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1

„CARITAS CHRISTI URGET NOS” (2 KOR 5, 14) – DUCHOWOŚĆ CARITAS

100%

Sobolewski Z.

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nr numer specjalny

715 - 732

EN

Caritas of Elk Diocese celebrates the 25th anniversary of its activity. From the beginning it helps in a material and spiritual way to the poor and to those who are in need. Caritas runs many specialist units. Caritas takes care of the development of Caritas units in schools and in parishes in its diocese. Spiritual-ity biased on faith is what distinguish Caritas from other nongovernmental or-ganizations that bring help to different social groups like: poor, sick, elderly, orphans, homeless, unemployed and socially excluded because of their poverty. The main motive for Caritas’ activities is servant to the poor people in the same way we would do it to the Christ. Reference to the Christ, imitation of Christ’s example, his respect for poor people and to the spirit of solidarity and brother-hood with poor are the main points of reference in spiritual formation of Cari-tas’ employees and volunteers. Caritas of Elk Diocese takes care of ecclesial identity in its works of mer-cy. Caritas takes care not only of material and spiritual forms of help but also about christian character of its activities. This article talks about basic spirituality of Caritas, mainly the need of religious and moral formation of employees and volunteers who works for Caritas in Elk. In reference to the latest states of popes it was shown the evan-gelic sources of Caritas’ spirituality, moral imperative of the responsibility for poor and attributes of the church’s charitable activity such as: unselfishness, respect for the human’s dignity and its rights, gratefulness and solidarity.

2

„A tu rzeczywistość skrzeczy…”, czyli „Na marne” i „Z dobrego serca” Lucjana Rydla

77%

Olszewska M. J.

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tom 19

97-114

RU

Two dramas by Lucjan Rydel 'Na marne' (1895) and 'Z dobrego serca' (1897) were created during the poet’s stay in Western Europe. These pieces are a testimony to changes in his worldview and attitude to life. He left in them his youthful fascination with symbolic and mood drama modeled on Maurice Maeterlinck’s plays. The attempts to transpose these patterns were heavily criticized by his youthful works 'Matka' and 'Dies irae'. Rydel turned to realism in art. In this case, the patterns were provided by Gerhart Hauptmann and Leo Tolstoy. Na marne is based on the confrontation of two life attitudes. The Major, a former insurgent, symbolizes patriotic tradition and deed, and his grandson Adam is a decadent who has lost faith in the meaning of life. It pushes him to suicide. This drama is a warning against passivity and fatalism. 'Z dobrego' serca treats about the sacrifice of a young girl who, after her sister’s death, decides to marry a much older brother-in-law to save her family. It becomes the personification of love of human being. For Rydel, the foundation on which we should build our life is Christian values. The choice made by the poet confirms his subsequent dramas mainly written for the folk theatre of which he was the initiator and creator.

EN

Two dramas by Lucjan Rydel 'Na marne' (1895) and 'Z dobrego serca' (1897) were created during the poet’s stay in Western Europe. These pieces are a testimony to changes in his worldview and attitude to life. He left in them his youthful fascination with symbolic and mood drama modeled on Maurice Maeterlinck’s plays. The attempts to transpose these patterns were heavily criticized by his youthful works 'Matka' and 'Dies irae'. Rydel turned to realism in art. In this case, the patterns were provided by Gerhart Hauptmann and Leo Tolstoy. Na marne is based on the confrontation of two life attitudes. The Major, a former insurgent, symbolizes patriotic tradition and deed, and his grandson Adam is a decadent who has lost faith in the meaning of life. It pushes him to suicide. This drama is a warning against passivity and fatalism. 'Z dobrego serca' treats about the sacrifice of a young girl who, after her sister’s death, decides to marry a much older brother-in-law to save her family. It becomes the personification of love of human being. For Rydel, the foundation on which we should build our life is Christian values. The choice made by the poet confirms his subsequent dramas mainly written for the folk theatre of which he was the initiator and creator.

DE

Two dramas by Lucjan Rydel 'Na marne' (1895) and 'Z dobrego serca' (1897) were created during the poet’s stay in Western Europe. These pieces are a testimony to changes in his worldview and attitude to life. He left in them his youthful fascination with symbolic and mood drama modeled on Maurice Maeterlinck’s plays. The attempts to transpose these patterns were heavily criticized by his youthful works 'Matka' and 'Dies irae'. Rydel turned to realism in art. In this case, the patterns were provided by Gerhart Hauptmann and Leo Tolstoy. Na marne is based on the confrontation of two life attitudes. The Major, a former insurgent, symbolizes patriotic tradition and deed, and his grandson Adam is a decadent who has lost faith in the meaning of life. It pushes him to suicide. This drama is a warning against passivity and fatalism. 'Z dobrego serca' treats about the sacrifice of a young girl who, after her sister’s death, decides to marry a much older brother-in-law to save her family. It becomes the personification of love of human being. For Rydel, the foundation on which we should build our life is Christian values. The choice made by the poet confirms his subsequent dramas mainly written for the folk theatre of which he was the initiator and creator.

3

Rodzina środowiskiem formacji prospołecznej i woluntarystycznej dzieci

71%

Przygoda W.

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tom 4

37-52

EN

One of the problems of the modern family are weak personal bonds between the spouses as well as between the parents and children. In Europe, and also in Poland, there are fewer and fewer multigenerational families; two-generational or even one-generational ones dominate. Moreover, taking into consideration the fact of low fertility in families the process of pro-social and volontaristic formation in the family appears as a challenge to the contemporary family. Success of the process of pro-social and volontaristic formation in the family depends on several factors, like: the full composition of the family, the family atmosphere, the number of children in the family, the mother’s career, the financial situation of the family and the family's religiousness. However, the most important condition for attaining success of the process is discovering, especially by the parents, God's plan, according to which the family is the least social unit and an irreplaceable community of love. Only a family trying to realize such a model of family life is able to bring up the kind of beautiful man who not only can „be with others”, but also „be for others”.

4

Saint Vincent de Paul. Entre la conversion de l'ambition et le mysticisme de son action charismatique

63%

Zakhary M. S.

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tom 65

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nr 5: Teologia duchowości

121-136

EN

Located in the 4th centenary of the charisma of St. Vincent de Paul (1617-2017), this study deepens, in the life of the “Grand Saint of the Grand Century”, and by his own words, the ins and outs of his conversion, and charisma. Both reveal, in filigree, his mysticism, which often goes unnoticed. The height of the youth of the charism is directly proportional to the depth of the conversion. We can't ask, no more, “the actions of charity made their time?”. Our Lord Jesus Christ has given the answer: “the poor, indeed, you have always with you” (Mt 26:11). For his part, the Pope Francis invites members of the International Association of Charities with this exhortation: “In being rooted in the personal experience of Christ, you will be able to contribute to a “culture of mercy” that renews deeply the hearts and opens up to a new reality”.

PL

To studium, podjęte cztery wieki po pojawieniu się charyzmatu św. Wincentego a Paulo (1617-2017), jest zależne od „Wielkiego Świętego Wielkiego Stulecia” i od jego własnych relacji opisujących wewnętrzną i zewnętrzną stronę jego nawrócenia, jego charyzmat. Zarówno jego relacja, jak i nawrócenie odsłaniają w pewnym stopniu jego mistycyzm, który jest często niezauważany. Najwyższy przejaw młodości charyzmatu jest bezpośrednio proporcjonalny do głębi nawrócenia. Czy nie możemy już więcej pytać: czy to „czyny miłości tworzą czasy, w których są dokonywane”? Nasz Pan Jezus Chrystus dał na to odpowiedź: „Albowiem ubogich zawsze macie u siebie” (Mt 26,11). Ze swej strony papież Franciszek zachęca członków Międzynarodowego Stowarzyszenia Miłosierdzia słowami: „Zakorzenieni w doświadczeniu osobistym Chrystusa, będziecie mogli przyczynić się do propagowania «kultury miłosierdzia», która odnawia głęboko serca i otwiera je na nową rzeczywistość.

5

Wie kann man die innere Bedeutung des Wortes „Caritas” mit der Hilfe der Textanalyse bestimmen?

51%

Birher N.

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tom 65

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nr 6: Teologia pastoralna

15-31

EN

What is the main sense of the word Caritas? We try to answer with the method of the text analysis. We search the key worlds in the Gospel of Marc and in different documents of ecclesial norms (Encyclical Deus Caritas Est, Motu propio Intima Ecclesiae Natura). The end-result is: Caritas mean: activity and responsibility. In the second part of our article we give some advises how to realize this responsibility and activity. This activity can be realised only trough the cooperation of different levels the transactions, but the key his efectivness is the precise definition the goals of our activity.

PL

Jaki jest główny sens słowa „caritas”? Na to pytanie autor stara się odpowiedzieć za pomocą metody analizy strukturalnej tekstu. Przeszukał i poddał analizie ilościowej kluczowe pojęcia z zakresu nauki o caritas w Ewangelii św. Marka i w innych dokumentach norm eklezjalnych. Końcowy wynik analiz wskazuje, iż pojęcie „caritas” oznacza przede wszystkim aktywność i odpowiedzialność. W dru-giej części tego artykułu zostały podane pewne wskazówki, jak zrealizować tę odpowiedzialność i działanie w zakresie działalności charytatywnej Kościoła.