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EN
The article deals with one of the problematic issues found in the Matthean entry narrative (21:1-11), namely identifying the appropriate referent for the second pronoun αὐτῶν in Mt 21:7. First, a few textual emendations to the original Greek text are discussed, since the solution to the above problem has sometimes been sought in the discovery of a truly original text, free of this interpretative difficulty. Second, the grammatical and rhetorical explanations of the issue are elucidated. Third, the article presents and evaluates arguments for identifying the proper referent of αὐτῶν, whether in the vestments or in the two animals. In the author’s opinion, the most convincing solution to the problem lies in identifying the referent of the ambiguous pronoun as the two animals.
2
Content available Tovar i njegov glas u poeziji Zvane Črnje
85%
EN
A donkey is an animal that can be found in linguistic, literary, and cultural-anthropological works. However, this work analyses the symbolism of the animals that appear in the Chakavian poetry by Zvane Črnja, Croatian poet, opinion journalist and cultural historian. It specifically focuses on the character of donkey (or tovar) in that poetry, as well as the poetic effect of the place that the motif or the subject of donkey occupies in Črnja’s poems. In his poetry, the donkey represents, at least toan extent, a signum or a symbol of the rebellion of those who are oppressed, invisible or marginalized due to their language, their culture or their social status. It is a symbol of all of those who perceive their marginalism as the cause for uprising or newly awakened self-awareness, and which, in part, fits into the pattern of the Mediterranean cultural codex, due to its humoristic aspect.
EN
R-spondins constitute a recently discovered small family of growth factors, and the evidence of their role in several developmental pathways is growing fast. In this work we describe the chromosomal location of the four RSPO genes in the donkey. Using horse BACs, we localized RSIPO1 on EAS 5q23, RSPO2 on EAS 12q13, RSPO3 on EAS 24q26, and RSPO4 on EAS 15p13. Moreover, RSPO2, RSPO3, and RSPO4 are the first genes mapped on donkey chromosomes 12, 24, and 15, respectively.
EN
The Egyptian artist in the Old and Middle Kingdoms showed great interest in representing the details of the physical characteristics and behaviour of various animals surrounding him in the Egyptian environment. However, donkeys seem to have received less attention from the artist than other animals. The paper examines the representations of donkeys in the wall scenes of the Old and Middle Kingdom tombs, and analyses the changing interest in reflecting this animal’s physical traits and behaviour. Finally, studying the role of donkeys in the so-called livestock counts allows us to better understand the phenomenon which is observed in the iconographic sources from the period under investigation.
EN
The endoparasites of horses and donkeys of different ages from the Konya region in Turkey, between May 2003 and June 2005 were determined. The samples of fresh faeces were collected from 111 horses and 81 donkeys and sent to diagnostic laboratories for the examination by floatation, sedimentation, and Baermann-Wetzel methods. In addition, faecal cultures were prepared for the differentiation of larvae of Strongylidae. Parasites were encountered in 100% of horses and donkeys. Among the parasites determined in horses, the prevalence of Strongylidae, Parascaris equorum, Strongyloides westeri, Fasciola sp., Anoplocephalidae, Oxyuris equi, Trichuris sp., Dicrocoelium dendriticum, Eimeria leucarti, and Eimeria sp. was 100%, 10.81%, 7.2%, 3.6%, 2.7%, 1.8%, 0.9%, 0.9%, 4.5%, and 12.61%, respectively. In donkeys, the prevalence of Strongylidae, S. westeri, P. equorum, Fasciola sp., Anoplocephalidae, Oxyuris equi, Dicrocoelium dendriticum, Eimeria leucarti, and other Eimeria sp. was 100%, 12.34%, 9.8%, 6.17%, 6.17%, 1.23%, 1.23%, 3.7%, and 22.22%, respectively. According to faecal cultures, the prevalence of Strongylus vulgaris, Strongylus edentatus, Trichonema sp., Triodontophorus sp., and Poteriostomum sp. was 31.53%, 17.11%, 58.55%, 6.3%, and 5.40% in horses, respectively, and 23.45%, 14.81%, 74.07%, 4.93%, and 2.46% in donkeys, respectively.
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tom 63
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nr 12
1561-1563
EN
The study investigated the anatomy of the arteries of the brain in seven donkeys following intravascular injection of colored latex via the a. vertebralis and a. carotis communis. Arterial blood washed the brain via the bilateral a. carotis interna and a. vertebralis and via the unpaired a. basilaris. A. carotis interna entered the cavum cranii at the level of sulcus pontocruralis, and ramified at the level of the corpus mamillare into a. cerebri rostralis and a. communicans caudalis. At the level intracranial entry, a. carotis interna gave rice to a. caroticobasillaris which was bilaterally present in 4 cases and unilaterally in 1 animal, a. caroticobasillaris, whereas the other branch was and a. constant a. intercarotica caudalis which was located at the level of sulcus pontocruralis. In one cadaver, a very slender a. intercarotica rostralis originated from a. carotis interna at the level of the origin of a. cerebri rostralis, and joined its counterpart vessel at the border between tuber cinereum and chiasma opticum. In all cases, a. ethmoidalis interna originated from a. cerebri rostralis. It was observed that a. cerebri rostralis dextra et sinistra fused directly into a. single median vessel named a. communicans rostralis.
EN
Thirty-four donkeys from Henan Province, China, were examined at necropsy for strongyloid nematodes in the caecum (February 2006 to January 2007). Twenty-two species, including 18 Cyathostominae (small strongyles) and 4 Strongylinae (large strongyles), were identified. The five most prevalent Cyathostominae were Cylicocyclus nassatus (73.5%), Coronocyclus labratus (70.6%), Coronocyclus labiatus (67.6%), Cyathostomum tetracanthum (61.8%) and Coronocyclus coronatus (52.9%), accounting for 70.2% of all species identified; C. labratus (124.2 ± 256.4), Cyathostomum tetracanthum (96.4 ± 210.5) and Cylicocyclus nassatus (80.9 ± 117.1) had the greatest mean abundance, whereas Strongylus vulgaris was the most prevalent (88.2%) of the Strongylinae and had the highest mean abundance (34.9 ± 37.8). The numbers of species per donkey ranged from 1 to 15 (with a median of 7.1). Only a small percentage (5.9%) of donkeys were infected by a single species, whereas the other donkeys had infections with multiple species.
The Biblical Annals
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2018
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tom 8
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nr 2
213-258
EN
The article deals with one of the problematic issues found in the Matthean entry narrative (21:1-11), namely the reason(s) for introducing two animals into the account. The article provides an extensive discussion of the possible reasons for the biblical authors configuring the narrative in this way, presenting various allegorical, redactional, naturalistic, and intertextual interpretations. The article proposes that the most likely reason for introducing two animals into the narrative is simply to accurately reflect a real historical event – which in fact involved two donkeys. It is also argued that Matthew, as a theologian, was equally interested in demonstrating the fulfillment of Zec 9:9. Further, his narrative was also imbued with allusions to Mosaic as well as Davidic and Solomonic typologies.
EN
The figure of the donkey appears in the painting scenes based on Old and New Testaments. The topic of the “Flight into Egypt” was taken in two ways. According to the first, the Holy Family’s travel was depicted, the animal carries Mary and Jesus, it steps behind saint Joseph who sometimes keeps the donkey on the bridle. The sojourn was also presented, man reaches for fruit which angel gives him. Mother of God and the Saviour sit on the doneky’s back. The animal is bowed and is going to eat the plants. The profile of the donkey is pictured, his hair have different grey tones: from light to dark. The anatomy is correct, setting of legs shows motion. The harness is on the animal’s head. The donkey doesn’t interface with Holy Family, but it knows who the Boy is. The animal expresses a lot of positive features-calm, pride, obedience and wisdom.
PL
Osioł pojawia się w scenach malarskich opartych zarówno na Starym, jak i Nowym Testamencie. Temat Ucieczki do Egiptu podejmowano na dwa sposoby. Według pierwszego ukazywano podróż Świętej Rodziny: zwierzę niesie na swym grzbiecie Maryję i Jezusa, krocząc tuż za św. Józefem, który niekiedy prowadzi osiołka za uzdę. Przedstawiono także moment postoju: mężczyzna sięga po owoc podany mu przez anioła, Matka Boża i Dzieciątko siedzą na grzbiecie zwierzęcia pochylającego, by zjeść trawę. Został uchwycony profil osiołka, w jego sierści można dostrzec różne tonacje szarej barwy. Anatomia zwykle jest poprawna, układ nóg obrazuje ruch. Uprząż otacza jego głowę. Osiołek nie nawiązuje relacji z pozostałymi postaciami, choć wie, kim jest Niemowlę. Zwierzę wyraża tu wiele pozytywnych cech - spokój, dumę, posłuszeństwo, mądrość.
EN
The subject of the author’s research is the story of Robert of Arbrissel, founder of the Abbey of Fontevraud, who visited a brothel and converted the prostitutes working there. The story has been known only from two modern copies of a lost manuscript. The article presents two medieval manuscripts that attest that the story functioned in the Middle Ages: one, kept in the Bibliothèque nationale de France in Paris (MS Latin 3239), and the other, preserved in the British Library (MS Additional 26770). They present the tale as part of a broader cycle about a preacher who was hindered in his prayers by a donkey and a nun who plucked out her eyes to defend her virtue. The article analyses all three stories. The text includes a source appendix.
PL
Tematem badań autora artykułu jest opowieść o Robercie z Arbrissel, założycielu opactwa Fontevraud, który odwiedził dom publiczny i nawrócił znajdujące się tam prostytutki. Opowieść dotąd była znana tylko z dwóch nowożytnych odpisów sporządzonych na podstawie zaginionego rękopisu. W artykule zaprezentowane są dwa średniowieczne rękopisy, które poświadczają funkcjonowanie tej opowieści w wiekach średnich: Paryż, Bibliothèque nationale de France, Latin 3239, i Londyn, British Library, Additional 26770, które prezentują tę opowieść w ramach szerszego cyklu o kaznodziei, któremu w modlitwie przeszkadzał osioł, jak też o zakonnicy, która dla obrony cnoty wyłupiła sobie oczy. Wszystkie trzy elementy są analizowane w artykule. Tekst zawiera aneks źródłowy.
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