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3 2013

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POSLEDNÝ SOVIETSKY EASTERN

100%

Ciel M.

2013

tom 60

nr 6

504 – 507

Alexander Proškin along with the screenwriter Edgar Dubrovský changed the Soviet eastern paradigm in 1987. All the previous ones had been set in the times of the Civil War or immediately afterwards. “The Cold Summer of 1953”, as it stands out from the title, does not. Always, the eastern had been set in the wildest period of the Soviet history and the intense heroism of that period in order to create an attractive dramatic situation (Biele slnko púšte /The White Sun of the Desert/, Nikto nechcel umierať /Nobody Wanted to Die/, Transsibírsky expres /Transsiberian Express/, Svoj medzi cudzími, cudzí medzi svojmi /Alone Amongst Strangers, Alone Amongst Fellows/, Svieť, svieť, hviezda moja /Shine, Shine, My Star/ etc. It was not possible to depict the 1950s as a negative „wild“ situation until the mid-1980s (actually, it was, soon after the 20th Party Congress, but it did not last long and it led to persecution of many including Solzhenitsyn).

MEDZI PATRIOTIZMOM WESTERNU A SOCIÁLNOU CITLIVOSŤOU EASTERNU. PRIESTOR VÝCHODNÝCH KARPÁT V ČESKEJ PRÓZE 20. STOROČIA

88%

Passia R.

2013

tom 60

nr 6

488 – 494

The study focuses on identifying the western motifs and syuzhets in Czech fiction of the 20th century set in the territory of the East Carpathians. The motif and space constants of the western in Czech prose of the 20th century written about this territory are not coincidental, arbitrary, on the contrary, their presence is logically related to the semiotic status of the East Carpathian border region, i.e. the established image of this geographical area in Central European cultures. The motif invariants of the western as a genre and of the East Carpathian border region overlap, e.g. both of the invariants feature the border as a phenomenon, the conflict between the archaic and the modern and the conflict between the local and the strange. The Czech prose of the 20th century reflects on this territory by means of two essential patterns, that of the western (conservative-patriotic) and that of the eastern (socially conscious).

O bohaterach Pogranicza i fascynacji XIX-wiecznym amerykańskim Zachodem

75%

Parafianowicz H.

tom 21

181-193

Americans are interested in the American Borderland, its mysterious and romantic heroes as well as potential settlers, writers, journalists, politicians, artists, and historians in the course of time. Thanks to writing of some authors such as James Filmore Cooper, Mark Twain, Owen Wister, historical stories, films (mostly western), most heroes from Frontiers (positive and negative) are in American consciousness to these days. Legendary characters of Frontiers were also commemorated on US postage stamps, songs, poetry, paintings (George Catlin – Indian subject and Charles M. Russell), drawings, graphics, lithographs (Frederic Remington), also documentary photographs, permanently romantic vision of the West and its characters. American Borderland and its heroes also fascinated European people including Poles, what was exemplified in contemporary publicity and travel books. These works contributed largely to spread the ideas about the colonization and the mythologization of the American West.