Wyniki wyszukiwania - Biblioteka Nauki

Nowa wersja platformy, zawierająca wyłącznie zasoby pełnotekstowe, jest już dostępna.
Przejdź na https://bibliotekanauki.pl

Ograniczanie wyników

Znaleziono wyników: 7

Liczba wyników na stronie

Wyniki wyszukiwania

Wyszukiwano:
w słowach kluczowych: SATIRE

Sortuj według:

Ogranicz wyniki do:

FORMS OF SATIRE IN TADEUSZ RÓZEWICZ'S POETRY (Formy satyry w poezji Tadeusza Rózewicza)

100%

Sidoruk E.

Przegląd Filozoficzno-Literacki

2009

tom 8

nr 3(24)

157-169

The article's subject is the presence of satire in Tadeusz Rózewicz's poetry. In disagreement with critics who question the poetic nature of literary works featuring satire in its pure form, the authoress argues that Rózewicz includes purely satirical (or journalistic) poems in his books of verse in a conscious effort to broaden the scope of poetry. She also points out that the sort of criticism constitutive of a satirist has over the years become more and more pronounced in the poet's work.

Ironia a dyskurs satyryczny

80%

Sidoruk E.

Białostockie Studia Literaturoznawcze

2013

tom 4

205-214

The subject of analysis in the article is a relation between irony and satire understood as discursive practice. Putting under scrutiny the concept of the satirical text proposed by Paul Simpson in his work On the Discourse of Satire, the author argues that irony understood as a form of expression is not a constructive element of satire.

K NIEKTORÝM PROBLÉMOM AKTUÁLNEHO TEORETICKÉHO DISKURZU O CENZÚRE

80%

Matejovič P.

Slovenská literatúra (Slovak Literature)

2017

tom 64

nr 3

228 – 235

The author of the paper deals with an overview of reflection on censorship in the current literary theoretical discourse focusing on the Czech cultural context. He pays special attention to the two-volume monograph titled v Obecném záujmu / In Public Interest/ and the anthology of theoretical studies which were pubished under the title Nebezpečná literatura? /Dangerous Literature?/. He draws attention to the theoretical works by P. Bourdieu, J Butler and L. Losev. He puts individual theoretical findings into relation with contemporary poetics as it was formed by the canon of Socialist Realism (cryptic forms of Esopian language in the contemporary satire). He also pays attention to dispersed forms of censorship which formed the poetics of the 1970s and the 1980s during the period of so-called Normalization (the formation of parallel circulation).

WISDOM TEXTS FROM DEIR EL-MEDINA ('Nauki' z Deir el-Medina)

80%

Barwik M.

Przegląd Orientalistyczny

2009

nr 1-2 (228-229)

29-38

Wisdom and didactic texts connected with the community of Deir el-Medina are translated and commented in the present paper. Some of them were composed by the inhabitants of the village. Others were just copied by the literate men well acquainted with literary tradition of Egypt.

ANALÝZA POLITICKEJ A SOCIÁLNEJ KARIKATÚRY V ČASOPISOCH RARÁŠEK A JEŽIBABA V OBDOBÍ ROKOV 1870 – 1872

70%

Krátky M.

Historický časopis (Historical Journal)

2020

tom 68

nr 2

249 – 269

Nineteenth century Slovak caricatures come from a wide range of political positions. The magazines Ježibaba supporting the Slovak New School and Rarášek belonging to the Slovak National Party were the most important representatives of political and social humour in the years 1870–1872. They had different approaches to drawing caricatures and their thematic starting points, by which both participated in shaping the political thought of the period. The intense aggressiveness of the drawings in Ježibaba may be seen as a demonstration of the political effort of the New School to establish a new political orientation. On the other hand, the artistically more conservative Rarášek opened social themes and brought systematic effort to the work of political journalism.

Satyra jako praktyka dyskursywna

70%

Sidoruk E.

tom 3

241-248

The article constitutes an analysis of the concept of satire as a discursive practice proposed by Paul Simpson. What the author considers the main forte of Simpson's model is its definition of the nature of satire without references to the categories of “satirical intent” and the “ideology” of the satirist. The author claims that such an approach allows a new perspective on the way literary satire is perceived.

'NOWY POMPON' - A HUMOROUS AND SATIRICAL MAGAZINE PUBLISHED IN KRAKOW IN 2004-2006 ('Nowy Pompon' - krakowskie czasopismo satyryczno-humorystyczne z lat 2004-2006)

60%

Niec G.

Rocznik Historii Prasy Polskiej

2009

tom 12

nr 1 (23)

81-101

The article discusses the history and contents of 'Nowy Pompon', a humorous and satirical magazine published in 2004-2006 in both online and paper versions, including as a supplement to the 'Ozon' weekly. The magazine was the work of cabaret artists who combined nonsense humour with a flair for absurd. Press parody was the overriding concept