The article suggests the ontological categories of “becoming visible” and “world becoming visible” as the extension of epistemological categories of presentation and presented world in the literary work. “Becoming visible” is described as the consequence of the strategy to break the coherence and the logics of presentation. Caused by the aesthetic experience and cognition “becoming visible” appears in the Heidegger’s flashing of being.
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Stefan Morawski, one of the most prominent Polish esteticians, was exspecially interested in problems of axiology. He believed that proper axiology, based on empirical material and analysis, def ines the subject of estetic cognition. The article reconstructs the basic concepts of S. Morawski. In the f irst part of the text, presented in this current issue, the author discusses the concept of aestetic/artistic value, thee ontology of aestetic/artistic value, its objectivity, taste, aestetic experience and aestetic judgement. The author off ers a critical analysis of Morawski’s concept.
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