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Naše živá i mrtvá minulost po padesáti letech : (Imprese nad osmi eseji z roku 1967)

100%

Čornej P.

Český časopis historický (The Czech Historical Review)

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2018

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tom 116

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nr 2

402-425

EN

This study was written for the occasion of the fiftieth anniversary of the publication of Naše živá i mrtvá minulost/Our Living and Dead Past (Praha, Svoboda 1968), which was instigated by then leading historian František Graus, and in which eight key essays on core problems of Czech history were published, mainly written by younger talented researchers. The study combines a reader witness approach and an analysis of the wider context of the book’s publication which in many regards (its criticism of dogmatic Marxism and its erosion of the traditional picture of Czech history) is one of Czech historiography’s milestones. It characterises and assesses all eight papers (with particular focus on Graus’s introductory essay), looks at its reception at the time, which was not wholly positive, and endeavours to answer the question of whether the team of authors’ work fulfilled the tasks it had set itself.

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Polskie badania na temat najnowszych dziejów Czech : kontynuacja i nowe tendencje

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Majewski P. M.

Český časopis historický (The Czech Historical Review)

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2018

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tom 116

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nr 2

486-501

EN

The article deals with the Polish historiography of the 20th-century history of the Czech Lands (Czechoslovakia). It evaluates publications from the years 2002-2017. In this period Polish historians were interested in Czech history predominantly in the context of broadly understood relations with Poland. They were strictly concentrated to special Czech issues only rarely.

3

Alfred Klaar: berlínské reflexe rodných končin

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Topor M.

Slovo a smysl - Word & Sense

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2017

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tom 14

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nr 27

39-59

EN

The aim of the paper is to develop at least a part of a voice which is still difficult to understand in the Czech language environment, the voice of the others, (ex-rivals), the ‘expelledʼ, and to anchor it in the work and politics of remembering, registering and writing history of one specific author (we are talking about the continuity of perspective: about fidelity to images, local mythology, its logic). For thirty years, Alfred Klaar (born as Karpeles in 1848 in Prague) co-established Prague discourse in German language from various positions (as a journalist, theatre critic, representative of various societies, ceremony speaker, associate professor of the local German polytechnic etc.). When he moved to Berlin in July 1899, he was almost fifty-one years old. He left his home (both in the narrow sense of the word, as well as the wider sense of ‘Austrian homeʼ, so important to him), but he always kept the world he had lived in for so long in his mind and preserved many links with it in spite of the geographical distance. He also returned to his homeland on various occasions (funerals and other ceremonies, lectures) and he also remained talked about primarily among the Prague German circles; as a piece of memorabilia he was dusted and remembered in stories, and at the same time rightfully seen and honoured as a foreign envoy and speaker of compatriot cultural and political interests. Klaar spoke about Prague, his ‘father townʼ, and the lands near the Prussian border through the history of the German-speaking enclave, while Czechs only occurred sporadically in his retrospect writing. He repeated his thesis about an environment destroyed by ‘Slavic egoismʼ and belligerence, he spoke of the role of the German community in Czech lands as a heroic cultural mission, ungratefully displaced by the dominant policy of Czechisation in the second half of the 19th century, which strived to ‘impress upon the city a unilateral Slavic characterʼ. Only with reluctance did he adapt to the factual geopolitical development — he saw the post-war situation of the German minority in Czechoslovakia as a continuation of unfair marginalisation of his fellow countrymen.

4

Claudel a střední Evropa

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Alexandre D.

Slovo a smysl - Word & Sense

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2016

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tom 13

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nr 25

104-120

EN

Claudelʼs geopolitics are torn between the founding myth of a Catholic central Europe, agitated by heresy and schism, and a disenchanted and melodramatic realism. His writing incorporates his lived experience of Bohemia in Prague, then of Poland in Germany, in order to idealize it in his spiritual poetry, critique it in his diary, and reveal its tragic impasses in his theater.

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Historie v uvozovkách : K myšlení Marjorie Garberové

88%

Müller R.

Česká literatura (Czech Literature)

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2012

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tom 60

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nr 2

225-234

EN

The article presents an analysis of the scholarly traits of Marjorie Garber (b. 1944) and introduces her key works. It focuses on the methodological aspects of her position in cultural studies, feminism, and new historicism, and also considers the assumptions of these humanities in their correspondences and conflicts. The cornerstones of the analysis turn out to be the possibility of an alliance between psychoanalytical and deconstructivist starting points and Garber´s conceptions of history, transhistoricity, and quotability.