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Paradoksaalsed igapäevakujut(l)used? Narratiivsed persoonid, pärisustamine ja “Halvale teele”

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Sorokin S.

Mäetagused

2019

tom 73

121-146

The present article elucidates and elaborates on the key theoretical and analytical positions developed in my doctoral dissertation on character engagement, based on the microanalysis of digital storytelling in the online reception of Breaking Bad (Sorokin 2018a). The article (1) gives a general synopsis of the American television series Breaking Bad; (2) provides an analysis of the empirical material in order to illustrate the validity of the theoretical conceptualization; and (3) further teases out the underlying theoretical implications. By design, the theoretical discussion builds on the empirical analysis and focuses, for the purposes of this article, specifically on three core notions and concepts in the previously developed theoretical framework. I use the concept of narrative person to counter the mechanistic, internalist approach to the “fictional character”. Under my treatment, a narrative person is a sovereign agency by whom the audience is gradually absorbed, as opposed to being absorbed in it. Naturally, such assumptions undermine the universal applicability of internalist models of narrative, in general, and experiential character engagement, in particular. Hence, realitization is envisioned to highlight the discursive practice of “realmaking” in the articulative process of character engagement for the sake of communal discussion. Finally, the concept of co-elaborative creative vernacular indicates communally developed and communicated other-directed distributed sense-making, which is commonsensical and narratively co-elaborated and grounded in everyday language and conceptual thinking which is materialist in character.

Karakteritega suhestumine, netimisogüünia ja representatsioonide materiaalsus

100%

Sorokin S.

Mäetagused

2021

tom 80

119-154

The present multidisciplinary theoretical article develops its focal line of argument gradually. At first, feminist and narrative theory are consulted; after that, some treatments in the philosophy of mind are discussed. The latter’s correlative relationship with the recent “materialist turn” in philosophy affords to propose a tentative alternative to the current and universally accepted approaches to the (fictional) character much indebted to philosophical idealism. This latter observation also determines the broad – some might argue seemingly overtly complicated – theoretical reach of the article. However, its timely point of departure – the online misogynistic abuse in fan discussions directed at Breaking Bad’s Skyler White and the actress Anna Gunn –, enables to cast the issue of character engagement in necessarily broad terms, disciplinarily speaking. Be it in the context of different scientific disciplines or as the crucial vertebra connecting them, whilst also suggesting far-reaching philosophical implications. This kind of engagement, and especially its expression in online discourse, provides an impetus to inquire about the peculiarities of the human mind and the operation of human thought. Therefore, the present article zooms in on the conventionally understood binary relationship between “fiction” and “reality”, sketching appropriate terminology (continuance, narrative person, realitization) and theoretical framework (inspired, in part, by the Soviet school of philosophical Activity Theory) to help explain the human proclivity to treat characters in naïve realist terms, i.e., as real people. The central research question is as follows: what kind of ramifications can be detected for the conceptualization of character (and narrative) engagement from a particular kind of value-laden reception (like the forms of digital misogyny that emerged in the context of Breaking Bad’s reception)?