The aim of the present article is to reveal the essential connection of MichelFoucault’s critical attitude regarding social relationships with the formation of thepostmodern ethos of making out of the human life an artwork. It will be shown thatthe main object of Foucault’s critique are the relations of power and knowledge inthe Christian priesthood and their modern transformation in nonreligious institutions.From this point of view, mainly based on the philosophy of Friedrich Nietzsche,the Christian ethics occur to be an accumulation of techniques of disciplinizationand normalization. This attitude towards Christianity and modernity leads to thepostmodern ethos of making out of life an artwork. This notion is mainly based onthe antique Greek and Roman philosophy, where instead of obeying to universalethical principles the human being struggled to be his own master. Therefore thepostmodern existence tries to be beyond all traditional boundaries, which resultsin the danger of neglecting the historical fact, that Christianity was and still is animportant institution of the Western Civilization.
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