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“If Sweden is a province, what are we?” Map-making and man-making in Marius Ivaškevičius’s essay series My Scandinavia

100%

Körber L.-A. , Steponavičiūtė-Aleksiejūnienė I.

Folia Scandinavica Posnaniensia

2023

tom 34

88-107

This co-written article approaches the influential Lithuanian writer and playwright Marius Ivaškevičius’s essay series My Scandinavia (2004) from two different vantage points reflecting either side of the former ‘Iron Curtain’. Published in the year when Lithuania joined the European Union, the essay series describes the narrator’s travels and symbolic and ironic conquest of Northern Europe in the wake of the border openings following the collapse of the Soviet Union. First, employing the notions of “temporal” and “spatial nodes” (Ringgard & DuBois 2017), the article addresses how the crossings of the Baltic Sea and journeys through Northern Europe depicted in Ivaškevičius’s essays represent an awareness of significant shifts in the unfolding of European history and Europe’s spatial configuration. Second, the article reads My Scandinavia as an example of creative map-making in line with theories of critical cartography. Finally, the article puts the travelling subject in My Scandinavia centre stage, looking at the dialectic ways in which subject and place create each other. Just as Scandinavia has been actively moulding the narrating and, by implication, also the writing subject’s biography, so has he given Scandinavia shape through his discourse, while also idiosyncratically framing Europe’s shifting political and mental geography.

Literárněkartografické (a kvantitativní) modely v literární vědě

72%

Změlík R.

Česká literatura (Czech Literature)

2022

tom 70

nr 6

735-772

This study focuses on the methodology behind digital literary cartography and quantitative analysis of narrative texts, while attempting to show, through specific examples, one of the ways they can functionally interconnect. The first part of the study presents an overview, focusing on selected foreign literary-cartographic projects, while the second part presents some original research, focusing on the literary-cartographic mapping of Prague’s fictional topography in 19th century Czech prose. In addition to cartographic models, the study also presents basic models for quantitative analysis of selected criteria relating to fictional narratives. The ultimate aim of the paper is both to show the opportunities for combining the two basic types of models and to demonstrate their potential for informing the way literary works are interpreted.

Kartografia literacka jako metoda samopoznania (na przykładzie eseistyki Piotra Wajla)

58%

Sylwestrzak M.

Acta Polono-Ruthenica

2021

tom Tom 1 Nr XXVI

141-154

Artykuł stanowi analizę eseistyki Piotra Wajla (1949–2009) pod kątem problemu mapy. Wytyczając w tekście utworu Karta rodiny mapę ZSRR, autor – emigrant urodzony w Związku Radzieckim – dokonuje próby rekonstrukcji własnej tożsamości. Problematyka kartografii literackiej odniesiona zostaje ponadto do analizy wyobraźni przestrzennej twórcy, który często sięga po figurę mapy bądź słownictwo geograficzne przy opisie zjawisk niekoniecznie konotujących asocjacje spacjalne. Metodologią wyko-rzystaną w artykule jest głównie geopoetyka, a zwłaszcza są to prace dotyczące literackiej kartografii.

The subject of the present is the work of Russian writer Pyotr Vail (1949–2009). The article analyzes the significance of maps in the writer’s work. By drawing a map of the USSR in his volume of essays titled Karta rodiny, writer – a man born in the Soviet Union, and later, a political emigrant living in the USA – tries to reconstruct his own identity. The concept of a map also refers to the spatial imagination of the author, who in this often uses the figure of a map and cartographic vocabulary to describe various phenomena.The methodology used in the article refers to geopoetics, especially works on literary cartography.