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1
Content available „Panienka”, „Godzina Polski”, 1916: Irena Tuwim’s Literary Debut
100%
Kuczyńska-Koschany K.
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2019
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nr 8
199-209
EN
The author of the article deals with the poetic newspaper debut of Irena Tuwim (1898-1987), an outstanding author and translator of children’s literature, but also a poet who is forgotten or read only on the margin of the literary output of her brother, Julian Tuwim (1894-1953). The poem titled Panienka (A Maiden), published in Godzina Polski in 1916, is hereby subjected to a contextual analysis and referred to other poems by Irena Tuwim as well as confronted with her existence, also in the auto-emancipatory dimension.
2
Content available “And my fate has already been decided...”. Concept of the poet’s fate in stories and sketches of Jurij Dombrowski
86%
Knurowska M.
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tom LXVIII
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nr 2
3
Content available Zapomniany światopogląd tragiczny
86%
Szkaradnik K.
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tom 37
5-23
EN
This paper aims to comprehensively describe the category of tragic, which is dislodged from the mind of present western world’s human. The authoress analyses that odium’s causes, but first of all, with regard to various thinkers, she tries to bring out the essence of tragic viewpoint, often represented in a simplified way as a synonym of pessimism and martyrdom. In the article problems of the tragic are considered in context of the tragedy as dramatic species, human relation to the fate, characteristics of the tragic hero, the issue of human finiteness, rationalism’s limitations, the matter of transcendence and self-transcendence. Lastly, it is demonstrated that despite the accentuation of individual experience and coping with fate, the tragic viewpoint has the community potential. In conclusion, the openness to “tragic knowledge” is shown as a chance to reinterpret contemporary culture as well as a chance of the integral experience.
4
Content available Fatum i absurd. Inspiracja tragedią grecką w twórczości Alberta Camusa
81%
Roś J.
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tom 3
EN
The purpose of this article is to show that the Greek drama for Albert Camus was an expression of the universal experience of the cruelty of fate. Dramatic stories of Oedipus and Prometheus were for him a kind of map of the world with space selected for the man and his denial of suffering. Camus knows that in the tragedy even a man who is a „plaything of the gods”, maintains strength and honor in his defeat, and that the hero embroiled in horror stories, preserves the dignity, which adds faith and courage. This is where Camus found the connotation between the concept of fate and absurd, because absurd can’t be defeated by force of human will, a munity directed against absurd does not save the Man from misfortune.
5
Content available Zasada antropiczna a dzieje kultury. Między determinizmem, tradycją i przypadkiem
81%
Szkaradnik K.
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tom 3
EN
Tradition has stopped being something accepted in the natural way at present, it is inevitably a subject of reflection. In what degree does it still define us? Should we rid ourselves of it, because it is a burden and limitation? In reference to tradition, comprehended today as something eligible and not longer forming fully human fates, the authoress considers the question of determinism as well as accidence. She looks at it from the perspective of hermeneutics, wondering if in Gadamer’s idea the tradition is really predominant and captivating, and also considering the project of Odo Maquard. The philosopher sees the mission of hermeneutics in making changes there, where nothing can be changed, i.e., in our fate, but also in restoring the homeliness of world. The final thought is the reflection on how in the light of those conceptions the religion, understood as human objection against nonsense and accidence, would be located.
6
Content available Snow and war in “La neige était sale” by Georges Simenon and “Warna ou le poids de la neige” by Paul Willems
72%
Giraud-Claude-Lafontaine M.
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nr 3
DE
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
EN
The purpose of this article entitled “The snow and the war in The Snow was dirty by Georges Simenon and Warna or the weight of the snow by Paul Willems” is to show how the snow is playing a structuring role in the two studied works: first, due to its ambivalent properties, it makes the plot switch, secondly, it lets overcome the reality of the war in order to explore general questions as fate, purity and redemption.
FR
Cet article vise à montrer comment la neige joue un rôle structurant dans les deux oeuvres étudieés : d'abord, du fait de ses propriétés ambivalentes, elle fait basculer l'intrigue ; ensuite, elle permet de dépasser la réalité de la guerre dans la mesure où elle mène à des questions plus générales comme la pureté et la mémoire, le destin et la redemption.
RU
Том не содержит аннотаций на русском языке.
7
Content available “Праўда часу” ў творах беларускiх пiсьменнiкаў 1930-х гадоў
72%
Мельнiкава А.
Białorutenistyka Białostocka
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2015
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tom 7
PL
Autor artykułu analizuje sposoby opisu rzeczywistości w latach 30-ych XX wieku oraz procesu kolektywizacji, które charakteryzują utwory białoruskich pisarzy omawianego okresu. Badacz pokazuje, że białoruska literatura odzwierciedlała zgubne rezultaty naruszeń i zaniedbań tradycyjnych wartości, i ukazywała „prawdę czasów”, dramatyzm życia w nowych warunkach, tragedię chłopów, a także proces narodzin moralnie nieskażonych „nowych ludzi”
EN
The author of the article analyzes the ways of description of the reality of the 1930s and the process of collectivization, which are reflected in works of Belarusian writers of the period. The researcher shows that Belarusian literature reflected the pernicious results of infringement and negligence of traditional moral values, and was able to depict ”the truth of the time”, the drama of the living in a new surrounding, the tragedy of peasants. Belarusian writers showed the process of forming the class of ”new people”, who are not sophisticated in moral relations, and moral degradation.
8
Content available Aplikacje teorii chaosu w rozważaniach nad edukacją jako drogą do szczęścia
72%
Wenta K.
Podstawy Edukacji
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2015
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tom 8
35-47
EN
The issue of luck in education is entangled in the strands of contradictions that can not be solved by linearity. Applications of chaos theory in a discussion on education as a path to happiness reveal some aspects of using qualitative analyzes. Therefore, aiming to overcome neopositivism and linearity in the testing procedures need to be continued and extended in the educational research related to the theory of chaos.
PL
Problematyka szczęścia w edukacji uwikłana jest w sploty sprzeczności, których nie daje się rozwiązać przy pomocy liniowości. Aplikacje teorii chaosu w rozważaniach nad edukacją jako drogą do szczęścia ujawniają tylko niektóre aspekty przy zastosowaniu analiz jakościowych. Dlatego zmierzając do przezwyciężenia neopozytywizmu i liniowości w procedurach badawczych, zachodzi potrzeba kontynuacji i rozszerzenia badań pedagogicznych związanych z teorią chaosu.
9
Sztuka rezygnacji. Studium "Czciciela potęgi" Elizy Orzeszkowej
72%
Soja M.
Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej
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2015
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nr 21: Sztuka tracenia, sztuka rezygnacji. Samoograniczenie i autocenzura
79-93
EN
The subject of the analysis in the article are various types of resignation described by Eliza Orzeszkowa in her late historical novel "Czciciel potęgi" ["The worshipper of power"] (1889) which has been barely researched. The examples of the protagonists’ existential situations and intellectually-moral choices show causes and effects (moral, practical, economic) of decisions about drifting away from the original outlook on life, dreams and beliefs. The literary text is compared to Orzeszkowa’s opinions on resignation found in her epistolary legacy.
10
Content available Arabscy chrześcijanie wobec astrologii na podstawie traktatu O wierze chrześcijan w wyroki gwiazd Eliasza z Nisibi
72%
Sadowski M.
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nr 1(46)
183-204
PL
Eliasz z Nisibi należy do najbardziej płodnych pisarzy chrześcijańskich języka arabskiego swojej epoki. Jego siódmy mağlis z Abī l Qāsim dotyczy wyroków gwiazd i zasługuje na uwagę z powodu swej aktualności. Prezentowany przez Eliasza dyskurs można podzielić na dwie części: pierwszą mówiącą o wolności człowieka oraz drugą, w której wskazuje on na rolę ludzkiego rozumu. Te dwa elementy są głównymi argumentami w jego krytyce fatalizmu i astrologii. Jego nauczanie jest osadzone na wcześniejszym syryjskim chrześcijańskim dziedzictwie teologicznym. Jako logik niestrudzenie obnaża irracjonalny charakter wszelkich doktryn astrologicznych oraz fatalistych.
EN
Elias of Nisibis belongs to the most prolific writers of his time. His seventh mağlis with Abī l Qāsi is focused on the sentencenes of the stars and merits our attention due to its unceasing relevance. The discourse may be divided in two sections: firstly concerning human freedom, and secondly dealing with his rationality. These two factors are the main arguments in Elias’ refutation of fate and astrology. In this his teaching becomes a part of the Syriac Christian theological legacy. As a logician he exposes persistently the irrational character of any astrological and fatalistic doctrine.
11
Content available W ZDETERMINOWANYM ŚWIECIE. O STOICKIEJ SILE RZĄDZĄCEJ KOSMOSEM
58%
Wiśniewski H.
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2016
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tom 59
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nr 2
47-60
EN
Is human life is determinated? On this question I try to answer through the analysis of the Stoic philosophy. The Stoics believed that whole world, including God, is material substance, and every thing has a particle of God. The cosmos is the result of the action of God and exists from one fire to the next. God is the active principle which is understood as Providence (pro,noia) and Fate (ei`marme,nh), and He takes care of the world and directs from the inside. However, there is a difference between Providence and Fate. Divine providence is a power – God extends the providence to the whole world, but fate is a chain of causes.
PL
Czy życie ludzi jest zdeterminowane? Na to pytanie próbuję dać odpowiedź poprzez analizę filozofii stoickiej. Stoicy wierzyli, że cały świat jest tą samą materialną substancją, w tym również Bóg. Kosmos jest wynikiem działania Boga będącego aktywną zasadą, rozumianą jako Opatrzność czy Przeznaczenie. Bóg-Logos troszczy się o cały świat i kieruje nim od wewnątrz. Istnieją jednak różnice pomiędzy rozumieniem przeznaczenia będącego pewnym łańcuchem przyczyn następujących po sobie, a opatrznością, która jest boską mądrością czuwającą nad światem. Wszelkie pozostałe różnice ukazują filozofię stoików jako przemyślany i spójny system logiczno-wierzeniowy.
12
Bajki dla dialektyków. Kafka i Benjamin między mitem a wyzwoleniem.
58%
Nikodem J.
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nr 37
209-226
EN
In this paper my goal is to examine and re-read these places in works of Kafka, in which Walter Benjamin finds hope and utopian promise of emancipation. I try to determine whether those places can possibly be able to provide individual or universal emancipation; whether they are just false promises or simply ineffective personal tactics – or, on the contrary, they can be comprehended as conditions of possibility for revolutionary politics of the oppressed. In order to do this I supplement Benjamin’s discourse with concepts and ideas of Adorno, Horkheimer and Brecht. My conclusion is that Benjamin’s reading of Kafka is too optimistic in finding hope and fight against oppression in such works as The Trial, The Castle, The America, and in short stories like The Silence of the Sirens or The Great Wall of China. Benjamin finds the source of hope and victory over the mythical fate in solely humane attributes of cunning and audacity, represented – according to him – in protagonists of fairy-tales (Benjamin describes Kafka’s stories as ‘fairy tales for dialecticians’). But he undervalues power of fate, which lies in its own cunning, not only in its physical strength. If we comprehend mythical fate in much more dialectical way – as our capitalist, alienating modernity – we can find that its powers lie in its own conatus, self-preservation aimed to conserve the reality of oppression. In this sense Kafka’s work – if we read it as a diagnose of modernity and some kind of prophecy of a near future – evinces a dual cunning, which mechanism is as follows: the more a protagonist tries to outsmart the system, the more the system outsmarts him and thereby enslaves him.
13
Content available „Ósmy dzień tygodnia”
58%
Zawadzka A.
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2012
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nr 1
EN
“The Eighth Day of the Week”The Eighth Day of the Week is a short story by Marek Hłasko revolving around the topic of losing virginity. Literary scholars consider Hłasko as a representative of machismo; a masculine and male-centred narrator. This text analyses and deconstructs the short story defending it as a comprehensive record of misogynist culture written from the perspective of the main female protagonist and not the expression of misogyny of the author himself. The tools of discourse analysis and feminist philosophy applied to Hłasko’s text produce surprising results. Agnieszka – the main female protagonist of the short story – turns out to be a figure of non-conformity universalised by Hłasko, while the virginity and its loss become a part of female fate used by Hłasko as a motif to show the power of society over an individual. Meanwhile Agnieszka struggles for autonomy from domineering cultural patterns and gains it with the help of not so much barricades and spectacular gestures typical for male protagonists as wit, intelligence and trickery.
14
Content available Wittgenstein’s ontology in the Bogusław Wolniewicz’s late philosophy
58%
Kowalik Ł. , Kowalik Ł.
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nr 3
15
Content available An overview of the axiological system of Bogusław Wolniewicz
44%
Kowalik Ł. , Kowalik Ł.
|
|
nr 3
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