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Josef Bors Roman Opuštěná panenka zwischen Faktizität und Fiktionalität

100%

Ibler R.

nr 23

80-93

The paper presents the Czech-Jewish writer Josef Bor (1906–1979) and his first published book, the novel Opuštěná panenka / The Abandoned Doll (1961). Bor’s topic here was his own personal experience of the Holocaust: from his deportation to Terezín and later to Auschwitz, where he loses his entire family including two little daughters, via captivity in other concentration camps and „marches of death“ all the way to liberation, occurring in his case close to Jena, Germany. On the basis of these prominently autobiographic references, the reviewers often emphasized that the work has primarily documentary character. The present essay, on the other hand, views The Abandoned Doll primarily as a literary fiction wherein the fate of the protagonist and his family is, rather than documentary, of an exemplary, symbolic nature. The primary goal of the novel is not to represent a particular authentic case but rather to give a broad idea, anchored in a particular case, of the functioning of the Holocaust as a machinery of total humiliation and systematic killing

Black Women’s Hair Consciousness and the Politics of Being

84%

Setlaelo S.

nr 3

24-43

Black women do not want to become white women because they know that this is impossible. Yet, some black women straighten and curl their naturally kinky hair, or wear hair extensions, weaves and wigs that resemble Caucasian hair. Still, they recognize that hair is only one attribute of their Being and that even if they choose to wear non-African hairstyles, they can concurrently embrace other aspects of their black identity. So, is this a matter of cultural assimilation or integration, or is there a deeper ontological problematic underlying these cross-racial hair styling choices? I interrogate three arguments that black women usually advance for their hairstyling choices – the survival strategy argument, the protective styling argument, and the options-choice argument. I use Mabogo Percy More’s interpretation of Jean-Paul Sartre’s concepts of “the Look,” “facticity,” and “bad faith” to analyze Black women’s hair consciousness through the lens of his “Politics of Being” concept.