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Valentin Mantskovit — A Polish-born printer in sixteenth-century Hungary

100%

Špániová M. , Lichnerová L. , Nemcová Z.

Roczniki Biblioteczne

2018

tom 62

5-17

Valentin Mantskovit was a Polish-born itinerant Protestant printer who worked in Hungary in the sixteenth century. The present study points to the interconnection of cultural activities in the history of book culture between Poland and Slovakia in the sixteenth century. The authors analyse and summarise the typographical works of Valentin Mantskovit and point to the social circumstances leading to the relocations of his press within the Kingdom of Hungary. They present the characteristics of the products of his press, focusing in particular on calendars, including the Cracow calendar that he printed. They correct the previously imprecise chronology of his printing activities in the territory of present-day Slovakia with reference to preserved archival sources.

From Mikulov to Brno - the Neumann Printing House and its Production

100%

Jelínková A.

Knihy a dějiny (Books and history)

2021

tom 28

nr 1-2

6-38

This contribution looks into the printing house of the Neumann family, which operated in Mikulov and Brno between 1768 and the beginning of the 19th century. It draws on the study of archival sources and compares them with the existing literature on this printing workshop. It focuses on the circumstances under which the printing house was founded, as well as its owners and employees. The printing production is described in terms of languages, genres, and themes. Furthermore, it explores the circle of clients and publishers for whom the printing house worked. The analysis shows that the Neumann printing house was a small-scale, local shop which operated mainly on a commercial basis for a diverse clientele.

Aristokracie práce a výzva socialismu. Typografové v Praze v kontextu proměn předlitavské dělnické kultury v letech 1890-1914

67%

Raška J. , Miller S.

Český časopis historický (The Czech Historical Review)

2022

tom 120

nr 2

371-407

This study deals with skilled employees of Prague book printers at the turn of the 20th century. Typographers have traditionally had a reputation as elite and elitist workers. In addition, they were active participants in public patriotic life in Prague in the 1860s-1880s. After 1890, however, their main provincial organisation, the Typographic Club, became involved in building a united workers’ movement under the auspices of socialism. The study examines the activities of several typographers-socialists within the structures of social democracy and the reaction of skilled typographers, i.e., the members of the Typographic Club, to the change of rhetoric and strategies of their organisation. It also focuses on how the Typographic Club mastered some cultural practices of the socialist movement (e.g., May Day celebrations, engagement in a unified socialist educational institution or the change in the relationship with unskilled workers). Using the example of the engagement of the Typographic Club in the Dělnická knihtiskárna a nakladatelství [Workers’ Printing Office and Publishing House], it shows the conflicting areas in which the typographic organisation began to split ideologically at the end of the century.