Wyniki wyszukiwania - Biblioteka Nauki

1

„Pióropusz” Mariana Pilota: kolekcja stylów i archiwum pamięci kultury

100%

SŁAWKOWA E.

|

tom 22

309-324

EN

Relying on a broad, anthropological and semiotic understanding of the notion of “style”, the article presents an analysis of the language of the novel with references not only to the linguistic questions such as problems of the Silesia – Great Poland border territory, Pilot’s native dialects, but also to the issues of cultural anthropology such as ethnic stereotypes presented in the novel with their system of values and views of the world.This perspective reveals the style of the novel as hybrydic and hyperbolic. As a document of the author’s attitude towards his own, peasant past and as his reflection upon the place of the peasant paradigm in the Polish culture, as well as the archive of cultural memory (various recognizable historical styles present in the novel such as the epic, romantic, and Gombrowicz-like styles), Marian Pilot’s text appears to be the effect of subjugation of both these spheres to the demands of the poetics of the modern novel. Thus, the elements of both these realms, dialectical and stylistic, have been, in an innovativemanner, modified, enhanced and parodied by the author.

2

K Niektorým Aspektom Termínu „Archaizmus “

100%

Kováčová V.

|

nr 1

41-52

EN

Main focus of this paper is the issue of notional variability of the term “archaism” which occurs in historical-linguistic and dialectological works with a common denominator - dialects. The basis of the registered notional variability (1. Linguistic phenomenon which carries over from an earlier linguistic period - residual archaism; 2. Dialectal phenomenon which represents older state of language - relict archaism 3. Dialectal phenomenon which is currently receding - synchronic, structural archaism) lies in differences resulting from diachronic (the age of the linguistic phenomenon, diachronic resultativity, residuality/relictness) and synchronic (obsolescence of the linguistic phenomenon, synchronic processuality) approach to the language and its dynamics. The variability of the term archaism according to the approach used (the aspect of the national language, its development vs. the aspect of dialectal system and its structure) is illustrated on the example of linguistic phenomena characteristic for Sotak dialects of the north-eastern Zemplín. During the process of selection of examples from Sotak dialects the fact that the structure of this dialectal system includes, in a concentrated form, linguistic phenomena reflecting an older developmental state of the Slovak language (archaisms from the point of view of national language and its development) was taken into consideration.

3

Lexikální prostředky a styl nové české literatury

94%

Mareš P.

|

tom 26

173-181

EN

The paper deals with the complexity of stylistic markers of words and with the employment of these markers for aesthetic purposes and effects in several works of modern Czech literature. There is a distinctive tendency in the Czech prose to combine lexical devices with dissimilar, often antagonistic stylistic markers (formal and colloquial, archaic and new, polite and vulgar etc.). The main part of the paper includes short analyses of selected texts that operate with lexical devices in such a way. In 1920s, Vladislav Vanèura was a pioneer of this stylistic technique. In the last decades, novels and short stories by Ota Pavel, Jiøí Gruša or Petra Hùlová represent outstanding examples of achieving significant effects by contrasting words with antagonistic stylistic markers.

4

Buildings, archetypes and cosmogonies on the edge of the contemporary city

84%

García Pérez F. A.

|

2019

|

nr 3 (59)

83-90

PL

Pomimo rzekomej desakralizacji współczesnego świata, wciąż jest możliwe podążanie symbolami pochodzącymi z czasów starożytnych. Niniejszy artykuł dowodzi, że symbole związane z pierwotnym aktem założenia miasta, choć odległe w czasie, wciąż można rozpoznać w procesach budowy naszych miast. Analiza konkretnego kompleksu architektonicznego, rozwiniętego we współczesnym mieście, egzemplifikuje archetyp rozwoju naszych urbanistycznych peryferii.

EN

Despite the supposed desacralization of the contemporary world, it is still possible today to trace symbols that come from ancient times. The present article argues that although the symbols involved in the original act of the foundation of a city are distant in time, sometimes they can still be recognized in the construction processes of our cities. The analysis of a specific architectural complex developed in a contemporary city will exemplify the survival of the archetype in the development of our urban peripheries.

5

Od tradycjonalizmu do futuryzmu. Archeofuturyzm Guillaume’a Faye’a

84%

Bielawski P.

|

tom 58

60-71

EN

The subject of this article is Guillaume Faye’s concept of archeofuturism. In Faye’s opinion, Europe finds itself now in crisis, which will lead it to the implosion of the contemporary sociopolitical order. He thinks that archeofuturism is the way to overcome the crisis. The text outlines the concepts of the convergence of catastrophes, vitalistic constructivism, and archeofuturism. To sum up – the article describes the contemporary state of Europe (in Faye’s perspective) and the method for revolutionary change.

PL

Tematem artykułu jest koncepcja archeofuturyzmu Guillaume’a Faye’a. W opinii Faye’a Europa znajduje się w obecnie w kryzysie, który doprowadzi do upadku obecnego systemu społeczno-politycznego. Uważa on, że sposobem na jego przezwyciężenie jest archeofuturyzm. W tekście omówione zostały pojęcia: konwergencji katastrof, witalistycznego konstruktywizmu i archeofuturyzmu. Podsumowując – przedstawiony został stan obecny europejskiego systemu politycznego (w perspektywie G. Faye’a) i metoda na jego rewolucyjną zmianę.

6

Смислотворча функцiя архаïзмiв вiршiв Данила Братковського у перекладi Валерiя Шевчука

84%

Бай О. , Яручик О.

|

tom 22

169-179

EN

The semantic loading of archaisms in Ukrainian translations of Danylo Bratkowskyi’s poems by Valerii Shewchuk is analyzed in the article. They are separated from another layer of outdated vocabulary – historicisms in modern language. Their belonging to different groups is indicated in terms of structure and content. Taking into account the structure of archaisms, we distinguish stylistic, morphological, word-formation, phonetic and lexical groups. Semantically we should consider that there are complete and superficial archaisms, so they perform different functions in the translated text and in the original text. In the publication attention is paid to the level of adequacy and equivalence of translated baroque poetry. The prospects of translation of the ancient text with the use of archaisms are determined. Among the words-realities in the Ukrainian versions of Bratkowskyi’s poems we identify historicisms and a small group of archaisms consonant with them, which either have synonymous equivalents in modern Ukrainian or had them not so long ago, in the 20th century. Very often this type of vocabulary refers to public positions, professions, household items, etc. In this case the technique of archaizing the text is fully justified, as it conveys the spirit of antiquity and reproduces the linguistic richness of the ancient kingdom of Poland, which consisted of several nations and which is no longer on the world map. The most common group are archaisms of the classical type, which are divided into subgroups by the nature of creation. In Ukrainian translations of Bratkowskyi we find their phonetic, morphological, word-forming and semantic variations. Regardless of the type of creation, all these obsolete words are used for a single purpose – imitation of the Baroque epoch, from which we are separated by three centuries. Word-forming and lexical archaisms predominate among them. Most of them perform the superficial function of archaizing the text without significantly changing its content. To the individual translation style we assign so-called pseudo-realities and pseudo-archaisms, which, thanks to the preserved transcription of words from the original transfer of Polish words to the Ukrainian lexical ground, gain an old-fashioned flavour. The number of such authorial interpretations is very significant, so they must be allocated to a separate group. Descriptive translation in this case would be most appropriate and equivalent to the original texts. It can be concluded, on the basis of the conducted research, that archaisms are one of the most numerous groups of vocabulary in Ukrainian translations of Danylo Bratkowskyi’s Polish language poetry. Phonetic and lexical (semantic) archaic groups predominate among them and are significantly widespread due to the translator’s creation of his own words that correspond to the Polish original definitions through transcription. We can define this individuality as a tendency for polonization of speech that is often characteristic of dialectal vocabulary.

7

Lexikalische Archaismen im Märchen Die Karawane von Wilhelm Hauff

84%

Guz M.

|

nr 16/1

63-72

EN

The subject of this article are lexical archaisms presented in the fable Caravan by the German writer Wilhelm Hauff, who died in his prime. The purpose of the work is to find an answer to, among others, the following questions: How may the excerpted anachronistic vocabulary be divided? Which parts of speech do occur among the gathered archaisms and what is their structure? The analysed material is categorised into four groups: 1. lexemes with chronological label, 2. lexemes with chronological label and label concerning stylistic range, 3. anachronistic lexemes with label concerning stylistic range and 4. supposed archaisms. In three groups, nouns are the most frequently occurring parts of speech and only in the second group there are more verbs than nouns. Most of the nouns are basic words.

8

Brzechwy lekcja dawnego języka polskiego (na przykładzie zbioru Sto bajek)

84%

Piela A.

|

tom 19

309-324

EN

The basic purpose of this article is to demonstrate the archaic and anachronistic language forms contained in the collection of poetry by Jan Brzechwa Sto bajek. It turns out that the poet, as one of the precursors of the linguistic poetry for children, deliberately introduced into his poems some historical words, their forms and meanings, e.g.: androny, dziatwa, gawiedź, Piotrowa, sążeń, starościna, świekra, taradajka, żupa. Brzechwa’s vocabulary proves that his poetry is a historic, cultural, and linguistic curiosity to both the younger and older generations of readers.

PL

Podstawowym celem artykułu jest prezentacja archaicznych i anachronicznych form językowych zawartych w zbiorze poetyckim Jana Brzechwy Sto bajek. Okazuje się, iż autor, jako jeden z prekursorów nurtu poezji lingwistycznej dla dzieci, świadomie wprowadzał do swych utworów niektóre historyczne wyrazy, ich formy i znaczenia, np. androny, dziatwa, gawiedź, Piotrowa, sążeń, starościna, świekra, taradajka, żupa. Słownik Brzechwy udowadnia, że twórczość poety stanowi zarówno dla młodszej, jak i starszej generacji czytelników ciekawostkę historyczno-kulturowo-językową.