Článek referuje o novější literatuře k dějinám pražského lingvistického kroužku, hlavní pozornost je věnována rozsáhlé edici dopisů Pražská škola v korespondenci: Dopisy z let 1924-1989, kterou připravili Vladimír Petkevič a Marie Havránková. Autor srovnává stav poznání dějin PLK s Moskevským lingvistickým kroužkem (MLK) a konstatuje, že ruské materiály jsou doposud vydány a komentovány jen částečně a nejnovější publikace o dějinách Pražské školy budou sloužit za vzor k nápodobě i soupeření.
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This paper outlines various forms and functions of “writing about writing” in the private correspondence of Karel Havlíček. The thematization of writing includes, among others, the reflection of the act of writing and of the mutual exchange of letters, requests for the communicative activity of the addressee, remarks on the choice of language and language devices. The paper deals with three periods of Havlíček’s correspondence. His correspondence with fellow students focused on a playful thematization of writing letters; in 1840s, the tension between private and public writing came to the fore; during the Brixen confinement Havlíček emphasized the emotional value of correspondence with family and friends.
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The basis for these reflections on the ways contact is expressed and relationsare formed in correspondence is the material in the forthcoming complete critical edition of the correspondence of Karel Havlíček (Czech Grang Agency - project no. 406/12/0691). The formation of the relationship in an exchange of letters between Karel Havlíček and Fany Weidenhoffer (in the 1840s) is observed in terms of the (a)symmetry of their dialogue; the symmetry being associated mainly with the morphological and lexical elements signifying contact, the asymmetry mainly with language (i.e. Czech) and its use.
Egon Bondy’s poetry, fiction, and even philosophical essays contain a lot of factual remarks, both explicit and anonymous (albeit quite transparent), on the woman he met by the end of 1948 and with whom he was in a love-affair for many years. However, Honza Krejcarová seems to have inspired Bondy in a number of other cases. Some fictitious female characters in his literary work are likely to be shaped by the image the poet had created about his ‚femme fatale‘. On the other hand, Krejcarová’s own literary heritage is comparatively modest in its scope. The voluminous ‚letter to Egon Bondy‘ (1962), together with the memoir biography on her mother Milena Jesenská are very important among her works. In the letter, she expressed the gist of her aesthetics and ideas; only in her private correspondence — contrary to her works of fiction published in the sixties — could she write openly, without the interference of any censorship and self-censorship.
The study intends to investigate the relations between Philip Sidney and the continental intellectual circle (mainly that of Protestant scholars and aristocrats) on the basis of Sidney’s correspondence. The study is focused especially on the Czech cultural milieu. Sidney’s „grand tour“ over continent is crucial for the formation of his concept of poetry. The poesy is, against Sidney, among all forms of learning the best suited to move the soul to virtue through the beautiful and delightful images of moral example, playing its important role in society.
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