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4 2003

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Granice ustaleń planu a granice architektury

100%

Podhalański B. , Arvay-Podhalańska E.

tom R. 100, z. 8-A

276--277

Is the border between architects vision and urban planner's vision still existing and where it lays? According to the law, in spatial and urban planning, planners should define architectural form of future development. Their task is also to take care of public interest and quality of public space. It is obvious, that private and public interests are often quite different. Private land owners take care mainly of their own business and rarely are interested in what is out of their property. Because spatial order appears as an important aim of any local plan, it is impossible to achieve it anticipating incoherent, but even best architectural visions of different architects working in the same space. New law contain tools appropriate to implementation and control of architectural forms throughout the whole process of planning, designing and building. What is the price of freedom of creation architectural forms? Should we still pay quality of space we live in for? Those questions are always up to date. Where lays border between architects vision and urban planner's vision? Spatial order is an aim of any local plan; it is impossible to achieve it anticipating incoherent, but even best architectural visions of different architects working in the same space. New law contain tools appropriate to implementation and control of architectural forms. Is quality of space we live in the price paid for freedom of creation architectural forms?

Granice architektury według Adolfa Loosa

100%

Olenderek J.

tom R. 100, z. 8-A

262--266

Architect Adolf Loos (1870-1933) was one of the most important pioniers of the European Modern movement. He was an early opponent of the decorative trends of Art Nouveau. Is Ornament a Crime? Everything else that fulfils a function is to be excluded from the domain of art. What had Loos said?

Miękkie i twarde granice architektury oraz przypadek psiej budy

84%

Kozłowski D.

tom R. 100, z. 8-A

107--113

Knowledge of architecture is carried on views of buildings. But first, these are views in the Book-pictures. That Knowledge is usually ended on this experience. The books fixed „territory of architecture"; covers of books makes: Paperback and Hardback Architecture Borders, delimitate territory of architecture. We do not knows, what to do with a Case of the Doghouse; where is its territory.

Schody - monument - granice architektury

84%

Haupt P.

tom R. 100, z. 8-A

179--183

Adolf Loos placed two items within the limits of architecture - tomb and monument. Anything beyond had to be excluded from the world of art. Did he define the limits of architecture? Although he pointed out monument, he never specified a clear definition. The thesis, inspired by Loos's dictum and a photograph of two buildings in Place de la Maison Carre in Nimes (Il. 1) explains the significance of the stairs in an attempt to define what makes a building a monument.