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1
100%
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2011
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tom 16
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nr 2
124-126
EN
The article reviews the book Die Möglichkeit des Guten. Ethik im 21. Jahrhundert [The Possibility of the Good. Ethics in the 21st Century], by Wilhelm Vossenkuhl.
2
Content available Kategoria walki w znaczeniu nauki
80%
EN
Janusz Czerny want to say, thaty fighting category is more popular than Darwin thought. Moreover the author said that such kind of fight is much more brutal that in animal –world .It is a new research position in science. It appears in a new light which was unknown to this time. It seems also, that fighting is an universal method exist of Nature, not only alive one. It is a new discovery of nature law perhaps also in the whole universe. Darwi has no idea of that constitution, he thought that it is appeared ony in sma phragment of our universe , he treated fighting so strictly to the animal and vegetable world. Janusz Czerny stressed very hard that it isd a new point of view in the modern science.
EN
The article analyses the conceptual apparatus of semiotics of modern European history. The social sciences, unlike the natural sciences, which deal with realities that do not call themselves, deal with the phenomena of human life. Names change in time and space without any connection to the immanent changes of things themselves, which indicates a persistent search for an adequate name for many things and signs. Historical meanings become the main subject of semiotic analysis. History becomes a way of scientific reconstruction of the past. In historical science, facts, signs and symbols come through individual and collective memory. Various narratives are a treasure trove of semiotic meanings. Texts in different contexts give different semantics. Everyone is a participant in this exciting process, the end result of which, in principle, is not. Under these circumstances, the analysis of instability becomes more important than finding a "fulcrum". This thesis is especially important for the mosaic history of the peoples of Europe. Communism and fascism are united not only by totalitarian practices but also by political "syntax", while liberalism in general is a different political language. Every event starts at the information level. Postmodernism leads to anti-intellectual pre-modern thinking. Semantic boundaries between categories are blurred; they are flexible, open to change and constant socio-economic transformation. The self-consciousness of the modern era was based on the achievements of economics and classical sociology, which promoted the values of a single universal progress for all mankind. Postmodern self-consciousness is based on the principles of cultural anthropology and ethnology, of sciences that emphasize the heterogeneity of the socio-cultural field of mankind. Historical semiotics works with stereotypes of perception of signs and symbols, decodes them and adapts them for scientific use
EN
The present article is meant to offer a view of the avant-garde movement initiated by the Romanian avant-garde journal Contimporanul at the beginning of last century with regard to the Polish echoes in its pages. Together with the artistic phenomena quoted by the editors of journal, in order to offer a complete range of data, we intend to present to the Romanian public an accurate image of the Polish literary and artistic phenomenon.
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tom 50
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nr 4
109-120
EN
Sorana Gurian’s writing records the impossibility of a discourse of one’s own and unmasks the misogyny inherent in modernity. The Romanian short story O fată se plimbă pe stradă [A girl walks in the street] (1939) offers the author an opportunity to discuss the figure of the flâneuse, who, in its relations to modernity, public space or gender, seems to diagnose the condition of women within a modernising culture. The presence of these women in the text remains closely linked to their corporeality, constantly questioned and constrained by a hostile society. This is all the more visible in the case of a young girl with mobility disabilities: a close reading highlights the narrative function of walking, a physical activity that gives a temporal and rhythmic framework to the text.
EN
The purposeful attitude towards novelty is a relatively young phenomenon. The attitude to the New as an independent value was shaped initially in the Renaissance (or in the late Middle Ages); it lies in the same channel with the theory of progress. The phenomenon of fashion was gradually formed under its influence and involved into its orbit almost all aspects of life, including art and architecture, one or another degree. The endless need for renewal is defined as one of the main features of modernity as a paradigm (‘modern’ as new, contemporary). What is fashion as a cultural phenomenon, and why did it acquire such great importance precisely in the Modern Times – the epoch of architectural ‘styles’? When does tradition become fashion? How are novelty and freedom, the two main values of the modern paradigm, related? How does the general attitude towards novelty affect the criteria for the aesthetic assessment of contemporary architecture? The category of fashion only recently has become a subject of philosophical reflection, while not affecting the sphere of architecture. In this article, the phenomenon of the New in architecture is considered from the point of philosophical traditionalism. Another starting point of reasoning is the method of the Viennese school of art history, formulated in the phrase “History of art as the history of the spirit”. The religious and philosophical context reveals a fundamentally different approach to the phenomena of novelty and freedom in tradition and modernity and deepens the understanding of the revolution that was carried out in modern architecture. Thus, it helps to substantiate S.O. Khan-Magomedov's idea of two superstyles and refutes the generally accepted point of view, according to which modern architecture directly inherits and evolutionarily develops the achievements of tradition. Taking this idea as a whole, we consider it more broadly – in the sphere of traditional and modern architecture.
7
60%
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2021
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nr 12
107-114
EN
Korean literature has its roots in the past. First of all, it is related to Confucian ideology and, secondly, it is connected to the division of Korea into North and South. The result is that writers are also divided in this way. The history of both countries is marked by turbulent changes, which have shaped their national psyche. The Japanese occupation and the Korean War, which tore the nation apart, surely bore a great influence on its literature. Moreover, the democratic uprisings of the 1980s also had a vast influence on modern Korean writers. This article will introduce the most important modern Korean writers whose works reflect the turbulence of the 20th-century.
EN
Świerzno commune sold a parcel of land in Gostyń village for construction purposes with the remains of a church and cemetery that had been from the 14th century to World War II. A private owner, violating Article 108 of the Act on cultural heritage protection and conservation as well as Article 262 of the Penal Code, began construction works by further destroying the church and moving human remains to a landfill. This article describes the history of the object, its post-war fate, results of the rescue archaeological excavations and architectural research conducted at the behest of the West Pomeranian Voivodeship Monuments Conservator in Szczecin, whose aim was to list the church and the cemetery in the monuments’ register. Currently, the parcel of land is still a private property.
EN
The motif of death in Serbian modernist novels: Newcomers by Milutin Uskoković This paper discusses the way the motif of death is shaped in the novel Newcomers by Milutin Uskoković, whose narrative strategies represent well the poetics of prose texts from the beginning of the 20th century. Analysis is conducted based on the conclusions of classical, but also postclassical (specifically, cognitive) narratology. The central point of this research is the domination of internal focalization which, by changing the narrator’s position, significantly changes the position and function of the main character. All other features of the text derive precisely from creating this kind of narrative situation. A short history of reading this text is provided within the study of narrative procedures that shaped the motif of death in the aforementioned novel. This should point towards a new shift in its interpretation, which was enabled by the achievements of contemporary theory of literature.
RU
Мотив смерти в романах сербского модерна:Пришельци Милутина Ускоковича В статье рассматриваются способы описания мотива смерти в романах сербского модернизма. Самым значительным среди ряда романов считается роман Милутинa Ускоковичa „Пришельцы“, иллюстрирующий поэтику прозаических текстов начала прошлого века, в которых мотивы исчезновения (такие как физическая смерть, отъезд, безумие) были почти неизбежными. В анализе автор опирается на выводы классической, но и постклассической (точнее когнитивной) нарратологии. Объектом исследования, прежде всего, является доминирование внутренней фокализации, заменяющей место повествователя, что в конечном итоге в значительной мере, меняет позицию и функцию героя. Кроме исследования наративных стратегий, в статье представлен обзор рецепции этого текста, прослеживается динамика в восприятии романа, которая оформлена в соответствии с принципами современной теории литературы.
PL
Celem pracy badawczej jest przedstawienie osiągnięć technicznych i technologicznych dotyczących architektury zastosowanych w pawilonach na Wystawie Światowej EXPO Mediolan 2015, ze szczególnym uwzględnieniem tendencji architektoniczno–budowlanych, które mogą mieć wpływ na poprawę stanu środowiska w śródmieściach europejskich (na przykład: oczyszczanie powietrza, oszczędzanie energii, wody i innych zasobów, miniaturyzacja urządzeń, kreatywne rozwiązania jako element zrównoważonego rozwoju). Metoda badawcza to skonfrontowanie wybranych obiektów wystawienniczych, przedstawienie zastosowanych technologii i głównych idei. Przedmiotem pracy jest poszukiwanie trendów i kierunków możliwych do zastosowania podczas rewitalizacji oraz w innych przekształceniach istniejących, historycznych śródmieść europejskich. Przesłankami do podjęcia badań był między innymi wpływ osiągnięć technicznych przedstawiany na wcześniejszych Wystawach Światowych na rozwój technologii budowlanej i architektury. Główne konkluzje: przedstawione technologie i nowe rozwiązania techniczne wzbogacają rozwój architektury poprzez stosowanie ekologicznych, w tym energooszczędnych technologii, umożliwiając tym samym przekształcenia już istniejącej tkanki miejskiej. Propozycje dalszych badań: dalszy monitoring tendencji w przekształceniach śródmieść miast europejskich, przy badaniu efektywności nowych technologii i rozwiązań technicznych.
EN
The aim of the research is to present the achievements of technical and technological solutions of the architecture used in the pavilions at EXPO Milan 2015 with particular emphasis on trends in architectural - building, which may have an impact on the improvement of environmental conditions in European downtowns (for example: air purification, energy saving, water and other resources, miniaturization of devices, creative solutions as part of sustainable development). The research method is to confront the selected object exhibition, presenting technologies and main ideas. The theme of the work is to look for trends and potential for use in revitalization, transformation of existing, historic city centers in Europe. The reasons to undertake research was, inter alia, the impact of technological developments presented at the previous World Exhibitions for the development of building technology and architecture. The main conclusions are: presented technologies and new technical solutions enrich the architectural development through the use of green technologies and energy-efficient, enabling the transformation of the existing urban fabric. Suggestions for further research: the continued monitoring of trends in the transformation of city centers of European cities, the examination of the effectiveness of new technologies and technical solutions. Practical application of research: determining the technical possibilities of applying new solutions for the transformation of existing tissue downtown, also in aspects of identity, cultural heritage of places. Contribution to the further development of the research is to identify trends in the transformation of existing downtown tissue, the scale of possible changes and environmental, energy and social benefits.
EN
This article analyses the commonality of trends in fine art and architecture of the late 19th and early 20th centuries. By the examples of the legacy of Wilhelm Kotarbiński, Arnold Böcklin, Oleksandr Verbytsky and Valerian Rykov it is proven how antique subjects were creatively reconsidered in the age of historicism-eclecticism and modern art. The difference between the paintings and bas-reliefs of the late 19th and early 20th centuries from the Greek images is analysed and the main features of the legacy of famous artists are determined. The distribution of a specific kind of national romanticism in Russia – the neo-Russian style of Abramtsevo and Talashkino – is characterised.
PL
W dziedzinie architektury przeanalizowano tendencje w sztuce i architekturze końca ХІХ i początku ХХ wieków. Na przykładzie twórczości Wilhelma Kotarbińskiego, Arnolda Böcklina, Aleksandra Wierbickiego i Waleriana Rykowa udowodniono, że w dobie historyzmu-eklektyzmu i secesji ulegały twórczemu przemyśleniu wątki antyczne. Zbadano różnice między malowidłami i płaskorzeźbami z końca ХІХ i początku ХХ wieku a greckimi obrazami. Określono indywidualne cechy twórczości znanych malarzy. Scharakteryzowano specyficzną odmianę narodowego romantyzmu w Rosji – neorosyjski styl Abramcewa i Tałaszkina.
12
Content available remote Sposób postrzegania sacrum w architekturze współczesnej
41%
PL
Od świtu ludzkości, czasów organizowania się i gromadzenia wspólnot osadniczych, poprzez czasy formowania się pierwszych miast, towarzyszyła człowiekowi wiara w różnorodne bóstwa. Wraz z rozwojem kulturowym i społecznym także systemy wierzeń ulegały ujednolicaniu, kodyfikacji i przyciągały coraz większą liczbę wiernych, stając się czynnikiem społeczno-politycznym wpływającym istotnie na kształt i kierunki rozwoju młodych cywilizacji. Wraz ze wzrostem znaczenia nowych idei, organizacji przez nie przestrzeni sacrum i formalizacji za¬chowań, zaczęto kult „przekuwać w kamień”. Analizując architekturę sakralną każdej epoki i studiując jej historię, można zaobserwować jak zmieniała się sinusoida stosunków społecznych pomiędzy tolerancją i religijnym współistnieniem z jednej strony, a nienawiścią i dążeniem do dominacji z drugiej. We współczesnym, bardzo zróżnicowanym, pełnym mnogości wyznań i różnic kulturowych świecie, architekci stają przed wyzwaniem w jaki sposób kształtować architekturę sakralną aby służyła pokojowej koegzystencji, akceptowaniu różnic, nie będąc jednocześnie zarzewiem konfliktów, wzajemnych roszczeń i pretensji.
EN
Since the time of the first settlements and communities, people tend to believe in various deities. Along with the cultural and social development, religion has become codified and popularized amongst the growing number of believers, thus became an important factor in the social and political development. Growing importance of religious beliefs, resulted in organizing sacred spaces which later became churches and temples. Throughout the centuries, religion became a stimulant to unite and cooperate on the one hand, and a root of conflict and intolerance on the other. In present times, architects have to face a diversified beliefs and solve major cultural differences, while designing a contemporary temple. Nowadays designers have to create sacral architecture in a way providing peaceful coexistence and mutual respect between followers.
13
Content available Modernistická kronika jako poznání jiného
41%
EN
During the epoch at the turn of the 20th century — known in the Hispanic area as modernism — the writers had to look for other ways how to make art and gain some money. The solution was often found in journalism, where a new genre appeared: the modernist chronicle. Despite the fact the newspapers were symbols of transitoriness the modernists tried even there to create a beautiful, artistic prose which would reflect the main questions and fears of that period. And the authors of chronicles were the key figures of Hispanoamerican modernism like José Martí and Rubén Darío. The modernist chronicle became an instrument of presentation of new, unknown and rare experiences and also a way how to interpret the modern world and human existence.
PL
Tekst jest próbą syntetycznego ujęcia problemu polskiego mieszkalnictwa XX wieku, w nałożeniu się nań modernizmu w architekturze, a zgodnie z polską specyfiką łącząc dodatkowo nową architekturę z na nowo zaistniałym państwem po długim czasie jego nieistnienia. Rozważania rozgrywają się w trzech okresach: międzywojnia, czasów PRL-u i współczesności po roku 1989, czyli czasu po upadku rządów totalitarnych w Europie Wschodniej.
EN
This essey is the trial of the treating the problem of polish housing in XX century. We have here the example of phenomenon of joining the architectural modernism with regaining the independence by polish state after more than hundred years of dependence from the strange powers. Our reflections treat on three periods: the interwar, “The Polish Peoples” Republic and the time after the year 1989, or the fall of totalitarian rules in east Europe.
EN
The article aims to show the importance of the Gniezno Archdiocesan Archive in the academic work and professional life of a historian dealing with the Old Polish period (medieval and modern periods). Over the course of more than 20 years, the Archdiocesan Archive’s resources have formed the basis of a doctoral dissertation and the resulting publication, a habilitation book, and have been used in more than 20 scientific articles and numerous conference papers, seminars, scientific and popular science lectures.This work addresses issues concerning church history, social history, cultural history, economic history, and pedagogical biography. Attention was paid to institutions, but also to people. Among the issues addressed were the secular clergy, the chapter, parishes, hospitality, education and confraternities. These included the local and regional history of Gniezno and its environs defined by the boundaries of the Old Polish Gniezno Archdeaconry/Eastern Greater Poland Region, as well as Uniejów (Uniejów Archdeaconry).The search focused on various archival units: the remains of the consistory, metropolitan chapter, archbishops, parish records, letters and diplomas. Working with them required knowledge of various auxiliary sciences of history as well as much time and patience.Many years of research at the Gniezno Archdiocesan Archive have ultimately provided a better understanding of Old Polish society, the mechanisms of its functioning, its formal and informal structures, the mentality and horizons of the post-Tridentine era, and changes over time.Work at the Archdiocesan Archives has also contributed to interdisciplinary cooperation with specialists in various fields, and especially with the Museum of the Origins of the Polish State in Gniezno. Over twenty years of contact with the Archive also involved meetings with the people who created and are creating them, as well as a unique adventure with Gniezno and Greater Poland.
PL
Artykuł ma na celu ukazanie znaczenia Archiwum Archidiecezjalnego w Gnieźnie w pracy naukowej i życiu zawodowym historyka zajmującego się okresem staropolskim (średniowieczem i okresem nowożytnym). Na przestrzeni ponad 20 lat zasoby Archiwum Archidiecezjalnego stały się podstawą pracy doktorskiej i publikacji powstałej na jej kanwie, książki habilitacyjnej, a także zostały wykorzystane w ponad 20 artykułach naukowych oraz licznych referatach konferencyjnych, seminaryjnych, wykładach naukowych i popularnonaukowych.W niniejszej pracy podjęto zagadnienia należące do dziejów Kościoła, historii społecznej, historii kultury, historii gospodarki i ekonomii, biografistyki pedagogicznej. Zwrócono uwagę na instytucje, ale również na ludzi. Poruszono m.in. problematykę duchowieństwa świeckiego, kapituły, parafii, szpitalnictwa, szkolnictwa i bractw. Obejmowały one historię lokalną i regionalną Gniezna oraz jego okolic określonych granicami staropolskiego archidiakonatu gnieźnieńskiego / wschodniej Wielkopolski, a także Uniejowa (archidiakonat uniejowski).Kwerenda dotyczyła różnych zespołów archiwalnych: pozostałości po działalności konsystorza, kapituły metropolitalnej, arcybiskupów, akt parafialnych, listów i dyplomów. Praca z nimi wymagała znajomości różnych nauk pomocniczych historii oraz wiele czasu i cierpliwości.Wieloletnie badania naukowe w Archiwum Archidiecezjalnym w Gnieźnie w ostatecznym rozrachunku pozwoliły lepiej poznać staropolskie społeczeństwo, mechanizmy jego funkcjonowania, struktury formalne i nieformalne, mentalność i horyzonty epoki potrydenckiej oraz zmiany zachodzące w czasie.Praca w Archiwum Archidiecezjalnym przyczyniła się również do interdyscyplinarnej współpracy ze specjalistami różnych dziedzin, a przede wszystkim z Muzeum Początków Państwa Polskiego w Gnieźnie. Dwudziestokilkuletni kontakt z Archiwum to także spotkania z ludźmi, którzy je tworzyli i tworzą oraz przygoda z Gnieznem i Wielkopolską.
EN
Since most pressing today on a global scale is to be able to unite religion, philosophy, and science into parts of a coherent civilizational whole, and since the ability to unite a multitude into parts of a coherent whole essentially requires understanding the natures of the things and the way they can or cannot be essentially related, this paper chiefly considers precisely why the modern world has been unable to effect this union. In so doing, it argues that the chief cause of this inability to unite these cultural natures has been because the contemporary world, and the West especially, has lost its understanding of philosophy and science and has intentionally divorced from essential connection to wisdom. Finally, it proposes a common sense way properly to understand these natures, reunite them to wisdom, and revive Western and global civilization.
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