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THE ANATOMY OF THE 'GENTLE LAW' - BETWEEN LITERATURE AND PHILOSOPHY (Anatomia 'lagodnego prawa' - miedzy literatura a filozofia)

100%

Mazur A.

Przegląd Filozoficzno-Literacki

2009

tom 6

nr 2(23)

25-36

The paper thoroughly discusses biographic, aesthetic, literary, and philosophical premises of Adalbert Stifter's Foreword (to 'Bunte Steine'), taking into consideration plurality of prevailing interpretations, the latest ones as well. The influence of the 'soft law' for literary work of Stifter is discussed as well. On further investigation of traditional and modern determinants of the conception (parallels with Wolff, Leibniz, Kant, Humboldt, Herder, Bolzano, 'Lebensphilosophie', Schiller, Goethe, Winckelmann, Jean-Paul, Cicero, Seneca), it should be emphasized, however, that Stifter's 'law of gentleness' is a dialectical, dramatic conception rather, with inner inconherence, than a classical doctrine.

ZUM AUSDRUCK VON EMOTIONEN IN LITERARISCHEN TEXTEN. AM BEISPIEL DER ERZÄHLUNG „DER WALDGÄNGER“ VON ADALBERT STIFTER

70%

Mišun J.

Motus in verbo: časopis mladej vedeckej generácie

2013

tom 2

nr 2

56 – 66

The submitted article focuses on the issues of emotion linguistics and its application for the analysis of literary texts. The author examines, in connection with the Bühler’s organon model of natural language, some of the language means serving to express, name and develop emotions, where it is particularly the lexical level of the language which is paid attention to. A sample emotion linguistics analysis is illustrated by the example of Adalbert Stifter’s story “Der Waldgänger”. It becomes apparent that literary texts can bear emotional potential which is often activated by the means of context and general knowledge of the text recipient.