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1 Brajerska-Mazur A.
1 Katarzyna Wiktoria Klag is a graduate of English Philology at the Jagiellonian University in Cracow. Her MA thesis is entitled Supernatural creatures in Shakespeare's comedies. She also graduated from German Philology at the State Higher Vocational School in Nowy Sącz w. s. d. h. B. t.
1 Klag K. W.
1 Pajączkowski O.

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The Power of Music in the Tale of Beren and Lúthien by J.R.R. Tolkien

100%

Klag K. W. , Katarzyna Wiktoria Klag is a graduate of English Philology at the Jagiellonian University in Cracow. Her MA thesis is entitled Supernatural creatures in Shakespeare's comedies. She also graduated from German Philology at the State Higher Vocational School in Nowy Sącz w. s. d. h. B. t.

nr 2

Tolkien valued music in his private life, and this is mirrored in his works about Middle-Earth, which owes its very existence to music. It is born out of the song of the Ainur. But the role of music does not end with this creative act, rather, it continues to influence the history of Middle-Earth. The paper aims to analyze the role of music in the tale of Beren and Lúthien in the published Silmarillion. The tale of Beren and Lúthien was of personal significance to Tolkien himself. It also includes numerous allusions to music. It is the language of love for both Beren and Lúthien, who make their own songs. Lúthien’s music has power which allows her to overcome Sauron and Morgoth and to win a second life for Beren from Mandos, while Finrod uses music in his duel with Sauron. Music affects both positive and negative characters, including Sauron and Morgoth. Its importance is also emphasized by the existence of professional musicians, such as Daeron, Thingol's minstrel. The story "Of Beren and Lúthien" demonstrates the power of music, which has a huge impact on the entire history of Middle- Earth. Without it, many events would never have happened.

Saga „Dragonlance” jako „fantasy przejściowe” (graniczne)

86%

Pajączkowski O.

Jednak Książki. Gdańskie Czasopismo Humanistyczne

2017

nr 7 "Pomiędzy dziećmi i dorosłymi. Przekraczanie granic w literaturze dla dzieci i młodzieży"

189-200

Author of this article describes characters and themes of Dragonlance saga, one of Dungeons & Dragons worlds, written by Tracy Hickman and Margaret Weis. He notes that Heroes of the Lance are „transistional” - although they are adult in physical sense, they also have problems of teenagers and are close to young readers in regard that they must grown up, too. He also notes that the whole Dragonlance saga is transitional – placed between heroic fantasy of Tolkien and dark fantasy of Sapkowski, between fairytale-like world of Lewis and „realistic” world of Martin. He concludes that although Dragonlance main function is to entertain the reader, it can show some ethical behaviour, too.

Manipulizm a wpływ czytelników na polskie tłumaczenie Harry’ego Pottera

81%

Brajerska-Mazur A.

Roczniki Humanistyczne

2015

tom 63

nr 6: Językoznawstwo

151-165

The author of the article shows entanglement of literary translation in various ideologies. Basing on the Internet data she analyzes Andrzej Polkowski’s work over Polish renditions of Harry Potter series and indicates readers’ influence on the final shape of his translation. In her research the author uses terminology and concepts of Manipulation School of Translation, especially those by André Lefevere: refraction, rewriting, intertextuality and patronage.

Artykuł przynosi interesujące obserwacje o uwikłaniach przekładu literackiego w rozmaite ideologie. Analizując pracę tłumacza nad tekstem polskim Harrego Pottera (na podstawie danych internetowych), autorka pokazuje wpływ czytelników na ostateczny kształt tego przekładu. Czasem tłumaczymy tak, jak chcą tego czytelnicy czy inne ośrodki nacisku. Autorka odwołuje się do propozycji koncepcyjnych André Lefevere’a, a przede wszystkim pojęć takich jak refrakcja, intertekstualność, sytuacyjność (kontekst „polityczny” w kulturoznawczym rozumieniu tegoż pojęcia).