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3 2012

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Dummy code insertion and its efforts on concealment for secure processing

100%

Kawano J. , Kai H. , Higami Y. , Kobayashi S.

2012

tom R. 88, nr 10b

227-230

Technology of concealing purpose of program is needed for profitable uses of an external grid. We propose dummy code insertion technique for concealment technology. We have implemented one kind of technique of dummy code insertion on trail. Moreover we evaluate strength of concealment against malicious inspection. We explain the detail of evaluation of dummy code insertion technique in this paper.

Technologia zaciemniania przeznaczenia programu jest niezbędna podczas odpłatnego korzystania z zewnętrznych sieci gridowych. W artykule zaproponowano jeden z typów technik wstawiania atrap kodu. Dodatkowo oceniono odporność techniki zaciemniania przed złośliwą penetracją. Szczegółowo wyjaśniono także sposób oceny zastosowanej techniki wstawiania atrap kodu.

„Smutná píseň je ve vzduchu” : Opakování jako textová strategie zpřítomňování skrytého

80%

Kazalarská Z. , Marešová I.

Česká literatura (Czech Literature)

2012

tom 60

nr 2

147-172

This article is devoted to intratextual, auto-intertextual, and intertextual research on rhetorical figures of literary repetition from the perspective of the 'emotional turn' in contemporary literary studies, based chiefly on the research of Gernot Böhme (b. 1937) and of Hans Ulrich Gumbrecht (b. 1948). A key concept of repetition here is textual strategy, how to evince the latent, concealed, and elusive elements of the text. The staarting point of the text consists not only in the latent phenomenon of atmosphere as a phenomenon of perception, but also, indeed in particular, in the question of the production of the atmospheres of the means of poetic language (the 'textual atmosphere' aspect), the question of the reproduction or quotation of the textual atmosphere (the 'intertextual atmospheres' aspect), and the question of 'intermedia migration' of atmospheres amongst the spheres of music and literature (the 'intermedia atmosphere' aspect). The article seeks to demontrate the operative potential of the proposed concepts first in an analytical part, which considers research on one 'atmospheric' verse from the poem 'Homesick Blues' by Langston Hughes (1902-1967) and its individual repetitions in the lyric verse of Ivan Blatný (1919-1990), Josef Kainar (1917-1971), and Miroslav Holub (1923-1998). The last part of the article focuses on problems of repetition as seen by adherents of structuralism and deconstruction, and proposes to understand repetition more broadly as oscillation not only between the poles of iterativity and iterability, but also between sense (Sinn) and presence (Präsenz).

Trzymanie Kobiet Na Dystans Wykorzystywanie Kategorii Płci, Rasy I Różnicy W Profesjonalnym Sporcie

80%

Jakubowska H.

2012

tom 56

nr 3

75-94

In the introduction, the author explains how categories of race and gender are understood in the social sciences. She then presents the world records set in running competitions; these are a departure point for a discussion of perceptions of race and gender and gender and racial differences in sports. The examples, which pertain to playing rules, financial questions and the media discourse, reveal two divergent strategies in the world of sports in regard to gender and racial differences. The first consists in explaining and legitimising differences with the help of the category of biological discourse, the second - based on political correctness - in ignoring them.