Wyniki wyszukiwania - Biblioteka Nauki

1

Przestrzeń Nowego Jorku zapisana w tekstach Janusza Głowackiego

100%

Olczak K.

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2016

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tom 8

EN

The article analyzes spatial represenatation of New York as presented in Janusz Głowacki’s works after his decision to emigrate in 1981. The literary assimilation of space is realized through three narrative strategies, i.e. stereotyping, walking, and naming/writing mode. The author of the article proposes geopoetic, anthropological, and sociological reading of his various texts (autobiography, essays, short stories, and dramas).

2

"Schreiben aus der Migrationserfahrung" – Zu narrativen Strategien und Identitätsmustern in den Texten polnisch(sprachig)er (E)Migrationsliteratur in Deutschland

75%

Szymańska E.

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nr 2

179-211

EN

In the following article, several texts of Polish (e)migration literature in Germany are analysed in relation to the narrative strategies used by the authors and the patterns of identity presented in them. Narration is not perceived only as a lin- guistically-limited genre, but as a mode of organising individual and collective memory and determining one’s own identity. With the help of selected catego- ries (exoticisation, intercultural (double) mediation, alterisation, transcultural universalisation, transculturalisation), a wide range (of which particularism and universalism mark two ends) of possible ways of dealing with one’s own migrant status is presented. It is their autobiographical narration of identity that all the texts selected for the analysis have in common. The aim of this article is to show the different forms it can take.

DE

Im folgenden Beitrag werden mehrere Texte der polnisch(sprachig)en (E)Migra- tionsliteratur in Deutschland in Bezug auf die von den Autor*innen verwendeten narrativen Strategien und die in ihnen dargestellten Identitätsmuster analysiert. Dabei wird die Narration nicht als Gattung, die auf Sprachlichkeit beschränkt ist, sondern als ein Modus zur Organisation des individuellen und kollektiven Gedächt- nisses und zur Bestimmung der eigenen Identität aufgefasst. Mithilfe ausgewählter Kategorien (Exotisierung, interkulturelle (doppelte) Vermittlung, Alterisierung, transkulturelle Universalisierung, Transkulturalisierung) wird eine breite Palette (deren zwei Enden der Partikularismus und der Universalismus markieren) des möglichen Umgangs mit dem eigenen Migrant*innen-Status dargeboten. Allen hier zur Analyse ausgewählten Texten ist ihre autobiographische Identitätsnarration gemeinsam. Das Ziel des Beitrags liegt darin, aufzuzeigen, welche unterschiedlichen Formen sie annehmen kann.

3

W cudzej przestrzeni – narracyjne gesty (samo)poznania w prozie przełomu XX i XXI wieku

75%

Czyżak A.

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2016

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tom 8

EN

The article attempts to recognize the most distinctive aspects of spatial representations in literary works from the 20th and 21st centuries. It analyzes the narrative strategies employed in the following novels Terminal by Marek Bieńczyk, Sońka by Ignacy Karpowicz and Ludzka rzecz by Paweł Potoroczyn. Consequently, it shows that textual exploration of space which is foreign, other, untameable may be instrumental in authorial self-representation and that it may additionally reveal the writing process with its innate limitations.

4

"Slovo po slovu touží…": řeč, psaní a paměť v prózách Bohumily Grögerové a Daniely Hodrové

51%

Jedličková A.

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tom 85

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nr 3

217-236

EN

The focus of this paper is the mutual representation of the process of artistic writing in the memoirs of Bohumila Grögerová Můj labyrint [My Labyrinth] and in the novel Točité věty [Winding Sentences] by Daniela Hodrová, which came into existence concurrently with the two authors in close contact. Other pieces by these authors, though of different genres, may be read as an artistic dialogue as well: a dialogue with mythologies, historical figures and cultural traditions, the values and knowledge that these authors share and represent, sometimes in a similar way and sometimes in a different one, while employing narrative strategies typical both of modernist and postmodernist poetics, balancing between dream and reality, fictionality, fictionalization and authenticity. A selection of topics (language, speech, writing; individual and collective; textual subjects; myth and novel; memory and oblivion) are analyzed, and a comparison of modes of representation and their functions in the texts as related to the world of ideas of both authors is undertaken.

5

Uta von Naumburg – eine „deutsche Ikone“ aus dem Mittelalter? Figurationen des Weiblichen im deutschen postmodernen Roman am Beispiel von Claudia und Nadja Beinerts Die Herrin der Kathedrale

51%

Dampc-Jarosz R.

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tom 143

75 - 88

DE

Uta von Naumburg, die Gattin des Markgrafen Ekkehard II. von Meißen, lebte wahrscheinlich zwischen 1000 und 1043. In der deutschen Kulturtradition erfreut sie sich einer gewissen Popularität, jedoch nicht als eine historische Gestalt, sondern als Steinfigur im Westchor des Naumburger Domes. In den 30er Jahren des 20. Jahrhunderts wurde sie zum Symbol der deutschen Weiblichkeit erhoben und im nationalsozialistischen Sinne mythisiert. Von der Rezeption der Stifterin des Naumburger Domes ausgehend, strebt der vorliegende Beitrag an, am Beispiel des postmodernen historischen Romans von Claudia und Nadja Beinerts Die Herrin der Kathedrale (2013) die De-Mythisierungsstrategie von Utas Figur zu präsentieren. Eine wichtige Rolle wird dabei den mittelalterlichen Weiblichkeits- und Machtvorstellungen zugemessen, die in die postmoderne Narrativik des Vergangenen eingebettet sind.

XX

Uta von Naumburg, wife of margrave Ekkehard II from Meissen, probably lived from 1000 to 1043 AD. In the German cultural tradition she is not known as a historical figure, but as a stone statue from the Naumburg Cathedral. In the 1930s she became a symbol of German femininity and was made a heroine of the National Socialist myth. Beginning with the historical figure of Uta, this article will show the strategies used to demythologize the founder of the cathedral, based on the postmodern novel Die Herrin der Kathedrale (2013), written by Claudia and Nadja Beinert. The authors present the ways of the deconstruction of the medieval paradigm of femininity with the help of narrative strategies.

6

The breakthrough character of The X-Files: Genre hybridity and narrative structure

51%

Smoręda A.

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tom 24

173 - 183

EN

The X-Files should be considered a breakthrough television series, based on its approach to genre hybridity and narrative structure. The series defies traditional genre classifications, combining elements usually attributed to police procedurals, science fiction, and including elements that can be found in horror and sitcom, as well. The article examines how the series mixes these mainstream and cult genres to create a unique genre hybrid attractive to various types of audience. Furthermore, the article analyzes the narrative strategies employed in The X-Files, such as narrative special effects (e.g. voice-over narration) and multi-episode story arcs that engage viewers and bridge seasons. Finally, the balance between two distinctive episode categories (mytharc and standalone/monster-of-the-week) will be discussed to understand the series’ innovative character.