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2 Filosofický časopis (Philosophical Journal)

2 2023

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Inhumanity and sexbots: on incestuous relations with sexbots

100%

Kobes T.

nr Special_issue_1

89-111

British multimedia artist K. Davis has joined the campaign against sexbots initiated in 2015 by K. Richardson and E. Billing in the project Logging on to Love. Using photography, video, and sound design, she draws attention to how sexbots rearticulate the widespread treatment of humans as objects and underlines the commodification of sex. For Davis, sexbots in this sense are not simply human products, but anti-humanist tools. On the other hand, sexbot creators and their proponents argue that sexbots can aid people in their occasional loneliness, but also in reducing the sex trade or becoming an effective therapeutic tool. Therefore, sexbots are a controversy creating boundaries between humanity and inhumanity. By examining these differences, I argue in this paper that being human or inhuman in relation to sexbots can only be fully understood with regard to incest, which can contribute to understanding sexbots in a more symmetrical sense than the one offered by their critics and defenders.

Speculative sons of Ulysses and the inhuman “worlds without people”

51%

Váša O.

nr Special_issue_1

112-140

The paper focuses on the repeated and systematic references to the figure of Ulysses in the work of Quentin Meillassoux, Ray Brassier, Eugene Thacker, and Reza Negarestani. These are not random occurrences; Ulysses represents a key figure in the mutually interconnected visions and reflections related to the idea of a “world without people” that binds the named authors implicitly and explicitly to the originally Dantean imagery. Through a detailed exposition of the Ulyssean positions of the philosophers in question, the essay demonstrates twofold: first, that the “nihilistic branch” of speculative realism can be read as a specific inversion of the Dantean agenda, and second, that in light of the arguments of “transcendental nihilism” and the logical radicalization of the Ulyssean figure, Dante’s Divine Comedy can be read as an anachronistic speculative project.