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Hungarian Turanism. From the Birth of the Ideology to Modernity – an Outline of the Problem

100%

Kowalczyk M.

Historia i Polityka

2017

nr 20(27)

49-63

This article is an outline of Hungarian Turanism, Central European ideological phenomenon. The ideology was relatively important in Hungary during the first half of the 20th century and is currently undergoing a revival in the country. Turanism is a very important part of the ideology promoted by the Jobbik party (Movement for a Better Hungary). The term “Turanism” is derived from Turán, a word most likely of Old-Persian origin, once used to describe the lands of Central Asia inhabited by nomadic tribes. According to the ideology of Turanism, Hungarians are related to Altaic peoples, such as Turks, Azeris, Tatars, Kazakhs, Mongols, and even Tibetans and Japanese. Many Hungarian researchers and explorers travelled to Central Asia in order to find peoples related to Hungarians. It is noteworthy to point out that modern Hungarian Turanism, particularly as it is represented by Jobbik, displays strong anti-Western attitudes. Jobbik is very critical of the international policy of the European Union and the United States, and considers Hungary to be a victim of the West. What is more, Jobbik strongly criticises globalism, liberalism and anti-traditionalism, which it considers to be features of modern Western societies. Because of this, Jobbik’s “Eastern Turn” appears to be a turn away from the West.

New Hungarian Mythology Animated

86%

Hubbes L. A.

Acta Universitatis Sapientiae, Philologica

2014

tom 5

nr 2

223-240

Hungarian civil religion in general, and various ethno-pagan spiritualities in special are deeply unsatisfied with the canonical version(s) of ancient national history. Screening history is an act of powerful pictorial mythologization of historical discourses and also a visual expression of national characterology. In recent years two animated films were released, telling the ancient history of Hungarians, but the stories they tell are very different. Not long after Marcell Jankovics’s Song of the Miraculous Hind1 (Ének a csodaszarvasról, 2002), a long fantasy animation based on ethnographic and historical data, another similar long animation: Heaven’s Sons (Az Ég fiai, 2010) started to circulate on YouTube and other various online Hungarian video-sharing channels. It seems as if the latter, an amateur digital compilation by Tibor Molnár, would have been made in response to the first film, to correct its “errors”, by retelling the key narratives. Built mainly on two recent mythopoetic works: the Arvisura and the Yotengrit (both of them holy scriptures for some Hungarian Ethno-Pagan movements), Molnár’s animation is an excellent summary of a multi-faceted new Hungarian mythology, comprising many alternative historical theses. My paper aims to present two competing images of the Nation on the basis of several parallel scenes, plots and symbolic representations from the two animations. A close comparative investigation of these elements with the help of the Kapitány couple’s mythanalytic method will show the essential differences between the two national self-conceptions expressed through the imaginary