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In the Czech culture of the turn of the 20th century we can see the phenomenon of the orientalising of the Jewish populace, in which the archetype of the beautiful Jewess (la belle Juive) occupied a significant and somewhat different position. This study examines types of depiction of the beautiful Jewess in travelogues and fictional literature, and divides these tendencies into three types. The beautiful Jewess is construed by means of biblical similes and antecedents, while these often concern heavily eroticised representations that are not based on a biblical template but rather arise out of the imagination of the authors of the 19th century. The erotic subtext plays a fundamental role also in the case of the second tendency, though here the primary precursor is not a biblical figure or narrative, but the fictional character in the story rather represents a unique existence, without direct and determining intertextual ties. This type of beautiful Jewess is characterised by a significant borderline role between the Orient and the Occident, and at the same time in the narratives she also occupies the role of a tragic figure. The final tendency is to conceive the beautiful Jewess negatively, in which the narrative accentuates her use of her beauty in order to pursue her own selfish interests. Among other factors, the study examines modes of the orientalising of beautiful Jewesses, and reflects upon whether they concern positive or negative representations.
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