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Koncepcja przekładu artystycznego Dory Gabe i jej odzwierciedlenie w korespondencji z Anną Kamieńską

100%

Kowaczewa A.

nr 2(12)

257-273

Dora Gabe’s concept of translation as a product and creative practice was formed by her cooperation with one of the most prominent Bulgarian scholars – Boyan Penev. Later on, after Penev’s death, the poetess has changed and modified her understanding of the process of translation significantly. In this article the author claims that a corporeal experience of the process of translation, spontaneity and a consciously recognized need to cooperate with the author are the most important characteristics of Gabe’s own translational project. Gabe’s long-lasting correspondence with Anna Kamieńska shows all those characteristics and proves that in the late period of Gabe’s work translation was a way to establish a feeling of com-munion and transgress her cultural and artistic identity.

Koncepcja przekładu L’ubomíra Feldka w kontekście słowackiej myśli przekładoznawczej

100%

Spyrka L.

tom 7

nr 1

64-77

V Poľsku slovenské myslenie o preklade je spájané predovšetkým s koncepciou Antona Popoviča a jeho školou prekladu. Článok načrtáva dejiny vývoja umeleckého prekladu a mys‑ lenia o preklade na Slovensku a následne popisuje zakladajúcu sa na praktických skúsenostiach koncepciu prekladateľa a kritika prekladu, básnika Ľubomíra Feldeka. Feldek takisto ako Popovič, považoval preklad za formu komunikácie. Podčiarkoval nasmerovanie na otázky recepcie. Svoje názory uviedol v knihe Z reči do reči (1977), ktorá sa stretla s veľkým záujmom medzi slo‑ venskými bádateľmi a teoretikmi prekladu. Článok uvádza polemické a kritické ohlasy ako aj akceptujúce a chváliace reakcie, ktoré odzneli vo chvíli uverejnenia Feldekovej knihy, a neskoršie komentáre až k najnovším, ktoré mapujú miesto názorov básnika — prekladateľa v slovenskej translatológii.

In Poland, Slovak translatological thought is mainly associated with the concepts of Anton Popovič and his school of translation. The article presents an overview of the history of the de‑ velopment of translation and translation studies in Slovakia, and then discusses the poet L’ubomír Feldek’s concept based on his practical experiences as an interpreter and critic of translation. Feldek, like Popovič treats translation as a form of communication, emphasizing a focus on the issues of reception. He presented his conception in the book Z reči do reči (1977), which was met with great interest by Slovak theoreticians of translation. The article presents the polemical and critical opinions and acceptance and praise which were formulated at the time of the publication of the Feldek’s book, and the comments subsequent to the most recent controversy, which document the place of the views of the poet — translator in Slovak translatology.

Banda Desenhada portuguesa traduzida para polaco. Abordagem histórica e teórica na área dos estudos de tradução

88%

Jankowski J.

tom 13

403-415

This article aims towards developing historic studies in the Translation Studies field by analyzing internal and external factors that cast an influence upon Polish translations of Portuguese Comic Books. We intend to prepare a complete list of translated books for future studies in this area and identify possible premisses for analisies. Along those aims it is also crucial for us to identify the most important and problematic elements in comic book translation as to conceive guidelines for general theory for comic book translation.