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tom 35(2)
239-250
EN
In Stefan Grabiński’s works, the artist often uses metaphors to attribute anthropomorphic phenomena to non-human ones. This sketch is an attempt to look at examples of anthropomorphic metaphors in Stefan Grabiński`s novellas in terms of their ideological and artistic functions. The aim of this analysis is to verify whether the use of anthropomorphic metaphors is connected with attributing created worlds with non-realistic properties. For this purpose, it is worth interpreting and explaining the treatments used by the author, including their linguistic aspect, asking the question about the relation between the employed stylistic means and the effect of the created image of reality, and about the consequences of this way of constructing the world presented in Grabiński’s works.
EN
The article proposes discussion of John Lewis-Stempel’s Meadowland (2015) developed along two perspectives. One is the post-pastoral reading as suggested by Terry Gifford. He offers a contemporary interpretative mode that draws from both the rich history of British pastoral and countryside writing and from recent ecocritical devices. Additionally, this paper aims to point out the manifold functions of anthropomorphism and presents it as the longestablished strategy of making sense of the ‘outer’ nature. Both animating non-humans in literary representation and post-pastoral depiction of British countryside prevail to be an expression of spatial proximity, and apparently an indispensable prerequisite for co-existence, for sharing material place. Far from causing confusion or misunderstanding, anthropomorphisation has an enduring power of organizing human experience and expressing interconnectedness. In historical terms, it remains a fact that people have always responded to the natural world, and that they have seen animals respond as well, thus turning them into agents.
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