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tom 10
187-195
EN
The article is an attempt to describe the cultural phenomenon of Zakopane in the early 20th century on the basis of Witkacy’s Pożegnanie jesieni [Farewell to Autumn]. In the dynamic and multi-layered plot of his novel Witkacy, emotionally involved but also with his usual sarcastic and critical distance, presents a collection of characters who make up a collective model of a specific group of residents of Zakopane set against the background of a clearly defined mountain space (the action of the novel takes place in Zakopane). The key motifs of the novel correspond to the narcotic Zakopane demonism — a style characteristic of the Zakopane culture at the turn of the centuries and using the legend and creative capital of the Young Poland movement in the Tatras. An important pla­ne bringing together the protagonists’ sentimental sublimations in the novel is music as a universal form of art, using the power of sound, i.e. communication tool available to all sensitive recipients. Two protagonists compose and perform it (Żelisław Smorki and Prince Azalin Prepudrech), others listen to it. Smorski is a pupil of Karol Szymanowski (who lived in Zakopane at the time); the name of the composer recurs several times, which testifies to the author’s intention to make his literary fiction credible. The model of the protagonists’ pianistic interpretation also draws on the virtuoso method of Egon Petri, who in the inter-war period ran his own piano school in Zakopane.
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tom 11
207-219
EN
Marian Antoni Maurizio-Abramowicz (1905–1996), agronomist engineer by training, skier and mountaineer by avocation, left Poland in 1939 and in 1942 settled in Spain, where he lived until his death. He spent his childhood and youth in Zakopane, where he moved in the local intellectual and artistic circles and among Podhale highlanders. Fascinated with the beauty of the Tatra landscape, highland folklore and the unique mental aura that emerged from this foundation — of the world of the mountains and people of the mountains — he cherished vivid memories of this throughout his stay abroad, memories strengthen by frequent visits to his homeland. He expressed this in his writings — poetry and prose. His oeuvre can be an excellent example of temporal transgression referred to the constant crossing of the boundary between the present and the past.
PL
Celem badań było rozpoznanie procesów kształtujących skład chemiczny wód potoków odwadniających krystaliczną i osadową część zlewni Potoku Bystra w Tatrach w czasie wezbrania roztopowo-opadowego w kwietniu 2016 r. Badania były prowadzone w dwóch przekrojach wodowskazowych reprezentujących obszary zbudowane ze skał krystalicznych (Goryczkowy Potok), oraz ze skał osadowych, charakteryzujących się rozbudowanymi systemami krasowymi (Potok Bystra). Głównym procesem kształtującym zmiany składu chemicznego wody w obu zlewniach w czasie analizowanego wezbrania był proces rozcieńczania wód podziemnych wodami roztopowymi i opadowymi. Przejawiało się to spadkiem stężenia większości jonów w potokach wraz ze wzrostem stanów wody. W Potoku Bystra, odwadniającym obszar osadowy zmiany składu chemicznego były dodatkowo modyfikowane dopływem wód z systemów krasowych a w Goryczkowym Potoku – wymywaniem jonów z gleby przez wody spływu śródpokrywowego.
EN
The purpose of the study was to identify processes shaping water chemistry in streams draining the crystalline and sedimentary portions of the Bystra Stream catchment in the Tatras during rain-on-snow event in April 2016. Data were gathered at two water gauging sites representative of areas formed of crystalline rock (i.e. Goryczkowy Stream) and areas formed of sedimentary rock characterized by extensive karst systems (Bystra Stream). The main process responsible for changes in water chemistry in both catchments over the study period was dilution of groundwater with snowmelt and precipitation water. This was manifested via a decrease in the concentration of most ions in the studied streams at high water stages. The water chemistry of Bystra Stream draining sedimentary rocks was affected in part also by the influx of water from karst systems. In the Goryczkowy Potok Stream the changes were modified by flushing of ions from the soil by throughflow.
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2018
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tom 12
335-349
EN
On 6 October 1929 two teenagers from Zakopane, the sisters Lida and Marzena Skotnicówna, died tragically while trying to traverse the southern face of Zamarła Turnia. The accident became a permanent part of the history of mountaineering in the Tatras, especially of women’s mountaineering. It became an inspiration for many writers and journalists, who “immortalised” the Skotnicówna sisters, making them protagonists of poems and novels, but also expressing judgements on the legitimacy of women’s mountain climbing. The author of the article explores works commemorating and sometimes even mythologising the sisters. Her aim is, first of all, to illustrate the role of women’s expansion in mountaineering in the interwar period, expansion which — since it is still alive through the memory of its heroines — must have been significant; and to demonstrate various ways of writing not only about the Skotnicówna sisters as human beings, women, climbers, but also as female pioneers of mountaineering or even a phenomenon. The author’s method is based on a comparison of various literary and journalistic works and hermeneutical interpretation in a historical and social context, using the tools of geocriticism.
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