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Voltaire’s Radicalism

100%

Drozdowicz Z.

nr 40

5-21

This article reminds the reader of the views of Voltaire, one of the most prominent and influential philosophers of the Age of Enlightenment. Voltaire’s radicalism manifested itself mainly in anticlericalism which was consistent, uncompromising and voiced without mincing words. A general aim of this article is to demonstrate to his contemporary imitators, who can be found in different countries including Poland, that they are in fact more or less accurate copies of him and they are not always aware of whom they imitate and what value this imitation has. Perhaps this article can make them, if not more restrained in their statements and practical actions, at least more self-critical and taking into account what is expressed in public discourse.

Światopogląd jako styl. „Klucze Piotrowe” Rogera Peyrefitte’a w przekładzie Hanny Szumańskiej-Grossowej jako ogniwo tradycji

88%

Kącka E.

Poznańskie Studia Polonistyczne. Seria Literacka

2022

nr 43

13-26

The article’s starting point is the consideration of selected works of Anatole France’s, André Gide’s and Guillaume Apolinaire’s, which over a hundred years ago would constitute a separate trend in the French pre-Vatican church. What differentiates the criticism of what is known as ultramontanism from the traditional anticlerical satire is the tone of persiflage, irony and theological erudition of almost grotesque proportions. In the 1950s, Roger Peyrefitte, a diplomat and a satirist of the Vatican, was an outstanding heir to this stylistic and thematic tradition. When translating his The Keys of St. Peter in 1959, Hanna Szumańska-Grossowa had to refer to the aforementioned author, who had lived half a century earlier, and work out a narrative of her own based on the achievements of J. Sten (Anatole France), Tadeusz Żeleński-Boy (André Gide) and Adam Ważyk (GuillaumeApollinaire).

Relacje pomiędzy metropolitą Andrzejem Szeptyckim a ukraińską inteligencją

75%

Kubasik A.

tom XXV

312-326

The Metropolitan Archbishop Andrey Sheptytsky was the head of the Greek Catholic Church in Eastern Małopolska in 1901-1946. When he assumed the duties of a bishop, he realised that work with the intelligentsia would be more difficult than with other people. However, he still wished to be their spiritual leader in their Christian life. He never wanted to set the clergy against the intelli-gentsia; he did not believe they were in opposite camps. He summoned those who declared they affiliation with the Greek Catholic Church to manifest it in their everyday living. Moreover, he op-posed those who demanded that the Greek Catholics join the Orthodox Church for the sake of na-tional unity of the Ukrainians. Many people representing the world of culture and science considered him as the most im-portant defender of the Ukrainian nation’s rights.

Role intelektuálů v procesu „ateizace“ české společnosti v druhé polovině 20.století a její transformace

51%

Václavík D.

tom 20

Artykuł dotyczy oddziaływania, rozwoju i zmian różnych form ateizmu w twórczości czeskich, zwłaszcza marksistowskich, intelektualistów w drugiej połowie XX wieku. Omawia również ich wpływ na opinię publiczną, przede wszystkim w obliczu narastania negatywnego stosunku do religii u dużej części czeskiego społeczeństwa. Opracowanie opiera się szczególnie na historycznych i dyskursywnych analizach dzieł głównych autorów od lat 50. XX wieku do roku 1989, a zwłaszcza tak ważnych postaci, jak Ivan Sviták, Milan Machovec czy Vítězslav Gardavský.

The article deals with resonance, development, and changes in various forms of atheism in the works of Czech, especially Marxist, intellectuals in the second half of the 20th century. Attention is also paid to their influence on public opinion, especially in connection with a rise in negative attitude of a large part of the Czech public towards religion. The study is based primarily on historical and discursive analyses of the works of principal authors from the 1950s to 1989. Among the authors discussed are important figures such as Ivan Sviták, Milan Machovec, and Vítězslav Gardavský.