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This research presents a comprehensive overview of the Latin literature in Ukraine. Literary heritage of the following authors: Stephanus (Symeon) Jaworski (1658-1722), Philipphus Orlik (1672-1742) was used to analyze peculiarities of the creative self-expression of the Latin-speaking writers mentioned above, who appeared to be active participants of the pan-European artistic, religious, scientific, and political discourse. Furthermore, is the scholarly work in the Ukrainian literary studies to provide a list of verse and prose genres applied in the XV–XIX century, along with the analysis of its content and form in the context of the Ukrainian literature development in the XV–XIX century. In this work distinguishes the main motives and prevailing ideas peculiar to the Renaissance, Baroque, and Classicism literary oeuvre. Provides a comprehensive outline of the artistic means applied by the Latin-speaking authors: poetical, rhetorical means, interlinguistic play on concepts, emblem, in particular heraldic, poetry or blason). The analysis of the literary means is provided in the context of the educational philological courses, which contain presentation of the current literary theoretical principles.
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The article deals with the dialogue between two artists Dmytro Pavlychko and Yaroslav Ivashkevych primarily at the level of contact-genetical connections between them through criticism and translation, personal relationships. Dmytro Pavlychko translated more than 120 poems written by Yaroslav Ivashkevych and wrote a number of articles about his oeuvre (“Novels by Yaroslav Ivashkevych”, “Uraniya is his sister and muse”, “Yaroslav Ivashkevych and Ukraine”). The image of Ukraine is demonstrated in the works of Yaroslav Ivashkevych from early poetry and prose to the latest collections and his Ukrainian myth that comes from the “Ukrainian school” of Polish romanticism. Dominant features of poetics: paintistry, musicality, privacy.
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