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Response time as an index for selective auditory cognitive deficits

100%

Nilipour R. , Clarke S. , Noudoost B. , Saber G. T. , Najlerahim A.

Acta Neurobiologiae Experimentalis

2004

tom 64

nr 2

163-170

The full or partial recovery of cognitive functions following brain lesions is believed to rely on the recruitment of alternative neural networks. This has been shown anatomically for selective auditory cognitive functions (Adriani et al. 2003b). We investigate here behavioral correlates that may accompany the use of alternative processing networks and in particular the resulting increase in response times. The performance of 5 patients with right or left unilateral hemispheric infarction and 6 normal control subjects in sound identification, asemantic sound recognition, sound localization, and sound motion perception was evaluated by the number of correct replies and response times for correct and wrong replies. Performance and response times were compared across patients and normal control subjects. Two patients with left lesions were deficient in sound identification and sound motion perception and normal in sound localization and asemantic sound recognition; one patient with right lesion was deficient in sound localization and sound motion perception and normal in sound identification and asemantic sound recognition; deficient performance was associated with increased response times. The remaining 2 patients (1 with left, 1 with right lesion) had normal performance in all 4 tasks but had significantly longer response times in some (but not all) tasks. Patients with normal or deficient performance tended more often than normal subjects to give faster correct than wrong replies. We propose that increased response time is an indication of processing within an alternative network.

„Ke slovu je potřeba se doposlouchat”. Audio art a tekstowo-dźwiękowa twórczość Jaromíra Typlta

86%

Pospiszil K.

Bohemistyka

2013

tom 13

nr 2

101 - 122

In the following article I present text-sound works of Jaromír Typlt on the background of one of the most interesting phenomena in contemporary Czech culture, which is audio art. Reflection on audio art and sound poetry is an introduction to writer's works. His textes and compositions from borderland of arts, especially so-called zmutovaná autorská čtení and a cycle Audio, which raises issue of sound, hearing and their connections with literature also are analyzed in this article.

DANCING INTO THE SUNSET: NICHT SCHLAFEN BY ALAIN PLATEL

86%

Fergombé A.

Slovenské divadlo (Slovak Theatre)

2024

tom 72

nr 3

220 – 236

This study is devoted to the Belgian director and choreographer Alain Platel’s stage creations, Nicht Schlafen, premiered in 2016. The text looks at the creative process, analysing the orchestral sources, the diversity of sound materials and the set designed by Belgian artist Berlinde de Bruyckere. Finally, the text examines how stage creation reveals itself as the crucible of a chaos of bodies, shedding light on contemporary tragedies.

DYNAMIZMUS HUDOBNEJ ŠTRUKTÚRY. ÚVAHY O HUDOBNOTEORETICKEJ TERMINOLÓGII

86%

Ferková E.

Musicologica Slovaca

2015

tom 6 (32)

nr 1

5 – 18

The verbalisation of music involves many perils. Musicologists have surmounted those perils by creating suitable concepts and metaphors and by adopting specialised terminology from other scholarly disciplines. The development of scholarly terminology in musicology goes together with the attempt to find the most adequate means for description and characterisation of musical language. One way of doing so is to regard the current of musical sound, flowing in time, as a means of expressing changes of force, tension, quiet or disquiet. This quality of music may be compared to the idea of a dynamised current of sound, in which the listener is able directly to perceive changes of forces, tensions, kinesis and stasis. These changes are conveyed by relationships: harmonic, melodic-formal structural relationships, and also relationships of sound, metre and rhythm, texture, and register.