Friendship is one of the key motifs in Viel’s work. Its importance is highlighted especially in his early novels. In his exploration of this eternal problem of a relationship with another person, Viel departs from typically realistic novelistic conventions and combines subversive rewriting of genres, typical of contemporary fiction, with unreliable narration, manifested in a peculiar multivocality. The aim of this article is to analyse this textual duality and the manner in which it contributes to the creation of a touching story about human friendships.
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