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Content available Czerniakowskie freski po konserwacji
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EN
In 1 9 8 6 -1 9 9 4 a team o f conservators from Warsaw, headed by Danuta Majdowa, conducted the conservation o f frescoes and stucco decorating the interior o f one o f the finest Baroque churches in Warsaw — the Bernardine church o f St. Anthony o f Padua in the Czerniakow district o f the town. The paintings and stucco were executed in about 1 6 8 8 -1 6 9 3 and founded by marshal Stanisław Herakliusz Lubomirski, outstanding patron o f the arts, poet and statesman. There were at least four painters involved but only the names o f Francesco Antonio Giorgioli and his brother, stucco master Carlo Giuseppe, both from Meride in the Ticino canton in Switzerland, are known. Conservation disclosed initials made in plaster presumably by the first o f the two artists. The exceptionally careful, exemplary conservation removed all dirt, repainting and retouches made during previous conservation as well as a layer o f wax, in this way revealing the original. The stratification o f the plaster was liquidated with the help o f injections o f polyvinyl acetate in water dispersion with an addition o f fine sand. The (concealed) bolts installed 4 0 years ago had fulfilled their task and integrated the plaster which was already then succumbing to stratification. The gaps in the foundation were filled with lime-sand mortar putty, while those in the painting layer were supplemented by resorting to the small dot method, totally resigning from imitative retouching. Thanks to thorough and perfectly conducted operations, the polychromy regained its original appearance and unique warm colour tones.
EN
The new owner of the much neglected fourteenthcentury castle in Morąg commenced a gradual restoration of the whole building. Repair and construction conducted in 2002 were preceded by a search for murals in the castle interiors. All the interiors were examined by means of uncovering methods applying the cross-strip system as well as a non-invasive method based on solvents. Both investigations and earlier quests led to the discovery of sixteenth- and seventeenth-century vaults richly decorated with ornamental polychrome and figurai motifs in the tondos. The researchers also uncovered fragments of murals in ground-floor interiors underneath numerous layers of plaster and lime whitening. Finally, the author describes a series of examinations of the plaster and brick walls.
EN
T h e con se rv a tion o f e igh t o f the m o st valuable p archment manuscripts in the c o lle c tio n o f the N a tio n a l Library in Warsaw w as con d u c ted in 1 9 9 3 - 1 9 9 8 . T h ey included: Testam en tum N o v um (turn o f the eigh th century), the Supraśl Cod ex (eleventh century), the Tyniec Sacramentary (eleventh century), the W ilan ow Psalter (thirteenth century), C a len d a rium Parisiense (fou r te en th c entury), the Floriański Psalter (fifte enth century), the Du tch P ra y e r -b o ok (fifte en th c en tu ry) and the Missal o f Erazm C io łek (six te en th century). T h e con se rv a tion programme en com p a ssed a lso funda- mental technological studies into the manuscripts in q u e stion , d e sc r ib in g the origin and preparation o f the parchm en ts as w e ll as th e state o f the p r eservation o f the ink. Consid e rab le a tten tion w a s paid to p ainted d e co ra tion . T h e authors id en tified basic p igm ents and analysed the te ch n o lo g y o f g ild ing . C h em ica l analysis con c e rn ed ch em ica l chan g e s in the p a in tin g layers ex e cu ted w ith w h ite lead, m inium , o rp im en t and silver. T h e article d iscusses the o u tc om e o f the stud ie s and p r o p o se s the ir d etailed p resentation.
PL
W ostatnich latach kamienice Starego i Nowego Miasta w Warszawie poddawane są remontom. Czy prace te mieszczą się w pojęciu konserwacja-restauracja, czy są renowacją? Wątpliwości budzi przede wszystkim efekt estetyczny – nadanie elewacjom efektu nowości. Konieczność zachowania autentycznego wyrazu artystycznego dekoracji kamienic Starego i Nowego Miasta wynika z faktu, że są to dzieła wybitnych polskich artystów. Poza tym Stare Miasto jest wpisane na Listę światowego dziedzictwa UNESCO. W artykule skupiono się na problemie rozwiązań estetycznych i artystycznych, które są jednak ściśle powiązane z zabiegami technicznymi. Skomentowano przykłady konserwacji tynków, dekoracji malarskich oraz sgraffit wykonanych w ciągu ostatnich sześciu lat. Krytycznej ocenie poddano decyzje dotyczące estetycznych rozwiązań. Omówiono też niektóre zabiegi techniczne np. kładzenie na elewację barwionych w masie tynków. Celem analizy jest zaproponowanie rozwiązań, które pozwolą na zachowanie wartości dawności i autentyzmu wystrojów kamienic Starego i Nowego Miasta.
EN
In recent years, the tenement houses of the Old and New Town in central Warsaw have been undergoing renovation. Does this work fall within the concept of conservation-restoration, or merely renovation? The aesthetic effect is questioned-giving the facades a fresh new appearance. The need to maintain the authentic artistic expression of the decorations of the Old and New Towns is necessary as they are works of outstanding Polish artists. In addition, the Old Town is inscribed on the UNESCO World Heritage List. This paper focuses on the aesthetic and artistic solutions that are closely related to technical measures. Examples of the conservation of plasters, painting decorations and sgraffito that has been undertaken in the last six years are commented on. Decisions regarding aesthetic solutions are critically assessed. Some technical procedures were also discussed, e.g., the application of colored plaster on the facade. The aim of the analysis is to propose solutions that will allow the preservation of the age-values and the authenticity of the exterior decorations of the Old and New Town houses.
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