Wyniki wyszukiwania - Biblioteka Nauki

Nowa wersja platformy, zawierająca wyłącznie zasoby pełnotekstowe, jest już dostępna.
Przejdź na https://bibliotekanauki.pl

Ograniczanie wyników

2 Mäetagused

2 2017

Znaleziono wyników: 2

Liczba wyników na stronie

Wyniki wyszukiwania

Wyszukiwano:
w słowach kluczowych: Virumaa

Sortuj według:

Ogranicz wyniki do:

Virumaa muinasjutud: toe ja reaalsuse piirimail

100%

Jarv R.

2017

tom 67

181-218

One tenth of the fairy tales in the Estonian Folklore Archives have been collected in Virumaa. The article gives an overview of the fairy tale types most widely spread in Virumaa: wondertales ATU 300, 301, 313, 327A, 403C, 409, 480, 650B, and animal tales ATU 117, 169*, 243. Some tales of magic less known elsewhere in Estonia (ATU 312D, 326, 650B) are inherent in Virumaa. The article dwells upon fairy tales including anthroponyms, which are rather exceptional among fairy tales, and also fairy tales that are related to concrete places in Virumaa. In spite of some eastern features especially prominent in four parishes of Ida(East)-Viru County, Virumaa fairy tale tradition generally belongs to northern Estonian fairy tale repository. By their strategies of name-using in fairy tales, Virumaa narrators have been similar to the ones elsewhere in Estonia. Although Virumaa fairy tales seem to include more place names than in Estonia on average, the most peculiar developments in this sphere often result, above all, from the style of concrete collectors.

Virumaa rahvapillid

75%

Tonurist I.

2017

tom 67

75-112

The article gives an overview of the traditional musical instruments and sound making devices of Estonian peasants in historical Virumaa, as well as their usage on the basis of data collected mainly in the 19th–20th centuries. Folk instrument playing culture in Virumaa region is part of the common north-Estonian folk music area, which covers Harju, Järva, and Viru counties. Undoubtedly, the idiosyncrasy of folk music in this area has mainly been shaped by the northern Estonian regilaul (runosong); yet, the relatively similar choice of traditional musical instruments is also characteristic. Local peculiarities of Virumaa stand out only in the case of a few phenomena, such as piibar (a flute-like whistle made of willow bark) and names for the newer type of psaltery (simmel/tsimmel/simbel). In the choice of instruments, their names, and repertoire the so-called Iisaku poluvertsiks’ (Lutheran Russians) local folk instrument playing tradition can be distinguished, which mixes Russian and Estonian phenomena (incl., e.g., names of instruments: psaltery – kusli, jew’s harp – vargan, willow whistle – dutka, drum – puuben). Russian villages on the northern coast of Lake Peipus and along the Narva River had their own explicit ethnic playing tradition. The northern coast of Virumaa had some common features also with Finnish folk instrument and folk dance traditions (influence in the repertoire of dance music, violin-playing, etc.), while at the lower course of the Narva River contacts occurred with local Izhorian herdsmen and their instruments (e.g. large herdsman’s trumpet truba). Folk music instruments in Virumaa can be divided by their sound-making mode into wind instruments (e.g. clarinet-type and trumpet-type aerophones), string instruments (chordophones), idiophones, and membranophones. The article approaches folk instruments in Virumaa on the basis of their main building indicators as well as spheres of usage, and their mentions in oral folklore.