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EN
Following article deals with the questions of Slovak museums´ promotion in the period 1970 – 1975. This topic offers large space for research. The article focuses mainly on the material based of the promotional resources. This was an integral part of the museological activities. Annual reports on the activities of Slovak museums were used as main source for research. The results showed that the scale of promotional sources did not changed significantly, only the usage of internet brought considerable impulse into the museums´promotion.
EN
Visitor research and correct interpretation of the findings are a prerequisite for sculpting museum production to meet the needs of museum audiences. At present, this approach is absent in Slovak museums, so museums do not know the answer to the question of who their visitors are. The article deals with the issue of visitor research in the conditions of Slovak museums. Attention is focused on defining the possibilities and motifs of obtaining data that convey the wishes, needs and evaluation of the audience. Subsequently, the author focuses on describing individual methods of obtaining relevant information.
EN
Reform trends in Slovak museums resulted in the preparation of the Action Programme in the year 1968. It included the idea of Slovak Association of Museums revival, which was cancelled in 1960. Following article discusses the document dealing with the form of new association. Outlined are also the reasons and incentives leading to the need to establish a professional organization, with notes and activities done on the soil of Czech museums.
EN
This paper analyses the organization of exhibitions in Bratislava in the period between 1939 and 1945. We examine not only the exhibitions themselves, but also for the first time shed light on their background, their administration and their locations. The exhibitions analysed here include those organized by museum as well as non-museum institutions of varying types and focus. Our analyses details the challenges involved in organizing exhibitions in the capital and then provides a detailed examination of three specific exhibitions. Additionally, the paper provides an overview of the exhibition activities of two major cultural institutions, the Slovak Museum and the Association of Slovak Artists towards the end of the period in question.
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