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nr 1
5-30
EN
Persuasion is defined as human communication designed to influence the judgements and actions of others (Simons & Jones 2011). The purpose of this research is to analyse the discourse of persuasion in Shakespeare from the perspective of historical pragmatics (Jucker & Taavitsainen 2010), with particular attention to modals employed as part of the strategies. The modals under investigation are proximal and distal central modals, SHALL/SHOULD, WILL/WOULD, CAN/COULD, MAY/MIGHT, MUST, and the contracted form ’LL. The data for the present study is drawn from The Riverside Shakespeare (Evans 1997) and the concordance by Spevack (1968-1980). The corpus includes both cases where the persuasion attempt is successful and unsuccessful. After defining persuasion in comparison to speech acts, quantitative analysis reveals how frequently the persuader and the persuadee employ a modal regarding each type of modality and speech act. Further analysis shows in what manner the persuader and the persuadee interact with each other in discourse resorting to the following strategies: modality, proximal and distal meanings of the modal, speech act of each utterance including a modal, and use of the same modal or switching modals in interaction. This research thus clarifies how effectively speakers attempted to persuade others in interactions, shedding light on communication mechanisms in the past.
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nr 3
5-28
EN
A close reading of three selected passages of the Middle English alliterative romance Sir Gawain and the Green Knight provides a detailed picture of fictional and fairy-tale manifestations of courtly and polite behaviour in Middle English, a period that imported many new terms of courtesy and politeness from French. In the three passages Sir Gawain is visited in his bedchamber by the lady of the house, who tries to seduce him and thus puts him in a severe dilemma of having to be courteous to the lady and at the same time loyal to his host and to the code of chivalry. The analysis shows how Sir Gawain and the lady of the house engage in a discursive struggle of the true implications of courteous behaviour. It also shows how the two characters use nominal and pronominal terms of address to negotiate their respective positions of power, dominance and submission towards each other. And, finally, an analysis of requests reveals how the lady carefully selects appropriate strategies to reflect the severity of the imposition of her requests and her momentary standing in their discursive struggle.
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