Wyniki wyszukiwania - Biblioteka Nauki

1

„Ich war, ich bin, ich werde sein“? Rosa Luxemburg in den deutschen und polnischen Erinnerungen

100%

Górny M. , Kończal K.

Germanica Wratislaviensia

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2013

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tom 137

159 - 179

EN

The article applies the concept of lieu de mémoire to one of the most intriguing personalities of Polish and German history. Rosa Luxemburg (Róża Luksemburg) has been an object of manifold commemorations and re-interpretations within the Communist movement as well as apart from it. The authors analyze the role of Luxemburg in the politics of state socialism and in the context of Communist revisionism. In addition, they refer to her symbolic meaning in the protest movement of 1968 in West Germany. Finally, a section of this article is devoted to the place of Luxemburg in the topo-graphy and iconography of Berlin. The article combines the methodological approach of Historical Memory Studies with the methods of bilateral and entangled histories.

2

Последние адреса: мемориальные доски как место памяти и форма коммуникации

88%

Khrushcheva D.

Studia Rossica Posnaniensia

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2024

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tom 49

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nr 1

123-140

EN

Memorial plaques are one of the most common forms of commemorative practices. Organically fitting into the geographical and socio-cultural landscape and having several functions, memorial plaques not only become a kind of marker of a “site of memory” (lieu de mémoire), play an important role in preserving names, transmitting historical memory, but also contribute to the construction and consolidation in the mass consciousness of ideologically verified representations of historical political events. Various “initiatives from below” and projects of independent activists (for example, the “Last Address” (“Poslednij adres”) project with memorial tablets to victims of state terror or the anonymous “questions about repressions” action discussed in this article) become vivid examples of how today’s Russian civil society reacts to a unilateral submission historical facts by power structures. The organizers of such actions become new actors in the politics of memory. They seek not only to expand the space of specific “places of memory” – memorial plaques and their contents – but also to change the perception of certain historical events and attitudes towards them. On the example of memorial plaques as a form of commemoration, the article examines the communicative strategies of different groups of memory subjects in modern Russia.

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Pamćenje hrvatskog društva na primjeru Vukovara – “grada heroja”

88%

Zanki A.

Slavia Meridionalis

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2018

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tom 18

EN

Remembering in Croatian society as exemplified by the “hero city” Vukovar The article concerns forms of maintaining memory in Croatian society. Its starting point is the term sites of memory (lieux de mémoire), introduced by Pierre Nora, who defines them as characteristic and symbolic elements that ensure the presence of the past in the present. After the Croatian War of Independence, sites of memory became a foundation for building a new, partly modified Croatian identity. This raises the question about the role the politics of remembering has had in the Croatian collective identity and the purposes for which it has been formed.The analysis is based on the most popular place of memory – the fall of Vukovar. In Croatian consciousness, Vukovar is a “hero city,” a symbol of the valiant fight against the Great Serbian aggressor during the War. Its fall is an important element of the conflict that is still ongoing between Croats and Serbs, both regionally (in the city) and more broadly (throughout Croatia). In her analysis, the author was trying to see the influence of sites of memory not only on the group which created them but in a wider context as well.The more general aim was to study the discourse of memory and attempt to determine, with reference to specific examples, whether the Croats’ collective memory is a factor of integration or conflict. Pamięć społeczeństwa chorwackiego na przykładzie Vukovaru – „miasta-bohatera”Artykuł dotyczy form pamięci w społeczeństwie chorwackim. Punktem wyjścia stało się pojęcie miejsc pamięci, które autor, Pierre Nora, zdefiniował jako charakterystyczne i symboliczne elementy zapewniające obecność przeszłości w teraźniejszości. Po wojnie ojczyźnianej stały się one podstawą do tworzenia się nowej, zmodyfikowanej tożsamości chorwackiej. Rodzi to pytanie – jaką rolę pełni polityka pamięci w chorwackiej tożsamości zbiorowej i dla jakich celów jest formowana.Analiza opiera się na najpopularniejszym miejscu pamięci – upadku Vukovaru. Vukovar jest w świadomości Chorwatów „miastem bohaterem”, symbolem heroicznej walki z wielkoserbskim agresorem podczas wojny. Jest też ważnym elementem wciąż istniejącego konfliktu między Chorwatami i Serbami w perspektywie wąskiej (w mieście) i szerokiej (obie narodowości w Chorwacji).Autorka starała się zauważyć nie tylko wpływ miejsc pamięci na grupę, w której powstały, lecz także ich szerszy kontekst. Celem była analiza problemu pamięci i próba określenia w odniesieniu do konkretnych przykładów, czy chorwacka pamięć zbiorowa jest czynnikiem integracji czy konfliktu.

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Gulag Argot as a Site of Memory in Julija Voznesenskaja’s The Women’s Decameron

75%

Bagozzi V.

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2021

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nr 12

7-15

EN

The present contribution focuses on the presence of Gulag argot in Julija Nikolaevna Voznesenskaja’s The Women’s Decameron, more specifically on the short stories told by Zina, the former Lager prisoner by means of linguistic analysis and the recently published Dictionary of Russian Slang Expressions: The Lexicon of Penal Servitude and Camps in Imperial and Soviet Russia by Leonid Gorodin. The following study aims to describe the aforementioned stylistic strategy from The Women’s Decameron as a form of skaz, but also to underline how language works in this context as lieu de mémoire. It is possible to define the Gulag argot as a site of memory, especially when considering the recent study and exhibition by the Gulag Museum in Moscow, named The Language of Unfreedom. This exhibition called attention to the extent in which the lexicon of Gulags has become part of everyday language, its violent heritage ignored, and this original violence underplayed. The work of the Gulag Museum in Moscow underlines the important role of language in preserving history. The memory of Gulag camps is also a recurring theme in Julija Voznesenskaja’s literary and journalistic work; therefore, the usage of Gulag argot cannot be interpreted only as a literary motif, but also as a way to preserve the tragic memory of concentration camps.