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2 Hudební věda (Musicology)

2 2012

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„Neue“ Lieder im Gesangbuch Jesličky (1658) von Fridrich Bridelius und ihre Textvorlagen. Bemerkungen zu den Inspirationsquellen der tschechischen barocken Kirchenlieder

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Škarpová M.

Hudební věda (Musicology)

2012

tom 49

nr 4

377-398

This study deals with that portion of the repertoire of the Czech Advent and Christmas songbook Jesličky (Prague, 1658) by Fridrich Bridelius, which newly appeared in Czech hymnography thanks to this song book, and it summarizes the various results of the search for textual sources from other languages for these “new” songs in Jesličky. It points out their ties to contemporary German written hymnography (of both German and Bohemian provenience) and to Latin hymnography, i.e. to contemporary Latin songs. The text is thus not only a contribution towards discovering the ways that Czech hymnographers of the 17th century became familiar with the new, i.e. baroque, poetic language, but also, above all, an attempt to stimulate further hymnological research on baroque hymnographic works in the early modern history of Central Europe and the interconnections and relationships between them.

Die Weihnachtslieder im Gesangbuch Jesličky (1658) zwischen deutscher Hymnographie und übernationalem Repertoire

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Slavický T.

Hudební věda (Musicology)

2012

tom 49

nr 4

399-415

The songbook Jesličky (1658) has tended to be cited primarily as an example of direct contacts between Czech and German hymnography of the 17th century. Opening the door to consideration of a broader context was the presence of certain tunes in Latin-Slovak and Latin-Croatian printed material as well. An entire set of identical tunes has subsequently been confirmed in Latin, German, Czech, Slovak, Hungarian, and Croatian hymnography. The situation outlined above has thus shifted the original issue – the “new” songs printed in Jesličky are not just a new layer of the Czech Christmas repertoire with proven German sources, but also an attempt at creating Czech versions of a supranational repertoire. The search for source models is thus growing into research surveying the new repertoire of Christmas songs that was spreading its way around Central Europe near the middle of the 17th century.