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1

“FAMILY – POLITICS – GLOBALIZATION” FAMILY INTIMACY

100%

García Jiménez M. E.

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2022

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tom 23

105-113

PL

Intymność jest kluczowym składnikiem więzi relacyjnych, kojarzonych nie tylko z pożyciem seksualnym, ale z każdym sposobem wyrażenia siebie przez członka rodziny. Jak to się dzieje? Jakie są istniejące podejścia do kwestii rodzinnych, aby ocenić intymność? Jak rozumiana jest intymność i jak można ją szeroko rozumieć? Intymność nie jest statyczna: zmienia się w czasie i jest inna w całym cyklu życia rodziny, a także na różnych etapach każdego z członków rodziny. Dlaczego intymność jest istotna? Intymność jest wartością, a jej natura wykracza poza to, czego często się oczekuje: konstruuje lub dekonstruuje rodzinę. Ponieważ jest głęboko związana z uczuciami, myślami, przekonaniami, tradycjami, kulturą, praca z intymnością u każdego członka może prowadzić do wytworzenia czegoś w rodzaju zbroi w kontaktach rodzinnych. Konstrukcja każdej osoby jako jednostki ludzkiej nie powstaje tak po prostu; wymaga czasu, technik, miłości, szacunku i intymności, co bezpośrednio prowadzi do wierności sobie. Z kolei wierność własna u każdego członka rodziny może wytworzyć tzw. herb rodzinny. Podczas gdy zerwana intymność może zniszczyć poczucie własnej wartości osoby, a co za tym idzie, znaczące, długotrwałe relacje, intymność poszycia pancerza może rozwinąć głęboko wzbogacone jednostki ludzkie, które wnoszą to, kim są i co mają, aby ostatecznie utkać silne społeczeństwo. W rezultacie społeczeństwo, które chroni i sprzyja intymności, nie tylko zwraca uwagę na to, jakie szkody istnieją i którym należy zapobiegać, ale także na to, co sprawia, że ludzie żyją w hojnej darowiźnie. Intymność pozwala osobie poznać swoją wartość; intymność jest najsilniejszą wartością i techniką oceny tego, kim jesteśmy, czego potrzebujemy, czego chcemy.

EN

Intimacy is a key component of relational bonds, associated not only with sex but with every aspect of what each member of a family expresses in the way he or she can do so. How does it take place? What are the existing approaches towards the family to weigh intimacy? How is intimacy construed, and how can it be widely understood? Intimacy is not static: it changes over time and is different throughout the family life cycle, as well as through the various stages of each of the family members. Why is intimacy relevant? Intimacy is a value, and its nature goes beyond what is often expected: it constructs or deconstructs the family. Because it is deeply connected to feelings, thoughts, beliefs, traditions, and culture, working with intimacy in each member may lead to the armor-plating of the family. Now, the construction of each person as a human individual does not just happen; it requires time, techniques, love, respect, and intimacy, which directly leads to self--fidelity. In turn, self-fidelity in each member of the family can produce what is known as a family coat of arms. While broken intimacy can destroy a person’s self-esteem and, consequently, meaningful, long-lasting relationships, armor-plating intimacy can develop deeply enriched human individuals who bring who they are and what they possess to ultimately weave a strong society. As a result, a society that protects and fosters intimacy not only pays attention to what damages exist and should be prevented but to what makes people live in generous self-donation. Intimacy lets a person know his/her value; therefore, intimacy is the strongest value and technique to assess what we are, what we need, and what we want.

2

Tres turres sunt tres arces... Rola toruńskiego herbu w poezji Ulryka Schobera

86%

Chrulska E.

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EN

Emblem was one of the most characteristic art forms of the Renaissance. Emblem Books were especially popular in the end of the sixteenth century and wielded an unusual influence on literature, especially in combination with younger stemmata. In order to get support from a wealthy patron, poets often wrote poems in which the symbolic interpretation of a coat of arms became a pretext for praise, however it was not always so. This article deals with an interesting example of making use of an emblem (or stemma) as means of persuasion. The emblem in question is also a rare example of the use of persuasion in connection to an urban (and not one of the nobility) coat of arms. Taking into account the historical and religious context, one can read works of Schober more accurately. What is particularly valid is the influence of mayor Henryk Stroband. The ideological content of the poems was subordinated to policy of the city, and, on the other hand, to religious insulation, as a result of the progress of the Counter-Reformation in the Kingdom of Poland, and the concerns it brought about in the predominantly Protestant Torun. By referring to Stroband thought that „felix civitas quae tempore pacis timet bella,” and by use of his interpretation of Torun coat of arms, Schober tried to convince inhabitants to take responsibility for the security of the city, not only in practical terms – by building walls, but also more existential ones – by learning to cooperate. To summarize, these poems are not merely an allegorical interpretation of Torun coat of arms. They reach far beyond the typical interpretation of stemma and also contain instructions for a particular vision of the city, which was to be implemented in Torun at the end of the sixteenth century.

3

Lemmata w staropolskich konstrukcjach stemmatycznych jako przejaw hybrydyzacji gatunkowej

86%

Czarski B.

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nr 25

157-178

EN

One of the most popular panegyrical forms in the Polish–Lithuanian Commonwealth was the so-called “stemmata”. Similar to emblems, these visual works consisted of an illustrated coat of arms and an epigram, often attached to the front matter of printed texts during the Old-Polish Period. This article discusses select cases in which, influenced by emblems, lemma are incorporated into the stemmas structure. The text explains how the lemma is introduced to the stemma and how it affects stemmas meaning. Particular attention has been paid to cases in which mottos are treated as the title of a combination of a coat of arms and a poem. The text also analyzes “academic stemmata”, a sub-genre of a heraldic poems that consists of several features characteristic of emblems. The presence of lemma in the structure of stemmata is recognized as the consequence of a trend to liven up this visual form. Making the emblem more attractive was a way to draw the attention of readers, increasing the producer chance of communicating a panegyrical message. Not only the authors of stemma, but also their powerful patrons came to require this effect. The presence of lemma in the structure of heraldic poems also relates to the role of mottos in the Jesuit educational system. Mottos and verba aurea were treated by teachers from Societas Iesu as a very useful medium for presenting moral and parenetic subjects and it was fairly easy for authors of stemmata to use them for panegyric purposes. The lemmas role within the stemmas structure was twofold; it created a special connection between the stemma and the main text and simultaneously linked the fictional word of literature with the real one. The popularity of “classic stemmata” in the Polish-Lithuanian Commonwealth led to the creation and popularization of other hybrid forms composed of a coat of arms and other textual elements.

4

Herb gminy (wiejskiej) Zduńska Wola

86%

Adamczewski M.

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nr 14

75-84

EN

Zduńska Wola (rural) commune coat of arms was adopted in 2001. It was de-signed by Andrzej Dabrowski, a designer connected with the Polish Heraldry Cen-tre. The emblem includes reference to the controversial mid-19th century version of Zduńska Wola city crest or the region’s bee-keeping tradition (three bees), and to the Siemiątkowski family (coat of arms Jastrzębiec) living in Zduńska Wola re-gion in the 19th and first half of the 20th century (a horseshoe and a cross). In 2001 the project of the sign, with due explanation, was submitted, as is required by law, to the Ministry of Internal Affairs and Administration for opinion. The initial opinion prepared by experts from the Heraldry Committee was negative, but it did not lead to the issuing of a decision in this matter by the minister in charge of administration. The objections to the coat of arms of Zduńska Wola (rural) commune, expressed by the experts of the Heraldry Committee, and the lack of a positive ministerial opinion, which is necessary for adoption of the emblem, indicate that in the future there may be a change of the emblem. Perhaps a good starting point for a new coat of arms should be St. Catherine, the patron saint of the church in Korczew, which also was a parish church for Zduńska Wola and other localities in its neighbourhood.

5

Wolumin mszalny poznańskich karmelitów bosych.

61%

Pokora P.

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nr 19(28)

47-57

EN

The communique presents the Roman Missal, the book containing the prescribed prayers, chants, and instructions for the celebration of Mass in the Roman Catholic Church, from the Poznań-based monastery of Discalced Carmelites (Barefoot Carmelites) from the years 1685–1705 (1738). The missal is bound in a velvet binding with silver cornerpieces from the beginning of the eighteenth century and most probably produced in some local bindery.

PL

Komunikat prezentuje wolumin mszalny z poznańskiego klasztoru karmelitów bosych z lat 1685–1705 (1738) w oprawie z aksamitu, z okuciami ze srebra, pochodzącej z początku XVIII wieku, a wykonanej zapewne w lokalnym warsztacie introligatorskim.

6

Герб роду панів Гербуртів ХІІІ-початку XVII ст.

58%

Однороженко О.

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tom 11

220-261

PL

Herb rodowy Herburtów od połowy XIII do początku XVII wieku przedstawiał się na‑ stępująco: na tarczy jabłko przebite trzema mieczami. Jednak od przełomu XVI-XVII wieku poszczególni przedstawiciele rodu uzupełniali tę kompozycję figurą krzyża umieszczoną nad jabłkiem. Jednocześnie możemy zaobserwować znaczną kolorystyczną odmienność różnych figur herbu, głównie w zawartości emblematów hełmów. Pomimo faktu, że w klejnotach her‑ bów rodu Herburtów znajdujemy zwykle pawie lub strusie pióra, różnica w ich liczbie i ko‑ lorze (wraz ze zmianą koloru labr i figur na tarczy) natychmiast umożliwia rozpoznanie 19 odmian herbu używanego przez różnych przedstawicieli rodu. Taka zmienność drugorzędnych elementów ogólnego emblematu była charakterystyczna zarówno dla czesko-morawskich, jak i ruskich gałęzi rodu. W tym drugim przypadku obserwowana zmienność była swoistą kon‑ tynuacją tradycji charakterystycznych dla herbów szlacheckich na ziemiach Korony Czeskiej.

7

Metafora i jej rola w portretowaniu postaci w Źwierzyńcu Mikołaja Reja

58%

Słomka vel Słomiński K.

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tom 1(6)

21-39

EN

3 e study is dedicated to the image creation of the characters in “Źwierzyniec” (“Bestiary”) by Mikołaj Rej (1505-1569), based on the metaphors. This article focuses on determining the role of metaphors in portraying representatives of the nobility environment in “Rozdział wtóry” (3 e second chapter) of “Źwierzyniec”. The analysis is made for the selected epigrams where Rej used metaphors based on pronunciation of the surnames of the characters, comparison of their appearances with traits of character, heraldic charges, family lines or associations with heroes immortalised in culture. As determined, metaphors and similes serve mainly to emphasise and enhance positive traits of the characters. Their form adds attractiveness to the text and makes it easier for the reader to draw morals more effectively, as well.