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British diplomacy in Bulgaria: 1989 to the present

100%

Metodiev K.

tom 15

153-164

The article surveys the British diplomatic goals, activities and efforts in Bulgaria after the beginning of democratic changes. It argues that the British embassy in Sofia seemed to focus not only on the country itself but to be more or less an instrument to a large degree in light of the British interests in the Balkan region (Yugoslavian wars and later Western Balkans) and wider geopolitical field (East Europe, Black sea region, Turkey). The mission was mainly interested about the cooperation with Bulgarian in the framework of NATO and EU, the Russian sphere of influence in Bulgaria, energetics, human rights issues, corruption and organized crime, and regional developments on the Balkans.

Tożsamość narodowa wyrażona za pomocą obiektu budowlanego na przykładzie Ambasady Republiki Indii w Berlinie

100%

Dobrzyńska A.

2014

tom z. 54

69--75

Ambasady ze względu na swoje funkcje mają stawiane przed sobą szczególne wymagania dotyczące ich architektury. Wyzwanie dla projektanta stanowi nie tylko różnorodność funkcji w ambasadzie, lecz także zajmowane przez nią miejsce. Obserwując dotychczasowe realizacje budynków ambasad, można zauważyć próby przetransformowania na bryłę obiektu elementów charakterystycznych dla danego kraju wysyłającego w celu identyfikacji wizualnej obiektu z państwem, które on reprezentuje.

Embassy because of their functions are placed in front of specific requirements for their architecture. The challenge for the designer is not only a variety of functions in the embassy but also the space occupied by it. In the architecture of embassies appears a trend, which is an attempt to transforming characteristic elements of national identity into a visual object of the State which he represents.

L’arredamento dell’Ambasciata d’Italia a Varsavia. Nuove acquisizioni documentarie

80%

D'Agostino A.

2023

tom 85

nr 1

117-144

The present essay, aimed at reconstructing the history of the works of art which furnish the Italian Embassy in Warsaw, originates from the study of archival documents from the STRP Fund (formerly the Technical Service of Patrimonial Reconnaissance) kept at the General Directorate of Archaeology Fine Arts and Landscape of the Ministry of Culture (MIC). The fund consists of the documentation, mostly unpublished, produced by the Technical Service, which was created in 1993 as a Commission, conceived by Minister Alberto Ronchey, with the aim of taking a census of cultural assets granted in external storage by state museums to entities in Italy and abroad, which in 1995 had been transformed into a Service reporting directly to the General Secretariat of the Ministry itself but was suspended in 2003. The last patrimonial reconnaissance was carried out at the Italian Embassy in Warsaw twenty-one years ago and since then no more checks have been done. Therefore, in addition to analyzing the history of the works of art chosen to furnish the Embassy since 1922, the essay updates the data and gives new interpretations on the events that, both before and after the 2nd World War, led to its furnishing; moreover, it is meant to be a food for thought regarding the protection of Italian artistic heritage which since the first decades of the last century until the present has been in external storage without due control.

Il presente lavoro, volto a ricostruire la storia dell’arredamento dell’Ambasciata d’Italia a Varsavia, ha origine dallo studio dei documenti d’archivio del Fondo STRP (ex Servizio Tecnico di Ricognizione Patrimoniale) conservato presso la Direzione Generale Archeologia Belle Arti e Paesaggio del Ministero della Cultura (MIC). Il fondo è costituito dalla documentazione – perlopiù inedita – prodotta dal Servizio Tecnico, nato nel 1993 come Commissione, voluta dal Ministro Alberto Ronchey, con l’obiettivo di censire i beni culturali concessi in deposito esterno dai musei del demanio ad enti in Italia e all’estero. Nel 1995 la Commissione fu trasformata in Servizio alle dirette dipendenze del Segretariato Generale del Ministero stesso ma nel 2003 venne sospeso. Ben ventuno anni fa fu effettuata l’ultima ricognizione patrimoniale presso l’Ambasciata d’Italia a Varsavia e da allora più nessun controllo è stato fatto. Pertanto, questo lavoro, oltre ad analizzare la storia delle opere d’arte scelte per arredare l’Ambasciata fin dal 1922, ne aggiorna i dati e dà nuove interpretazioni sulle vicende che, sia prima che dopo la Seconda Guerra Mondiale, portarono al suo arredamento; inoltre, vuole essere uno spunto di riflessione sulla tutela di quel patrimonio artistico italiano che ancora oggi, fin dai primi decenni del secolo scorso, si trova in deposito esterno senza i dovuti controlli.

Meeting with embassy representatives

80%

nr 1