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Muzyka w dramatach Tadeusza Micińskiego

100%

Nowak I.

nr 1

45-57

The article presents a wealth of musical phenomena in Tadeusz Miciński’s dramas. It attempts to characterize and systematize them on basis of such pieces as Kniaź Patiomkin, Noc rabinowa, W mrokach złotego pałacu, czyli Bazilissa Teofanu or Termopile polskie. Tadeusz Miciński predicted a significant share of the musical element in his dramas. He often precisely indicated, what kind of music should appear in them. The issue of music citations and references given by the Young Poland’s author directly or hidden, requir-ing identification is the main subject of discussion. Equally important seems to be the question of the function and importance of music in Miciński’s dramas as well as the problem of musical fascination and inspiration in the poet’s writing.

KOHERENCJA MITÓW ODRODZENIA NATURY, CZŁOWIEKA I OJCZYZNY W PÓŹNYCH WIERSZACH TADEUSZA MICIŃSKIEGO (HYMN, WIDZENIE POLSKI)

86%

Sobieraj S.

nr XIV

185-199

The article presents interpretations of the little-known late poetry of Tadeusz Miciński from 1914-1915, where the myth of revival occurs. It has been shown that alongside with the myths of individual and national revival found in the writer’s earlier works, there appears the rite of renewal of nature, which functions in the close connection with them in the poems Hymn/Anthem and Widzenie Polski/Vision of Poland. This is the new formula of the author's lyrics. It has been proved that the coherence of the mentioned myths is subordinated to the idea of renouncing personal happiness in favor of the national cause and the vision of resurrection of the homeland (Poland) in specific geographical dimension. Attention was paid to the symbolism of the language of the analyzed texts.

Polityczne konteksty twórczości Tadeusza Micińskiego. Sprawa polska a Rosja w dobie Wielkiej Wojny

86%

Sobieraj S.

tom 2

247-268

The general purpose of the article is to show Tadeusz Miciński’s attitude to Polish – Russian relations during the First World War, with a particular emphasis on Polish independence issues. After a detailed analysis of Miciński’s literary and journalistic works from that period, the evolution of his views is identified in this range. The article shows that his favorable attitude towards Russia in the first two years of the war resulted from his belief that the tsar`s empire was able to guarantee Polish autonomy. Miciński shared the idea of a Slavic community to defeat the German enemy. He put his faith in the feasibility of Russian promises included in the statement of Grand Duke Nikolay from 1914. Moreover, Miciński relied on the Triple Entente of the UK, France and Russia, which was supposed to be the guarantor of defeating the Central Powers, and above all, Germany. Additionally, there is a description of Miciński’s attitude to post-revolutionary Russia, his hope for the democratization of the country and later disappointment that was caused by the Bolshevik coup. Miciński warned his compatriots of succumbing to ideas spread by Lenin. It has been shown that Miciński, in his views, was always a supporter of independent Poland over party divisions

„Tatry” Tadeusza Micińskiego – próba interpretacji

72%

Pilch U. M.

nr 6

“At the Bescribbled Rock”: Tadeusz Miciński's ‘Blood-red Snow’ as a ‘poème à clef’

51%

Czabanowska-Wróbel A. , Czabanowska-Wróbel A.

nr 3

Yeży Yankowski vs. Jankowski: a breakup with young Poland and with himself (act I)

44%

Okulicz-Kozaryn R. , Okulicz-Kozaryn R.

nr 1