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Juurte juurde ja tagasi. Siberist remigreerunud eestlaste kodupaigakulastused kui naide sekulaarsest palverannust

100%

Jurgenson A. , Niglas L.

Mäetagused

2013

tom 54

27-66

Ethnologists have been studying how people visit their former homelands mainly because of the semantic importance of the notions home, homelessness, nostalgia, roots and identity. Over the years, hundreds of people have moved to Estonia from Upper Suetuk, the village that was established by Estonian immigrants in southern Siberia in the 1850s. The former villagers visit Upper Suetuk frequently because the village identity and villagers’ solidarity have traditionally been strong in Siberia. The highlights of these visits are celebrations of St. John’s Day, on July 6 and 7, when the anniversary of the village is also celebrated. The aim of this article is to analyse a two-week trip to Upper Suetuk in summer 2010 by a group of people originating from the village. The authors present the trip to the former home village as a pilgrimage and analyse it by applying Victor Turner’s model of rite of passage. While collecting data for the research, the authors relied substantially on video camera as a methodological tool, in addition to participant observation and interviewing. The main focus of the analyses lies on the liminal phase of the trip, when the individuals find themselves withdrawn from normal modes of social action. The authors concentrate on the group’s behaviour (communitas) in the state of anti-structure, as well as on emotional and sensory aspects of this liminal phase of the trip. One of the most important notions here is the sense of freedom: many members of the group experienced it during the trip in Siberia, knowing that it cannot be transported back home. The authors show how the codes of language and behaviour keep changing during the trip; what significance the landscapes, buildings, special places and objects have for the people visiting the village after years of absence; how memories and sensory perception contribute to the emotional and embodied experience of the visitors. The trip to the former home village on St. John’s Day is a good indicator of the interaction between the present and former villagers and it can be useful for analysing the identity of both groups. The reason why people go for a pilgrimage – be it the real one or the quasi-pilgrimage as in this case – is to gain blessing, health, harmony and freedom. This paper is an attempt to demonstrate that pilgrimage-like trips can be undertaken also with an aim to go back to the roots or to the place of origin, in order to reinforce one’s identity. By visiting the former homeland, “the pilgrims” blend their two separate and somewhat partial identities into a single, coherent one.

Etnografický film: průnik vědeckého a uměleckého zakoušení světa

100%

Petráň T.

Národopisná revue (Journal of Ethnology)

2014

tom 24

nr 1

15 - 31

This study is focused on the area of ethnographic film and video in the process of interdisciplinary interaction between ethnographers and filmmakers. In past creation of image required considerable effort, based on technical mastering of visual techniques and on individual dispositions of the filmmaker. This has changed dramatically by means of industrialization of production as well as distribution of consumer images. The amount of images is constantly growing, they are omnipresent and instant. In the first decade of new millennium, the role of film within the framework of anthropological research is being redefined. New roles of visual anthropology are occurring together with the development of experimental methods in social sciences and with the newly recognized role of Art in the research itself. The requirement of professionalism of audiovisual record, which burdened the ethnographic film with established visual processes and conventions, is disappearing under the influence of massive transmission of personal and private images. Democratization of the creative process and almost unlimited possibilities of distribution lay new questions about the definition of the genre.

Established characteristics and expected directions of visual anthropology in Slovenia

86%

Lunaček S.

Český lid: etnologický časopis (Český lid: Ethnological journal)

2014

tom 101

nr 1

35-56

The article aims to present and analyse the current situation of visual anthropology in Slovenia. In the first part the author is discussing ethnographic filming, as it is the most established area of visual anthropology in Slovenia. This is particulary so in terms of documentation by organised visual material and uses of video in museum presentations. The author exposes focus of "our own" culture as their common trait.