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1
Content available PROCES „INKI” W ŚWIETLE ÓWCZESNEGO PRAWA
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nr 2(14)
26-33
EN
Danuta „Inka” Siedzik was a nurse. During the Second World War she belonged to the Home Army and to the independence organizations, which fighted with communist rule after the war. She was sentenced to death penalty and shot in jail in Gdańsk at the age of 17 for her service and fight. She belongs to cursed soldiers, that means activists of anti-communist underground. Although she died in 1946, her memory has been cultivated only for a dozen or so years. The aim of the article was an analyze of documents and interpret of legal regulations, which applied to Inka’ case. In the article compared content of the documents with regulations and that time. No moral judgment was made on the court’s decision, but were presented only the facts.
2
Content available Mit polityczny, czyli porządek polskiego dyskursu
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tom 5
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nr 1
31-47
EN
Historical politics play a crucial role in the creation of Polish national identity and often result in extreme and dangerous nationalism. It was Edward W. Said who had pointed out in his work entitled Culture and Imperialism that the interpenetration of politics and culture seems to be alarming. The main focus of this paper will be the contemporary text of culture in the lens of Polish (ergo: national-liberating) political discourse; thus Maria Janion’s statement about the life span of the messianic topic in Poland will be maintained. It is not hard to notice that the Polish culture is overflowing with images of sacrificing lives in the name of the fatherland which reinforces the normative paradigm of masculinity based on honor and rigidity. The mainstream production directed by Jerzy Zalewski which tells the story of Mieczysław „Rój” Dziemieszkiewicz (regarded as one of the cursed soldiers) seems to be a symptomatic example of a cultural text permeated with a solid worldview full of Polish martyrology axioms rooted in the era of Romanticism. The author of this text will employ a Montaignian approach to understand why historical figures are needed by Polish politicians to create a national identity and often gain a mythical status of supremacy. In this case, „guerrilla semiotics” introduced by Umberto Eco will be needed to decode the axioms and paradigms hidden under this visual text of culture. It seems to be dubious that the extension of anti-communist war discourse from 1944 to the Polish political arena subserves the formation of an inclusive community.
6
86%
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2003
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nr 1(3)
251-261
8
Content available Legal Aspects of Armed Resistance
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tom 10
99-128
PL
Celem niniejszego opracowania jest analiza zagadnień dotyczących prawnych aspektów zbrojnego ruchu oporu ze szczególnym uwzględnieniem statusu prawnego partyzanta oraz charakteru prawnego wojny domowej. Status prawny partyzanta, jak i charakter wojny domowej w świetle norm prawa międzynarodowego związany jest z punktu widzenia przedmiotowego m.in. z uznaniem międzynarodowym i okupacją wojenną, co stanowi istotny element niniejszych dociekań, które obejmują syntetyczną analizę działalności polskiego ruchu oporu przeciwko nielegalnej władzy komunistycznej po 1945 r. (tzw. żołnierze wyklęci). Opracowanie odwołuje się poza analizą norm prawa międzynarodowego i prawa krajowego oraz ich wykładni do historii ewolucji statusu prawnego i teorii partyzanta.
EN
The aim of this article is to analyse legal aspects of armed resistance movements with a focus on the legal status of the partisan and the legal nature of a civil war. In the light of the norms of international law, both the status of a partisan and the nature of a civil war is, from the point of view of this analysis, connected with, inter alia, international recognition and military occupation, which constitute a significant part of the investigations in this article, synthetically analysing the activity of the Polish resistance movement against the illegal communist rule after 1945 (the so-called "cursed soldiers"). Apart from the analysis of international and domestic legal norms and their interpretation, the article refers to the history of the evolution of the legal status and the theory of the partisan.
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nr 8
133-153
EN
Identity music not only has its artistic values but also plays an educational role, as far as it is one of the parts which create politics of memory. The latter focuses on detailed analysis of connection between history and politics of a country. It is an instrument of: creating one’s historical awareness, defending good reputation of state / nation around the world and public activity. A rise of interest in history of Poland is observed among Poles. Issue of the Cursed Soldiers (Anti-Communist Polish Resistance) who became a part of interest for the young Poles as far as cultural code, is distinguished among this. Identity music is not only specific music genre defined by the lyrics concerning contemporary patriotism, but also promotion of national history. Main purpose of the ‘identity artists’ is to show an ethos, story about armed conspiracy during the Second World War and resistance against soviet captivity. Identity artists perform different music genres: bards compose sung poetry, rock, hard rock, heavy metal, neofolk, hip hop, rap and industrial music as well as mixture of the music genres.
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nr 2
147-164
EN
Partisan units of the post-war independence underground in Poland carried out various armed actions. In most of them, there was one common element, i.e. taking weapons from the enemy. It caused at least a short-term hindrance to the activity of communist formations (e.g. a severe paralysis of Civic Militia posts in 1945 and 1946) but, above all, the acquisition of weapons and ammunition, which were indispensable for the activity of every guerrilla unit. In this respect, the situation of the detachments operating in the post-war period was all the more difficult because they could not count on weapons from airdrops, as during the German occupation.
PL
Oddziały partyzanckie powojennego podziemia niepodległościowego w Polsce przeprowadzały różnego typu akcje zbrojne. W zdecydowanej większości z nich występował jeden element wspólny, czyli odbieranie broni przeciwnikowi. Powodowało to co najmniej krótkotrwałe utrudnienie działalności formacji komunistycznych (np. poważny paraliż posterunków MO w latach 1945–1946), ale przede wszystkim zdobycie broni i amunicji, które były niezbędne dla każdego oddziału partyzanckiego. Sytuacja grup aktywnych w okresie powojennym była pod tym względem o tyle trudniejsza, że nie mogły liczyć na broń ze zrzutów, jak podczas okupacji niemieckiej.
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