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Content available remote Montánní dědictví jako specifická forma reprezentace minulosti
100%
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2018
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tom 44
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nr 2
155-174
EN
Mining heritage covers a varied complex of elements or features used for representation and interpretation of values and meanings related to mining. Such a set of tangible and intangible remains from the past has commemorated us the significance of this field for the development of modern human society, and at the same time, when managed properly, it can function as an integrating element that improves the image of a place or strengthens local / regional identity. At the same time its research shows us specific historic or cultural meanings which are also important for modern society.
EN
Students of the Geodesy Faculty of AGH University of Science and Technology in Cracow organized in the years 1974.2001 fourteen scientific expeditions. The aim of each expedition was to perform surveying documentation of an object of the world cultural heritage in Europe, Asia and Africa. The objects covered by inventory were as follows: Koranic school El-Attarine in Fez (Marocco), citadel (Fig.3) in Aleppo (Syria), medieval school Mustansirija College in Bagdad (Iraq), amphitheatre Sabratha (Libya), Templar church in Segovia (Spain), Saint George rotunda in Thessaloniki (Greece), old city buildings (including Kevelaer, Germany), city walls of Kotor (Montenegro), Koranic school Bu Inania in Fez (Marocco), old wooden buildings in Bergen (Norway). Fig. 1, 3, 6, 7 present typical inventory documents . drawings in orthogonal projection, Fig. 2 presents horizontal section. Fig. 5 shows hard and dangerous inventory measurements (leveling measurement on citadel walls in Aleppo (Syria). The inventory works were partly ordered by UNESCO and documentations were handed down to this organization. The students. activity supported restoration of historical buildings in order to preserve them for the future generations.
EN
The road bridge in Cigacice is a very good example of and testimony to the level of knowledge and skills in interwar engineering art. The bridge is almost 100 years old, put to use in 1925, and was designed and manufactured by Beuchelt & Co. in Zielona Góra. The bridge has 10 spans with a parabolic main span, and the supporting structure for the spans is made of steel lattice girders. The object has been strengthened and modernized several times. Currently, renovation works are also being carried out, resulting from identified unfavorable corrosion of the steel elements of the bridge and the concrete bridge slab. The historic steel structure and the bridge supports are being renovated according to the conservation recommendations.
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tom no. 47
28--40
EN
The current predominant obstacle for the implementation of energy retrofitting projects at the neighbourhood level is attributable to restricted funding options, which is especially relevant for the expensive renovation of buildings of cultural heritage importance. The first aim of the article is to articulate and identify the main characteristics which influence the funding processes for energy retrofitting historic urban districts. The second objective is to build a comprehensive approach/procedural funding model based on these identified specifics/characteristics. The “energy performance contracting model for historical city centres” (EPCHC) is constructed with procedural processes (steps) associated with the main specific characteristics of urban central districts. The principal attributes which define and influence EPC in historical city centres are “district-level retrofitting”, the “multi-stakeholder approach” and “cultural heritage preservation”. First demonstrated are the benefits of the district level EPC’s “economy of scale”. Secondly, city centres are specific neighbourhoods with several public (municipal, governmental) and private entities, necessitating a particular tailor-made EPC approach is necessary for each stakeholder. Thirdly, the article focuses on the issue of higher retrofitting costs because as a result of historical building status and finding an optimal solution to overcome the conflict between sustainable renovation and cultural preservation. The procedural model for EPCHC in historical city centres offers step-by-step guidelines with suggestions to be followed in order to approach and involve all the various stakeholders. EPCHC could open a new perspective on district green retrofitting and could facilitate municipalities’ decision-making processes upon deciding to retrofit historical central districts.
PL
Automatyczny system grający na organach „AiBach” to innowacyjny projekt, którego celem jest wykorzystanie nowoczesnych technologii w tradycyjnej muzyce organowej. Projekt ten umożliwia automatyczne granie utworów muzycznych na organach kościelnych, co rozwiązuje problemy związane z brakiem wykwalifikowanych organistów przede wszystkim w małych miejscowościach. System opiera się na mikrokontrolerze ESP32, solenoidach oraz integracji z formatem MIDI, co pozwala na wierne odwzorowanie dynamiki i artykulacji gry. Wdrożenie to pozwala na zachowanie unikalnego brzmienia organów piszczałkowych. Dodatkowo projekt zakłada dalszy rozwój w kierunku wykorzystania algorytmów sztucznej inteligencji do tworzenia muzyki w czasie rzeczywistym. „AiBach” to przykład technologii wspierajacej zachowanie dziedzictwa kulturowego i otwierać nowe możliwości w dziedzinie muzyki.
EN
“AiBach”, an automated organ playing system, is an innovative project aimed at integrating modern technologies into the traditional realm of organ music. This system enables the automatic performance of musical pieces on church organs, addressing the shortage of skilled organists, especially in smaller communities. Based on an ESP32 microcontroller, solenoids, and integrating with the MIDI format, the system allows for faithful reproduction of dynamic and articulative nuances in performance. This implementation preserves the unique timbre of pipe organs. Furthermore, the project envisions future development involving the use of artificial intelligence algorithms to generate music in real time. “AiBach” exemplifies how technology can support the preservation of cultural heritage and open new horizons in the field of music.
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