Arthurian legend is one most powerful and influential story of the Middle Ages. None other tale of the medieval times has retained such an immense popularity throughout the centuries. Despite the importance of King Arthur himself, there is yet another member of the Round Table whose exploits inspired the English audience even more than the fabled ruler’s. The popularity of Sir Gawain seems to be a uniquely English phenomenon. Often disregarded or even despised in the French tales, Sir Gawain retained almost infallible admiration and interest on the British Isles, inspiring such great masterpieces as Sir Gawain and the Green Knight. Especially the late Middle Ages witnessed a most remarkable discrepancy in the literary portrayal of King Arthur’s nephew. This paper strives to present the dual evolution of the character of Sir Gawain in the medieval literature, on the basis of a comparative analysis of various Arthurian texts both exclusively English as well as those based on or inspired by French sources.
A close reading of three selected passages of the Middle English alliterative romance Sir Gawain and the Green Knight provides a detailed picture of fictional and fairy-tale manifestations of courtly and polite behaviour in Middle English, a period that imported many new terms of courtesy and politeness from French. In the three passages Sir Gawain is visited in his bedchamber by the lady of the house, who tries to seduce him and thus puts him in a severe dilemma of having to be courteous to the lady and at the same time loyal to his host and to the code of chivalry. The analysis shows how Sir Gawain and the lady of the house engage in a discursive struggle of the true implications of courteous behaviour. It also shows how the two characters use nominal and pronominal terms of address to negotiate their respective positions of power, dominance and submission towards each other. And, finally, an analysis of requests reveals how the lady carefully selects appropriate strategies to reflect the severity of the imposition of her requests and her momentary standing in their discursive struggle.
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