Orzechowski’s works. The historical and philological analyses presented in the article made it possible to speculate on how the studied text functioned within the broadly understood Polish nobles’ ideology and how its various interpretations were associated with political phenomena from the text’s creation until the 1630s.

Przedmiotem artykułu jest rekonstrukcja historii tekstu Facies perturbatae et afflictae Reipublicae, napisanego w 1564 r. przez sekretarza królewskiego Jana Dymitra Solikowskiego. Dyskutowane są okoliczności jego powstania, historia druku, a także przyczyny jego atrybucji Stanisławowi Orzechowskiemu oraz jego związki z pismami tegoż. Analizy historyczno-filologiczne pozwalają określić ramy funkcjonowania owego tekstu w obrębie szeroko rozumianej ideologii szlacheckiej od czasu jego powstania do początku czwartej dekady XVII w.

Konrad Gesner jako czytelnik „Carmen de bisonte” Mikołaja Hussowskiego. Perspektywy badawcze

67%

Choptiany M.

Kwartalnik Historii Nauki i Techniki

2013

tom R. 58, nr 2

111--137

This article is dedicated to the preliminary analysis of marginalia left by Conrad Gesner (1516-1565) in his personal copy of Carmen de bisonte by a Polish neo-Latin poet, Nicolaus Hussovianus. Gesner received this small volume from his former disciple, Anton Schneeberger, who had settled down in Krakow in the late 1550s, and he immediately annotated this volume, using it as an additional source of information for his zoological works, Historia animalium and Icônes animalium. Until the publication of the catalogue of Gesner’s private library, the copy of Hussovianus’s Carmen remained unknown to Polish historians of literature and science. The essay presents an outline of research perspectives related to this document and the rest of Gesner’s Nachlass. The article is followed by two appendices, one providing the bibliographical information on the Zurich copy of Carmen, the other giving a sample of Hussovianus’s text accompanied by Gesner’s notes and interventions.