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Rola kardynała Stefana Wyszyńskiego w powstaniu Orędzia biskupów polskich do niemieckich. Nieznane dokumenty w archiwum prymasa Polski

100%

Czaczkowska E. K.

Przegląd Zachodni

2016

nr 3(360)

193-203

The role of Primate Stefan Wyszyński in the creation of the Letter of the Polish Bishops to the German Bishops of 18 November 1965 was significantly more substantial that has so far been presented in the literature of the subject. He not only approved the composition and contents of the letter but was one of its co-authors. Primate Wyszyński was an active participant of the creation of the letter of the Polish bishops to the German bishops. He was not only informed about the proceedings of the episcopates of Poland and Germany in drafting the Letter and the response to it, but by meetings and talks with the members of the respective episcopates had genuine influence on the contents of the document. What is interesting, after the Letter was delivered to the German bishops but before the publication of their answer he met Cardinal Julius Döpfner, President of the episcopate of Germany. Information confirming the thesis of Primate Wyszyński’s co-authorship of the Letter of the Polish Bishops to the German Bishops of 18 November 1965 is to be found in the source materials stored in the Warsaw Archdiocesan archive and a majority of those materials are so far unpublished. Among them one particularly valuable source is the diary of Primate Stefan Wyszyński titled Pro memoria from 1965.

Utwór audiowizualny w orzecznictwie

38%

Cywiński J.

Themis Polska Nova

2016

nr 2(11)

248-265

The article in the eight paragraphs analyzes the issue of audiovisual work, in particular focusing on movie feature, providing the court rulings, in majority the Polish ones. The first section focuses on the clarification of the concept of an audiovisual work, using the textbook knowledge, the knowledge resulting from the polish Act of 4th February 1994 On Copyright and Related Rights and contained in the judgments of Polish courts, concluding that there is no leading definition of audiovisual work in the Polish legal system. Furthermore it considers the issue of co-authorship – who and to what extent has the right to call itself the creator of the audiovisual work. In this respect, it undertakes to clarify the contribution parts which pull together up the final image of an audiovisual work. In the next two sections it analyzes the beneficent of the audiovisual piece and defines the principles governing the relationship of beneficent and the author and the issue of remuneration for the authors work. In the fifth section it introduces the concept of collective management organizations, which is an organization that mediates the process of payment of accumulated remuneration to the creator. Section Six focuses on the issues of copyright protection and potential infringement, and states the rulings of courts, which allows reader to obtain a more practical understanding of the problem. Paragraph seventh evokes a complicated Polish case (the creator of „Stawka większa niż życie” vs. the creator of „Halo Hans!”). Finally paragraph eight focuses on a few cases executed in the field of copyright law in audiovisual work area in the United States.